Il matrimonio di Facanapa

Printed

22 pages

Il matrimonio di Facanapa

| 1910 | Italy
Genre (as defined by the author)
Commedia in 2 atti
Characters
Pantalone, Facanapa, Smeraldina, Tartaglia, Rosaura, Arlecchino
Number of acts
2
Note

Il matrimonio di Facanapa (Facanapa’s wedding) is part of a series of texts written for puppets, Raccolta di commediole, and released by G. Chiopris, a publishing house from Trieste. The theme of the play echoes that of texts written for actor theatre, and is meant for a family audience.

Plot summary

Two young people marry despite hardships

Smeraldina and Facanapa, two servants in love, argue because Facanapa is jealous when Smeraldina pays attention to her appearance. She tells him that she is doing this for him, and also to obtain tips that allow her to pay for certain things. Pantalone, Smeraldina’s employer, asks her if she intends to marry Facanapa (who is a genuinely good guy), so that his wife no longer suspects their relationship. Facanapa comes back and says that the cellar has been flooded because he opened the barrels. Pantalone kicks him, and, angry, decides that Smeraldina will marry the shopkeeper Arlecchino. Meanwhile, Arlecchino asks Tartaglia for his daughter Rosaura’s hand, but she wants to marry Florindo and so rejects his advances. A discomfited Arlecchino leaves and encounters Pantalone who offers for him to marry Smeraldina. Facanapa hides from Pantalone in a tree, and overhears the conversation. Smeraldina agrees to marry Arlecchino, and Facanapa, very angry, wants to hang himself. Smeraldina saves him; Pantalone agrees to their wedding and even provides a dowry. Once again, Arlecchino ends up without a wife.

Composition date
1910

First performance

Italy

Publications and translations

Publication

Il matrimonio di Facanapa : commedia in due atti ; Facanapa medico omeopatico : scherzo comico in un atto. Trieste ; Fiume : G. Chiopris, 1910.

Language
Venetian
Animations techniques
String marionette
Audience
All audiences
Licence
Public domain

Key-words

Theatrical techniques

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Written by

Sara Maddalena