In the prologue, Talia (Thalia) and Urania announce an inspiring story. Baldassara, a successful actress admired by Alvaro and Rodrigo, is tormented: as she performs the role of Clorinda in the company of Beatrice, Lisa, and Biscotto in a theatrical adaptation of La Gerusalemme Liberata by Torquato Tasso, she is so disturbed that she misses her cue. Baldassara understands that her torment comes from the fact that, while she plays the role of a young Christian, she has turned a deaf ear to the calls of God. Right in the middle of the performance, she leaves to exile herself in the desert, pursued by Biscotto and Lisa, who attempt to deter her from her goal. Beatrice, however, has only contempt for her rival; the other actors apologize to the public, who seem enthusiastic at the performance of who they call the "Comica del Cielo" (the Actress from the Heavens). During her exile, Baldassara discovers the beauty in solitude, while Lisa and Biscotto see only horror. She refuses their pleas to return to Valenza. The Demon, disguised as a hunter, tempts Alvaro, who has left in search of his lover: the young man finds Baldassara, who implores him to devote his life to God. In despair, he leaves to throw himself from a cliff. Baldassara tries to stop him, but a boulder in the form of a cross intervenes. Baldassara kneels before the power of the Divine. Biscotto, in hermit's robes, decides to stay at her side despite objections from Lisa. During her slumber, the Demon sends Baldassara temptations: upon her wake, she repels him with a Christian symbol, which breaks the spell. Biscotto, however, regardless of Lisa's warnings, tastes a cake from the Demon: the bitterness in his mouth remains, but he succeeds in chasing the Demon away. Act II ends with a ballet. Beatrice arrives in the desert after the death of Tafer, who she followed across the oceans and who was defeated by Rodrigo. In a nocturnal scene, Baldassara and Biscotto discover Beatrice and successfully dissuade her from killing herself. Rodrigo, arriving mid-reunion, wants to kill Beatrice to avenge her infidelity. Baldassara interjects and commands him to turn toward God. After these multiple conversions Penitenza (Penitence) appears to Baldassara to bring her her rewards; she confronts the Demon and triumphs over him. Since Alvaro hopes to regain his good graces with the help of Lisa, he finds Baldassara dead, in the midst of a choir of angels and happy souls.

Not specified

Spain

Madrid

Italy

Rome

Printed

Conversion

Desert

Hermit

Actress

Miracle

Edifying

Heroic

Religious

Epic

Italian

La Conversione di Santa Baldassarra Comica Spagnuola; La Comica celeste

ovvero La Baldassara

Thalie

Muse

Uranie

Lover (man)

King

Counselor

Servant

Maid

Devil

Soldier

Spectator

Choir

Angel

Play in verse

Chorus

Interlude

Prologue

Theatre within the theatre

Crowd

Sleeping character

Soliloquy

Night scene

Revelation

Failed suicide

Apparition of the Devil

Pact with the devil

Allegory

Death on stage

Flying machine

Apotheosis

Ascent to heaven

Apparition of an angel

La Comica del Cielo

The Actress from the Heavens

Conrad, Mattéo, and Stella are in the catacombs. Conrad insists that Mattéo, the servant who accompanied them, leave. Once alone, Conrad forces Stella to swear that she loves him. She trembles in fear, and he thinks that it is proof of a lie; his suspicion comes from a letter he discovered, written by Stella for a certain Strozzi but that she never sent. In a fit of jealousy, he abandons her after cutting the thread that showed them the way out of the catacombs. Stella tries to find the exit, but she collapses in the darkness. A silhouette appears. Four years later, in an inn, Conrad encounters a stranger who seems to recognise him. The stranger introduces himself as Cagliostro, a friend who came to rescue him. He promises to see Conrad again on the day of his wedding with Mathilde de Sarnen, with whom he is in love. Before he leaves, Cagliostro gives Conrad a hammer, a mask, and a rose, and gives him a place and time. At the convent of Aarau, Mathilde de Sarnen asks the abbess Marie de Rudenz for permission to go and see her fiancé. When she discovers the name of the man Mathilde loves, Marie is incredibly furious and forbids their union. Conrad, wearing a mask, slips inside the convent and when he sees Marie, he recognises… Stella. She tries to clarify the letter that caused his jealousy, but Conrad says that he came here for his fiancée, Mathilde. Enraged, Marie threatens to kill Mathilde if he tries to leave with her. She assures him that everything obeys her in the convent, and proves her power. To stop her from ordering him, Conrad fatally hits her throat. The wedding between Mathilde de Sarnen and Conrad de Caldorf is to take place soon. However, Mathilde is suspicious of her fiancé and keeps her distance: she thinks that he murdered Marie. Cagliostro promises Conrad that he will fix everything. He pretends that Marie’s murderer has been caught. Mathilde is now reassured and feels more peaceful. Later, Marie’s ghost appears in front of Conrad. Terrified, he screams, which alerts the guests. Amongst them is the count Henri, who bursts out laughing because of Conrad’s fear. Furious, Conrad challenges him to a duel. Before the duel, the Nonne Sanglante (Bloody Nun)–Marie’s ghost–kills Henri and promises Conrad to find him on his wedding night. During the wedding night, Conrad sees the Nonne Sanglante sitting on the bed next to Mathilde. Frightened, he tries to kill Marie, but blinded by his fear, he fatally hits his wife. The Nonne offers him to run away after setting the building on fire to hide Mathilde’s murder. Conrad pretends to agree, but he locks up the Nonne in the burning building.

String marionette

All audiences

France

Darkness

Love

Jealousy

Death

Supernatural

Masque

Convent

Revenge

Ball

Phantom

Duel

Conflagration

Melodramatic

Dramatic

Fantastic

French

Lover

Ghost

Count

Cagliostro

Domestic servant

Innkeeper

Guests

Off-stage noise

Music

Avista

Apparition of a ghost

Song

Off-stage voice

Murder on stage

Fire

La Nonne sanglante

The Bloody Nun

Smeraldina and Facanapa, two servants in love, argue because Facanapa is jealous when Smeraldina pays attention to her appearance. She tells him that she is doing this for him, and also to obtain tips that allow her to pay for certain things. Pantalone, Smeraldina’s employer, asks her if she intends to marry Facanapa (who is a genuinely good guy), so that his wife no longer suspects their relationship. Facanapa comes back and says that the cellar has been flooded because he opened the barrels. Pantalone kicks him, and, angry, decides that Smeraldina will marry the shopkeeper Arlecchino. Meanwhile, Arlecchino asks Tartaglia for his daughter Rosaura’s hand, but she wants to marry Florindo and so rejects his advances. A discomfited Arlecchino leaves and encounters Pantalone who offers for him to marry Smeraldina. Facanapa hides from Pantalone in a tree, and overhears the conversation. Smeraldina agrees to marry Arlecchino, and Facanapa, very angry, wants to hang himself. Smeraldina saves him; Pantalone agrees to their wedding and even provides a dowry. Once again, Arlecchino ends up without a wife.

Wedding

Suicide

Unrequited love

Il Matrimonio di Facanapa, ed. Chiopris, 1910.

Venetian

Pantaloon

Young man

Waitress

Young woman

Father

Arlecchino

Shopkeeper

Kicking

Spying scene

Love rivalry

Il matrimonio di Facanapa

Facanapa's wedding

A TV presenter invites the audience to time travel to the year 2084; he ages rapidly and dies. A foetus floats in space and hums the music from 2001: A Space Odyssey. Numbers 3 and 5 harass number 11 who wants to be left alone, driving him to suicide several times. The voice from the speaker congratulates 3 and 5. Two robots talk using only letters and acronyms. Mozart, afraid of being forgotten, doubts his own identity. The creatures Têtedelard and Boutdechou reflect on their potential, and then the former dismembers the latter while Lumgo, a deceitful creature with disorganised syntax, tries to convince Boutdechou to become the king of humanity. Clones have to play family but no longer understand the concepts of man, woman or love. An alien mother listens absent-mindedly to her son tell stories of life on Earth in the past. Behind them, the planet Earth rises.