The show is divided into two parts. In the first part, Joseph and Mary arrive at Tirisiti's inn, who refuses to give them shelter. This is followed by the traditional episodes of the angel’s appearance, the nativity, the adoration of the shepherds and the Magi. During the flight to Egypt, the Holy Family finds refuge under a palm tree which conceals them from the eyes of their pursuers. The Captain of the soldiers interrogates the farmers who tell him that they saw the fugitives passing by while they were sowing. At that moment, the wheat sprouts miraculously, confusing the soldiers who give up the pursuit. The tree opens its palms and reveals the Holy Family who continue on their way.
The second part, the one with secular action, is divided in six scenes with situations and characters from Alcoy. The Night watchman announces the time and wakes up the characters one after the other. Tirisiti comically presents the local community on its way to mass. An old man argues with the altar boy who holds the church door. Tirisiti sends his wife Tereseta to mass, who exchanges a kiss with the sacristan, but the crowd warns her husband about it. The community leaves the church at the end of the mass, while Tirisiti is repeating his comments. A bull appears and threatens Tirisiti. The famous bullfighter Clásico makes some bullfighting passes in front of Tirisiti who boasts that he can do better than him. A chase begins between the bull and Tirisiti. The bells ring, announcing the march of Moors and Christians who come forward, as in the traditional Alcoy festival. The city's patron saint, Saint Jordi, appears on top of the castle. Tirisiti decides to leave the city, packs his bags and leaves for the Moon in a hot-air balloon. But the hot-air balloon bursts and Tirisiti falls with it.

All audiences

Pepe Esteve el Betlemero (Josep Esteve, aka el Betlemero)

Spain

Alcoy

Printed

Crib

Swazzle

Custom

Nativity

Folklore

Popular theatre

Spanish bullfighting

Party

Gas balloon

Mass (liturgy)

Daily life

Comments

Bullfighting

Christmas

Visitation Festival

Comical

Satirical

Religious

Didactic

Catalan

Innkeeper

Virgin Mary

Melchior

Wise Men (Biblical Magi)

Shepherd

Soldier

Night watchman

Grand-father

Sacristan

Bullfighter

Bull

Saint George

Moorish

Joseph

Jesus

Angel

Caspar

Balthazar

Captain

Choirboy

Christian

Ploughman

Narrator

Address to the public

Dialogue with the audience

Fight with an animal

Chase

Christmas carol

Instrumental tune

Apparition

Improvised dialogue

Current affairs

El Betlem de Tirisiti

La crèche de Tirisiti

After a long silent prologue evoking the creation of the world and then the fertilisation of an ovum by a “ballet of spermatozoids”, the Poète (Poet) brings into focus the birth of two characters – Homme (Man) and then Femme (Woman). They both feel the “tragic desire to be made complete”. They make love and are thus made whole. But disease, infidelity, weapons and secrets appear with the birth of the city. Homme and Femme forget one another. A new concrete city takes over the old one, and no space is left for emotions. Homme finds himself in a crowd led by money, proprietorship and the market. Why waste your life for machines, Homme asks? Why give birth to children in a world that is filled with pain, Femme asks as an echo? Determined “not to accept the unacceptable”, “not to allow to not live” and to “organise the dream”, they meet again before fading into the growing darkness.

Rod puppet

Adults

France

Metz

Love

Sexuality

Labour

Industry

Pollution

Madness

Lyrical

Philosophical tale

Erotic

Gabriel Cousin, Oratorio pour une vie, L'Avant-scène théâtre, n° 702, 1982 (cover page)

French

Poet

Love duet

Scene of copulation

Hands visible

Monologue

Inserting poetry

Avista

Chorus

Oratorio pour une vie

Oratorio for a life

Mademoiselle (Miss) Félicité, a foreign doctoral student, pays a visit to Morched – a master puppeteer – to buy his puppets. Her request is categorically denied because, in Morched’s eyes, puppetry is ancestral work. However, after the 1979 Islamic Revolution, the authorities censored traditional Iranian culture and Morched is forbidden from practicing his trade. In spite of this prohibition, he decides to use his puppets one last time to tell the love story between Pahlévâne and Sarvé-Nâz Khânome, which will soon be made impossible because of the Mullahs, who support their friend Mobârak (“a mischievous servant”). Unable to destroy his puppets, Morched – just before he dies – decides to entrust them to Mademoiselle Félicité, who will be able to keep the memory of his work alive.

Not specified

Puppeteer

Puppets

Student

Power

Transmission

Religion

Current events

Bans

Political context

Death

Epic

Dramatic

Frédéric de Manassein, cover art for Mémoires d'une marionnette.