Casperl gets drunk with the hunter Thomerl and Thomerl offers to put Casperl’s wife Grethl to the test: Casperl has to fake an illness that will lead to his death, and Thomerl, disguised as a doctor, will come and certify the death. As soon as Casperl is pronounced dead, Grethl tries to console herself in the arms of Lieutenant Pulvermann. The fake dead man is resurrected, a fight ensues in which Pulvermann is killed and the corpse is taken backstage. A police officer comes to seize Casperl, but husband and wife join forces against the impetuous man, who is forced to give in to the violence. To celebrate their reconciliation, Casperl and Grethl go to the inn, where they also meet with Thomerl.

Not specified

Pocci Franz von

Germany

Munich

Printed

Wedding

Household

Philosophy

Beer

Wine

Gluttony

Doctor

Drunkenness

Medicine

Grief

Scatology

Reconciliation

Tavern

Comical

Farcical

German

Ein beispielloses Spektakelstück

Kasperl

Thomerl

Madame Kasperl

Lieutenant

Police officer

Monologue

Macaronism

Word for another

Song

Spying scene

Parody of formal language

Aside

Fake death

Disguise

Dream

Brawl

Murder on stage

Dance

Slaps

Die Prüfung

The test

Surprised by a downpour, Prince Alfred and his companion von Edelfels take refuge in Casperl’s household while Grethl waits for her husband to return from the inn. Casperl arrives in a very drunken state and immediately falls asleep. The prince, who had retired with von Edelfels to a nearby hovel, has an idea for a joke. He has the sleeping Casperl taken to a luxurious room, where he is treated with full honours. Soon Casperl does not know whether he is Casperl or Prince Schnuri... Pretending to be his doctor, Prince Alfred gives him a sleeping pill, and Casperl wakes up a few hours later in his old room. Von Edelfels, disguised as a magician, assures him that he is indeed Prince Schnuri, but that as a punishment for being a drunkard he has been turnt into a ‘dumb man’. Casperl finds Grethl and promises to make amends, all while announcing that he will drink many more litres of beer.

String marionette

Young audiences

Excessive drinking

Rain

Joke

Aristocracy

Luxury

Sausage

Metempsychosis

Black

Magic

Otto von Bismarck

Moralische Komödie in drei Aufzügen

Prince

Moorish

Valet

Off-stage voice

Cross-dressing

Pyrotechnics

Board

Current affairs

Incognito

Casperl als Prinz

Casperl prince

Pierrot has been dead for six months when he meets Arlequin in the Underworld. Arlequin has just arrived and tells Pierrot that Colombine quickly forgot all about him after he died. First, she went with Valère, then with Arlequin himself, after he and Martine divorced. After having met Platon (Plato) and Socrate (Socrates) and spied on their conversations, Pierrot and Arlequin begin philosophising about women. When they meet Pluton (Pluto), they ask him to bring Martine and Colombine, whom they yearn to see. The two women are taken alive to the Underworld, but they reject Arlequin and Pierrot as they refuse to live with dead men. To keep them away, Martine sends them both on a mission with Pluton and Caron (Charon). The young women meet Platon and Socrate too, who are both affected by the women’s living flesh. Arlequin is jealous and ready to fight Socrate. However, Pluton comes back and tells Martine and Colombine that Valère has already replaced them both. They ask to be brought back to earth, and Pluton grants their wish. After they are gone, Pluton and Arlequin declare that no woman is trustworthy, but Diotime (Diotima) appears and reminds them of the transfiguring power of love.

Pigeon Amédée

France

Paris

Descent into hell

Death

Love

Carnal love

Unfaithfulness

Greek mythology

Afterlife

Woman

Dialogue of the dead

Satirical

Philosophical tale

French

Pierrot

Arlecchino

Socrates

Plato

Choir

Pluto

Colombine

Diotima

Apparition

Scene of recognition

L'Amour dans les Enfers

Love in the Underworld

Don Juan tries to seduce Donna Anna, but they are spied on by her confessor: An argument ensues, after which Don Juan is carried off to hell by the statue of the Commander. The Devil returns in the guise of Donna Anna to take away the confessor, who has set his sights on the young woman. Then the Devil takes the guise of the confessor to seduce Donna Anna. Virtue, in the guise of a hideous woman, tries to warn her off, but Donna Anna still prefers to give herself to the Devil. The Fool concludes the scene by chasing away Virtue and inviting the audience, for this evening, to enjoy the pleasures of love.

Shadow theatre

Bernus Alexander von

Seduction

Morality

Future punishment

Femme fatale

Vice

Secession

Parodistic

Burlesque

Eine moralische Scene mit einem unmoralischen Nachspiel

Don Juan

Anna

Priest

Stone Guest

Devil

Virtue

Fool

Epilogue

Allegory

Light effects

Address to the public

Story

The Real Lady enters a shop to buy a foil that will accompany her in her social engagements. The Shopman first recommends her a “Real Horror”, whom she turns down. Then, he introduces the Real Artist, the Van Gogh model (only his legs and shoes are visible), but he growls whenever he hears about money and the Shopman advises her against buying it in the end. He suggests a Marionette instead – The Real Gentleman. The Real Lady inspects it closely, buys it and gets out of the shop with it, carrying it around on a leash. From behind a window, art historian John Ruskin and naturalist Charles Darwin followed and briefly commented on the scene. The interlude concludes with other remarks, from Buddha and Ahha, who appeared in a version of The First Prologue and who, accompanied by Parrot, were supposed to travel throughout centuries in the Drama for Fools initial project.

Silhouette

Giant marionette

Craig Edward Gordon

Italy

Marina di Pisa

Trade

Shopping

Stooge

Society life

Goods

Monster

Money

People and history

Witness

Absurd

English

Salesman

Lady

Gentleman

Artist

Vincent Van Gogh

John Ruskin

Charles Darwin

Buddha

Ahha

Parrot

Columbus

Situation comedy

Speechless character

Metadiscourse on puppet theatre

Commentary

Upon his return from his military service, Turiddu discovers that Lola, the woman he loved, married Alfio. He gets engaged to Santuzza in order to make Lola jealous, and then becomes Lola’s lover. Santuzza, who is desperate, reveals to Alfio that Lola and Turiddu are having an affair. She immediately wishes she had not told him, but she cannot prevent atragedy from happening. Alfio challenges Turiddu to a duel, and after having thrown dirt into his eyes, Alfio stabs Turiddu to death.

Rod and string marionette

Palermo

Typed or electronic text with handwritten annotations

Impossible love

Honour

Jealousy

Murder

Duel

Dramatic

Sicilian

Per opera dei pupi e opera lirica

Lover (man)

Wife

Lover (woman)

Gossiper

Garbage man

Lamplighter

Fiancée

Father

Mother

Husband

Speech-narrative

Character leaning against the window

Knife fight

Stabbing

Seduction scene

Change of size on sight

Aria

Cavalleria Rusticana

Rustic chivalry for opera dei pupi and lyrical opera

On his way to Paris, young d’Artagnan bumps into a stranger accompanied by a gorgeous woman he calls Milady. The stranger steals from him a reference letter addressed to Tréville – the captain of the musketeers. In Paris, d’Artagnan meets Tréville and earns the trust of the three musketeers Athos, Porthos and Aramis when he fights with them against the Cardinal Richelieu’s guards. The king gives the three musketeers and d’Artagnan thanks for their courage. Then, d’Artagnan saves Costanza – the queen’s lady-in-waiting. She entrusts him with a mission – to save the queen from a trap set by Richelieu. The queen gave aglets to the duke of Buckingham, who is in love with her, but they had been gifted to her by the king. In order to make the king aware of this relationship between the queen and the duke, the cardinal suggests that he organise a party and ask the queen to wear the aglets for the occasion. D’Artagnan then goes to London with the three musketeers, manages to recover the aglets and so to save the queen’s reputation.