In the prologue, Talia (Thalia) and Urania announce an inspiring story. Baldassara, a successful actress admired by Alvaro and Rodrigo, is tormented: as she performs the role of Clorinda in the company of Beatrice, Lisa, and Biscotto in a theatrical adaptation of La Gerusalemme Liberata by Torquato Tasso, she is so disturbed that she misses her cue. Baldassara understands that her torment comes from the fact that, while she plays the role of a young Christian, she has turned a deaf ear to the calls of God. Right in the middle of the performance, she leaves to exile herself in the desert, pursued by Biscotto and Lisa, who attempt to deter her from her goal. Beatrice, however, has only contempt for her rival; the other actors apologize to the public, who seem enthusiastic at the performance of who they call the "Comica del Cielo" (the Actress from the Heavens). During her exile, Baldassara discovers the beauty in solitude, while Lisa and Biscotto see only horror. She refuses their pleas to return to Valenza. The Demon, disguised as a hunter, tempts Alvaro, who has left in search of his lover: the young man finds Baldassara, who implores him to devote his life to God. In despair, he leaves to throw himself from a cliff. Baldassara tries to stop him, but a boulder in the form of a cross intervenes. Baldassara kneels before the power of the Divine. Biscotto, in hermit's robes, decides to stay at her side despite objections from Lisa. During her slumber, the Demon sends Baldassara temptations: upon her wake, she repels him with a Christian symbol, which breaks the spell. Biscotto, however, regardless of Lisa's warnings, tastes a cake from the Demon: the bitterness in his mouth remains, but he succeeds in chasing the Demon away. Act II ends with a ballet. Beatrice arrives in the desert after the death of Tafer, who she followed across the oceans and who was defeated by Rodrigo. In a nocturnal scene, Baldassara and Biscotto discover Beatrice and successfully dissuade her from killing herself. Rodrigo, arriving mid-reunion, wants to kill Beatrice to avenge her infidelity. Baldassara interjects and commands him to turn toward God. After these multiple conversions Penitenza (Penitence) appears to Baldassara to bring her her rewards; she confronts the Demon and triumphs over him. Since Alvaro hopes to regain his good graces with the help of Lisa, he finds Baldassara dead, in the midst of a choir of angels and happy souls.

"On foot and by rod" puppet

Marionette with counterweight

Not specified

Spain

Madrid

Italy

Rome

Printed

Conversion

Desert

Hermit

Actress

Miracle

Edifying

Heroic

Religious

Epic

Italian

La Conversione di Santa Baldassarra Comica Spagnuola; La Comica celeste

ovvero La Baldassara

Thalie

Muse

Uranie

Lover (man)

King

Counselor

Servant

Maid

Devil

Soldier

Spectator

Choir

Angel

Play in verse

Chorus

Interlude

Prologue

Theatre within the theatre

Crowd

Sleeping character

Soliloquy

Night scene

Revelation

Failed suicide

Apparition of the Devil

Pact with the devil

Allegory

Death on stage

Flying machine

Apotheosis

Ascent to heaven

Apparition of an angel

La Comica del Cielo

The Actress from the Heavens

Guignol embarks on a hot-air balloon set for the Moon, in order to escape poverty and make his fiancée’s dreams come true. The balloon takes him first to the Mer de Glace (a glacier in France), then close to the Sun, and finally to the Moon. Guignol is captured by the guards. But when he meets the king of the Moon, he succeeds in convincing him that it would be more profitable for him to keep him as an ally, since he could establish trades between the Moon and the Earth. Guignol also shows the king the power of firearms, which are manufactured on Earth. Firearms being a lot more effective than the low-tech weapons of the Moon, Guignol promises the king that they will help him subdue an enemy neighbour. He is then appointed general. Gnafron and Madelon eventually travel to the Moon too, and the play ends with a feast.

Glove-puppet

All audiences

France

Lyon

Manuscript

Excessive drinking

Cosmic journey

Money

Gas balloon

Parachute

Communication

Bear

Trade

Army

Comical

Parodistic

Fantasy

First page of the handwritten manuscript of Guignol dans la Lune

French

Pièce féerique en 8 tableaux

Guignol

Gnafron

Madelon

Prosecutor

Queen

Prime Minister

Change of social status

Allusion to current literary events

Metadiscourse on puppet theatre

Dialect as a social marker

Letter

Pyrotechnics

Guignol dans la Lune

Guignol on the Moon

A shepherd finds Princess Bertha on a beach, after she was banished from the kingdom by her brother Carlo Magno. Bertha had sailed away with her lover Milone, but the captain of the boat kidnapped her. A tempest then sank the ship and dispersed all its passengers. The shepherd took the princess in as his own daughter and became the grandfather of the child she gave birth to – Orlandino. Orlandino is an unruly child: he is always ready to hit someone with a stick. One day, he wins a tournament against the Governor’s child Oliviero. The Governor shows surprise at Orlandino’s victory, interrogates him and finds out he is Berta and Milone’s child. With the help of Duke Namo, Berta comes to Carlo Magno to ask for his forgiveness. But the king kicks her. As a consequence, Orlandino strikes the king with his stick. Carlo Magno and Berta finally reconcile. After biting him, Orlandino throws himself into his uncle’s arms. In him, his uncle sees the curse of the pagans and the champion of Christianity.

Rod marionette

Armed rod marionette

Rod and string marionette

Palermo

Typed or electronic text with handwritten annotations

Impossible love

Shipwreck

Disobedient child

Hidden child

Forgiveness

Dramatic

First page of Anna Cuticchio's Le avventure di Orlandino

Shepherd

Lady

Child

Orlando

Governor

Father

Oliver

Virticchio

Voice

Duke

Charlemagne (King)

Guard

Analepsis (Flash-back)

Blow-with-a-stick

Fight

Fight with an animal

Disguised character (false identity)

Le avventure di Orlandino

The adventures of Orlandino

In Carlo Magno’s (Charlemagne) royal palace, paladins are getting ready to fight Agramante, who has besieged Paris, and his army. In a wood, while she is waiting for her lover Ruggero, Bradamante kills a snake; then she saves a soldier who was in danger because of another snake. The solider tells him that Ruggero is going to marry Marfisa and he promises Bradamante that he will lead her to Agramante’s camp, so she can challenge Ruggero in a duel. In the enemy camp, the knights are preparing to fight Carlo Magno’s army. Marfisa tends to Ruggero, who was wounded by Mandricardo. When Bradamante arrives, Marfisa goes to fight her in Ruggero’s stead. The two warriors fight in a duel. Ruggero arrives to split them up. When he learns that the knight fighting Marfisa is his beloved Bradamante, he explains that he could not meet with her at the appointed time because he was wounded. Marfisa eavesdrops on the conversation, without being seen, and discovers that Ruggero is in love with Bradamante. Ruggero and Marfisa are about to fight when the ghost of the magician Atlante appears and reveals that they are the twin children of the Chrisitan king Ruggero di Risa. Ruggero and Marfisa reconcile, decide to be christened and to go with Bradamante to Carlo Magno’s court.

Typewriting

Love

Duel

Twins

Jealousy

Phantom

Encounter

Furiosa e terribile battaglia tra Bradamante e Marfisa per amore di Angelica

Bradamante

Paladin (female)

Saracen

Moorish

Agramante

Warrior

Marfisia

Warrior (female)

Empress

Roger

Knight

Skeleton

Magician

Atlante

Apparition of a ghost

Sword fight

Duel scene

Hidden character

Spectacular turn of events

Battaglia tra Bradamante e Marfisa

Battle between Bradamante and Marfisa

Clara, a young teenage girl, has killed herself. The day after, the Arpenteur (surveyor) questions several of her relatives to try and understand the circumstances of her death. Whilst he looks for the reasons that led to this act, he also tries to grasp the reasons that motivate him to live. Each of Clara’s relatives describe memories of her and provide contradictory stories of her last moments. Dylan, her boyfriend, admits he felt that she had no desire to live. From the hereafter, Clara observes the same feeling in others. She hears the song that Dylan hums for her and tries to call for him, but to he can’t see her. Adrien, Pierre, and Sylvain, whose job is to start fires, say that they saw Clara with the Passeur (the ferryman). In a flashback, we can see Clara asking the Passeur to choose how she is going to die. A chorus of naiads then describes how she drowned in the river. The Arpenteur asks the Passeur to bring Clara back from the dead. The Arpenteur solves a riddle, and the Passeur allows Clara’s relatives to see her one last time. Clara appears and sees how they all suffer, but she assures them that she is happier dead than alive.

Paris

Suicide

Mysterious death

Remembrance

Grief

Quest

Afterlife

Lust

fleuve

Tragic

Philosophical tale

Fantastic

Éloi Recoing, Un instant suicidaire, Théâtre aux Mains Nues, 2008