Mademoiselle (Miss) Félicité, a foreign doctoral student, pays a visit to Morched – a master puppeteer – to buy his puppets. Her request is categorically denied because, in Morched’s eyes, puppetry is ancestral work. However, after the 1979 Islamic Revolution, the authorities censored traditional Iranian culture and Morched is forbidden from practicing his trade. In spite of this prohibition, he decides to use his puppets one last time to tell the love story between Pahlévâne and Sarvé-Nâz Khânome, which will soon be made impossible because of the Mullahs, who support their friend Mobârak (“a mischievous servant”). Unable to destroy his puppets, Morched – just before he dies – decides to entrust them to Mademoiselle Félicité, who will be able to keep the memory of his work alive.

Actor and puppet

Not specified

France

Printed

Puppeteer

Puppets

Student

Love

Power

Transmission

Religion

Current events

Daily life

Bans

Political context

Death

Comical

Epic

Dramatic

Frédéric de Manassein, cover art for Mémoires d'une marionnette.

French

Journal d'une marionnette

Wife

Servant

Mobârak

Young man

Monster

Horse

King

Prince

Priest

Young woman

Herald

Guard

Deux Balayeurs, Torch-Ali Bak et Chirin-ali Bak (jumeaux)

Twins

Eunuch

Vehicle

Ambassador

Quelques Dignitaires civils et militaires

Dancer

Mise-en-abyme

Dialog between a puppet and its puppeteer

Address to the public

Comedy of language

Comic speech

Multi-voice shouting

Allusion to current political events

Versified passages

Monologue

Hands visible

Apparition of a monster

Death on stage

Mémoires d'une marionnette

Memoirs of a puppet