From a bag, the Montreur (Puppet Master) takes the puppets of Punch and Tobby the dog to perform his show. Punch and Tobby meet a deceptive fortune-teller who foresees a tragic future for Punch. Punch and Tobby steal her money, run away, and play a nasty trick on Commissaire (superintendent) Gambrinus. The Adjoint (second in charge) goes after them but ends up being beaten up with a huge stick. Punch meets Judith, and the Montreur pairs them as pimp and prostitute: she seduces the clients and he knocks them out. Later on, Judith gives birth to an adult Anatole, and Punch kills the Professeur (professor) Levieux. The Hydre (Hydra) (“a constant pain in the arse”, at the same time solicitor and social worker) wants to withdraw the custody of Anatole from his father, Punch. They argue and behead the child. Punch kills the Hydre and then strangles Judith. The Commissaire and the Adjoint catch Punch. The trial requires a psychiatrist, but Punch hits the Psycha-cho-chiatre (play on the French word for psychiatrist) and runs off again. He sleeps with Commissaire Gabrinus’ wife, but the Commissaire catches them in the act. Punch is sentenced to death, but he manages to have the Bourreau (executioner) beheaded instead. The Diable (Devil) appears as Tobby and fights Punch but Punch kills him, escaping the fortune-teller’s prediction.

Glove-puppet

Adults

France

Paris

Choisy-le-Roi

Printed

Cruelty

Serial murder

Prostitution

Couple

Abortion

Education

Justice

Revenge

Unfaithfulness

Stick

Comical

Satirical

Polemical

Gore

La Ballade de Mister Punch, poster, 1976.

French

Punch

Judy

Puppeteer

Child

Police Superintendant

Policeman

Physician

Guardian

Social worker

Judge

Voice

Hand

Psychiatrist

Lawyer

Executioner

Devil

Mise-en-abyme

Slaps

Address to the public

Dialog between a puppet and its puppeteer

Blow-with-a-stick

Song

Chase

Domestic scene

Allusion to current political events

Childbirth on stage

Murder on stage

Apparition of the puppeteer

Character thrown out of the scene

Hanging scene

Final intervention of the devil

La Ballade de Mister Punch

Mister Punch’s ballad

Pulcinella appears on stage. He cannot find the audience, as he is facing away from them. After a short skit in which the puppeteer explains to him that the audience is on the other side, Pulcinella introduces the performance and warns the audience: “Si vulit’ capì, v’avita vutà” (If you want to understand, you have to turn around). The play starts. Pulcinella talks with his stomach, which tells him through gurglings that it is hungry. A hen comes. Pulcinella kills it, plucks it, and eats it. Then, his stomach lets him know that it is content and wants to sleep. Pulcinella is awakened by a dog that came to eat him, because he has eaten the hen of the dog’s owner. Pulcinella knocks the animal out with a stick. The owner of the dog and the hen, a peasant, comes to get Pulcinella. Pulcinella introduces himself as the owner of the trousers ripped by the dog, and demands to be reimbursed. They settle accounts by beating each other with a stick until Pulcinella kills the peasant. Pulcinella puts the corpse in a casket, and when Death comes to get it and frighten Pulcinella, Pulcinella chases Death away by beating him with the casket. After several lazzi and puns, a carabinier arrests Pulcinella. We then see Pulcinella’s trial. The judge, also playing the prosecution and the defence lawyer, accuses Pulcinella of having murdered the dog’s owner, the dog, the hen, and, above all, of having eaten the hen. For those crimes, Pulcinella is sentenced to death. A monk hears his confession, and blesses him with a macaronic Latin spell which evokes a series of dishes. Pulcinella has to be hanged, but he cannot put his head in the slipknot. He asks the hangman to show him how to do it, and hangs him in his stead.

Not specified

Leone Bruno

Italy

Naples

Manuscript

Hunger

Thief

Coffin

Parodistic

Neapolitan

Pulcinella

Stomach

Dog owner

Death

Carabiniere

Prosecutor

Defender

Sculptor monk

Sleeping character

Talking animal

Burial

Arrest scene

Word warping

Word for another

National language as a social marker

Parodic trial

Swazzle

Le mie prime guarattelle

My first guarattelle

After performing a traditional guarattelle show, the puppeteer and his Pulcinella think they won’t have anything to eat as the audience left without paying. They both decide to leave Naples for France. When they arrive at court, the King carefully examines Pulcinella with a magnifying glass, and finds him too poor, so drives him away. Pulcinella beats the King with a stick and the guards come to arrest him. The puppet escapes from the puppet booth with the Puppeteer, who explains that if the puppet wants to eat, he must “change his face”.
The Puppeteer then turns Pulcinella into Polichinelle, giving him new, luxurious clothes decorated with ribbons and little bells, two bumps (one on the belly and the other on the back) and a white mask to hide his black half-mask. Thus transformed, Pulcinella moves and speaks far more slowly, but his new lazzi with a cock amuse the King greatly. The puppet and the Puppeteer are able to eat a big plate of pasta in front of the puppet booth and go to sleep with a full belly. Woken by the Marseillaise, they enter the puppet booth, believing a party is going on. On stage, in front of a guillotine, Robespierre and Danton debate whether the King should be tried. After cutting off the heads of Danton and the King, Robespierre also wants to kill Polichinelle, who is friends with the King. First, he cuts off one bump, and then the other, and finally the white mask. Polichinelle, who has now gone back to being “Pulcinella the revolutionary”, cuts off Robespierre’s head and then, like Napoleon Bonparte, proclaims himself emperor and uses a stick to beat, one after the other, the emperor of Austria and the Pope who has come to crown him. He shows his emperor’s crown to the Puppeteer: it means he’ll be able to eat for 200 years. The Puppeteer comes out of the booth for a last monologue at the end of which he dons the black half-mask and proclaims himself to be Pulcinella.

Actor and puppet

All audiences

Quest

Poverty

Wealth

Revolution

Marseillaise

Plurilingualism

Capital executions and executors

French Revolution

Guillotine

People and history

Emperor

Farcical

Louis XVI

King

Minister

Guard

Polichinelle

Danton

Maximilien de Robespierre

François I d'Autriche

Pie VII

Dialect as a social marker

Building a puppet on sight

Disguised character (false identity)

Monologue

Beheading

Destruction of a puppet

Pulcinella et la Révolution française

Pulcinella and the French Revolution

Mademoiselle (Miss) Félicité, a foreign doctoral student, pays a visit to Morched – a master puppeteer – to buy his puppets. Her request is categorically denied because, in Morched’s eyes, puppetry is ancestral work. However, after the 1979 Islamic Revolution, the authorities censored traditional Iranian culture and Morched is forbidden from practicing his trade. In spite of this prohibition, he decides to use his puppets one last time to tell the love story between Pahlévâne and Sarvé-Nâz Khânome, which will soon be made impossible because of the Mullahs, who support their friend Mobârak (“a mischievous servant”). Unable to destroy his puppets, Morched – just before he dies – decides to entrust them to Mademoiselle Félicité, who will be able to keep the memory of his work alive.

Puppets

Student

Love

Power

Transmission

Religion

Current events

Daily life

Bans

Political context

Epic

Dramatic

Frédéric de Manassein, cover art for Mémoires d'une marionnette.

Journal d'une marionnette

Wife

Servant

Mobârak

Young man

Monster

Horse

Prince

Priest

Young woman

Herald

Deux Balayeurs, Torch-Ali Bak et Chirin-ali Bak (jumeaux)

Twins

Eunuch

Vehicle

Ambassador

Quelques Dignitaires civils et militaires

Dancer

Comedy of language

Comic speech

Multi-voice shouting

Versified passages

Hands visible

Apparition of a monster

Death on stage

Mémoires d'une marionnette

Memoirs of a puppet

Pulcinella sings songs from Mozart’s Don Giovanni. The intrigued Teresina would like to see this show, but Pulcinella deters her by saying that it is not appropriate for women. Then the two puppets disappear, and the Puppeteer comes out of his booth to announce the staging of a new show and the destruction of his old theatre. He goes back inside the booth. The guarattelle puppets sing the story of a traditional show: the Dog, a Guappo (a gangster) and Death assault Pulcinella, who drives them away so that he can finally marry his fiancée Teresina. Don Giovanni comes on and invites Pulcinella to his marriage with Teresina. Pulcinella asks the Puppeteer for help, but he refuses to get rid of Don Giovanni; instead, he encourages Pulcinella to find another fiancée. Don Giovani sings and dances with several women whom he seduces – a butterfly, a fan, a feather duster and a mouse. Then the women come back crying because Don Giovanni has abandoned them. Then Don Giovanni seduces Teresina. All the characters played by guarattelle arrive to invite Pulcinella to Teresina and Don Giovanni’s marriage. Pulcinella is overcome with sadness and asks every one of them to kill him. The Dog takes his hat off, the Guappo strikes him with a cane, Death removes his black mask and, at the end, the Puppeteer finds the lifeless puppet. But he rejoices, because he will soon serve Don Giovanni and become rich. The Puppeteer waits on the booth’s stage for the feast for Don Giovanni and Teresina’s marriage to be served. But he will only have an olive and a drop a wine. He announces the end of the show, when Pulcinella comes back. Because Don Giovanni will not repent, Pulcinella kills him by removing his head and his clothes and hitting the puppeteer’s hand. As a result, he reunites with Teresina, who tells him that Don Giovanni is impotent. They both dance a last tarentella. At the end, a giant puppet of Pulcinella comes on.

Manipulated object

Rod puppet

Giant puppet

Seducer

Treason

Wedding

Illustration for Bruno Leone's Convitato di Pezza

Italian

Thug

Rogue

Teresina

Don Juan

Aria

Nursery rhyme

Syntactic parallelism

Undressed character on stage

Dance

Music

Sung scenes

Il convitato di pezza

The feast of rags

The text is a disjointed succession of small texts full of imagery that tackle in a humorous and poetic manner the ways in which the human brain functions (neurons, grey matter, cerebral hemisphere, transmission of information to organs) and rationalises human feelings, especially love. The texts mention metaphysical themes such as the universe, death, being, space or time. The fragments can take various forms : scenes from everyday life, small story, poem, dialogue, reflexive monologue, aphorism, songs,... Some poems are in italics and follow a rhythmic or phonetic thread.

La Ballade de Mister Punch

Le mie prime guarattelle

Pulcinella et la Révolution française

Mémoires d'une marionnette

Il convitato di pezza

Ego non sum sed vos amo

(je n'existe pas mais je vous aime)