In Il Volgo di Roma (1890), a collection of anecdotes of folk life in Rome, Francesco Sabatini (1852-1928) dedicated a chapter to Ghetanaccio, written by Filippo Chiappini (1836-1905), a poet who composed in the local dialect. Based on oral testimonies he collected, Chiappini relates short comic dialogues improvised by the glove-puppeteer, who was a famous performer in the streets and squares of the city. In this dialogue, Ghetanaccio takes revenge on a pizzicarolo (pork butcher) who, in the morning, lied to him about the weight of the goods he sold to him: he comes back to the square where the trader keeps his shop, sets up his booth just before the shop window and denounces the pork butcher’s skullduggery.

Rugantino is crying because he has just had three children, and a Gypsy woman has predicted that the first would be killed, that the second would kill and that the third would steal. A Genie with wings (a puppet with two wings of a hen) appears and asks him why he is distressed. Once he knows the reason, the Genie gives him advice so that his children do not head for trouble, even if the prophecy turns out to be true. The first will become a soldier so that his death is a source of honour; the second will become a doctor, so that he can kill without anyone reproaching him; the last will become a pork butcher, a job which will allow him to steal without being caught. Rugantino approves of this advice enthusiastically and relates that the pork butcher standing next to him and who is watching the show has indeed stolen from him in the morning of this very day, by selling him two slices of dried sausage for the same price as two whole saucissons. The audience hisses at the pork butcher, who runs and seeks refuge in his shop, which he closes, fearing that people will throw stones and destroy it.