Punch informs Master (the stage director) that part of his company is rebelling against him even though he got rid of all competition and has been in the spotlight for the past 20 years. A lieutenant colonel meets with him; his colonel now dead, he wants to be appointed head of his regiment. Punch refuses and contemptuously reminds him that he has no seat in Parliament. He then offers the regiment to a duke who had wanted to be part of the military. He then grants a series of privileges to his peers.
Puppet Lawn, who tried to influence the inhabitants of his village to vote for Punch, ends up being scammed by the latter through a fake investment. The reservists under Punch’s supervision are on the verge of insurrection. Puppet Y- advises him to go on site. On the contrary, Punch prepares to leave the government and makes sure he can store his belongings somewhere safe.
Captain Caledon, Mr English and Mr Worcester are plotting to pressure Punch into resigning. Nonetheless, they suspect him to be preparing a comeback in politics. Punch resigns. An epilogue underlines the reality of the events that have been staged, and pre-empts criticism: the play does not follow the rules of puppet theatre because Punch is not punished by the devil but the author points out that he probably will be.

Rod and string marionette

Not specified

Great Britain

London

Printed

Conspiracy

Politics

Manipulation

Satirical

Politicks in Miniature, 1742. (Title page).

English

The State Puppet-Show: called the Humours of Punch's Resignation.

Or, the Humours of Punch's Resignation

Public announcement

Allusion to current political events

Plot scene

Comical foreign accent

Epilogue

Politicks in Miniature

A monstrous-looking woman appears. She is mad and furious, vain and proud, a troublemaker and an insolent woman. She is accused of having murdered her family and her lovers. A sick and lonely woman is crying on a bed which is falling into pieces. A general is sitting on his strongbox, surrounded by officers and deputies waiting to be permitted to speak. He is receiving mail. A young man draws two cards to look into his future. A man in his forties is blaming himself for the death of his wife and daughter. In a Dutch school, old men are dressed as children. Three donkeys carrying sponges are swimming across a river. A sleepwalker is calling for help because someone wants to hang him. Guards arrest a burglar and send him to prison. A car with five wheels is running over people. A young man kills a Jacobin disguised as a soldier, because he attacked him.

Shadow theatre

All audiences

Séraphin (Dominique Séraphin François, aka Séraphin)

France

Paris

Metamorphosis

Poverty

Army

Death

Thief

Dramatic

"Les Ombres chinoises", beginning of an article published in Le Thé ou le Journal des dix-huit (31 August 1797)

French

Old woman

Sick person

General

Young man

Old man

Donkey

Apparition of a monster

Character represented in animal form

Death on stage

Political allegory

Spectacle des Ombres Chinoises

Shadow Puppetry Performance

Two rats, Monsieur le Rat Deschamps (literally, Mister the Rat From-the-countryside), an elector, and Monsieur le Rat Deville (literally, Mister the Rat From-the-city) - candidate in the election, attend a dinner party organised to secure votes. Deschamps questions Deville on a number of subjects, and especially on his oratorical skills. Deville admits to not being a real orator; he reveals that he only knows how to imitate the voice of others and immediately illustrates his abilities. However, Deschamps questions his honesty and declares: “Ayant trop de voix, vous n’aurez pas la mienne” (“You have too many voices, you will not have mine”; in French, “voix” means both “voices” and “vote”). Deville does not despair and, addressing the audience, asks for support.

Glove-puppet

Lemercier de Neuville Louis

Vichy

Elections

Corruption

Dinner

Meals

Comical

Lemercier de Neuville, Les Deux Rats, 1866.

Member of parliament

Elector

Play in verse

Aside

Aria

Imitation

Address to the public

Instrumental tune

Les Deux rats

The Two Rats

Two families, the Gobards and the Courbemanches, are driving to visit the military camp in Saint-Maur. On the way, they notice an accident, which sparks their conversation. When they arrive, they meet a Zouave and start talking with him. Later, they go to the camp of the Turcos (African infantrymen) and meet the Tambour-major (Drum major). They are asked to go to dinner: everyone is there apart from Agathe, the servant. The voice of a man as well as laughter can be heard coming from the woods, which scares the family as they were about to start their meal. Agathe returns, but it starts raining and everyone ends up drenched, tired and starving. The Gobards and the Courbemanches call it a night and part ways. Agathe is the only one who seems to have enjoyed the trip.

Family

Bourgeoisie

Journey

Colonial troupe

Algeria

Lemercier de Neuville, I Pupazzi. Front cover of the first edition, 1866.

Husband

Wife

Daughter

Servant

Soldier

Zouave

Rifleman

Situation comedy

Comedy of language

Comic distortion of language

Dinner scene

Off-stage voice

Amphigory

Le Camp de Saint-Maur

Saint-Maur Camp

The play is set in Orleans in 1867. Madame Pétenvert (a widow) and Mademoiselle Euphémie are accommodating two captains – Vachard and Chiclair – for three months. They quickly fall in love with their guests and would like to marry them. However, the two captains take advantage of the situation and spend their time talking, in a light-hearted manner, about politics, the army and, at the same, about women, billiards and their love of good food. One day, they are invited to dinner at the colonel’s house. The dinner ends with the two captains being drunk and getting the landladies’ houses mixed up. Thus, the two men being sick, captain Vachard spends the night with Mademoiselle Euphémie while captain Chiclair sleeps with Mademoiselle Pétenvert. The following day, after leaving the houses, they both accuse each other of having disrespected them, because of the state of their slippers and of the beds. However, this conversation about honour ends up being a commentary on the night they have just spent with the two women. The captains accuse the colonel of having treated them “too well” and the latter, in response, orders them to go back to their respective landladies and to marry them.

Maurice Sand (Maurice Sand)

Nohant

Glutton

Entertainment

Unfaithfulness

Wedding

Eugène Lambert, George Sand, Maurice Sand : marionette de Madame Pétenvert.

La Garnison d’Orléans, Les Deux Capitaines.

Captain

Colonel

Waiter

Widow

Host

Domestic servant

Nous dînons chez le colonel

We are dining at the colonel's

M. Prudhomme is the owner of a village called Terrevieille (Oldland) where he lives with his faithful servant Gazette and his neighbour Annexmann. One day, Gazette advises him to build walls around his garden and to arm the inhabitants of his land because other peasants are equipped with stakes. M. Prudhomme commands her to find out the culprit, and Gazette leaves, seeking information. Meanwhile Annexmann arrives to discuss a neighbour called Danois (Danish) and a parcel which used to belong to his ancestors. Fearing a conflict, M. Prudhomme decides to dig ditches and to arm his people. Shortly after, Gazette comes back and informs her master that Annexmann’s men are carrying sticks with a needle on top whilst M. Prudhomme’s men have Chassepot rifles. During the conversation, we learn of a new problem: a certain Victor had promised to respect the presbytery of the village’s vicar that is located in his orchards. However, Victor is now threatening to evict the vicar from his land. M. Prudhomme is outraged by this situation and, with Gazette, decides to defend the vicar’s house. In return for her precious help, Gazette asks M. Prudhomme for a very special reward: freedom.

Marseille

Village

Neighbourhood

Priest

Current events

Property

Lemercier de Neuville, illustration for Mon Village, 1868.

Landlord

Monsieur Prudhomme

Neighbour

Monologue

Mon village

My village

From a bag, the Montreur (Puppet Master) takes the puppets of Punch and Tobby the dog to perform his show. Punch and Tobby meet a deceptive fortune-teller who foresees a tragic future for Punch. Punch and Tobby steal her money, run away, and play a nasty trick on Commissaire (superintendent) Gambrinus. The Adjoint (second in charge) goes after them but ends up being beaten up with a huge stick. Punch meets Judith, and the Montreur pairs them as pimp and prostitute: she seduces the clients and he knocks them out. Later on, Judith gives birth to an adult Anatole, and Punch kills the Professeur (professor) Levieux. The Hydre (Hydra) (“a constant pain in the arse”, at the same time solicitor and social worker) wants to withdraw the custody of Anatole from his father, Punch. They argue and behead the child. Punch kills the Hydre and then strangles Judith. The Commissaire and the Adjoint catch Punch. The trial requires a psychiatrist, but Punch hits the Psycha-cho-chiatre (play on the French word for psychiatrist) and runs off again. He sleeps with Commissaire Gabrinus’ wife, but the Commissaire catches them in the act. Punch is sentenced to death, but he manages to have the Bourreau (executioner) beheaded instead. The Diable (Devil) appears as Tobby and fights Punch but Punch kills him, escaping the fortune-teller’s prediction.

Adults

Choisy-le-Roi

Cruelty

Serial murder

Prostitution

Couple

Abortion

Education

Justice

Revenge

Stick

Polemical

Gore

La Ballade de Mister Punch, poster, 1976.

Punch

Judy

Puppeteer

Child

Police Superintendant

Policeman

Physician

Guardian

Social worker

Judge

Voice

Hand

Psychiatrist

Lawyer

Executioner

Devil

Mise-en-abyme

Slaps

Dialog between a puppet and its puppeteer

Blow-with-a-stick

Song

Chase

Domestic scene

Childbirth on stage

Murder on stage

Apparition of the puppeteer

Character thrown out of the scene

Hanging scene

Final intervention of the devil

La Ballade de Mister Punch

Mister Punch’s ballad

Mademoiselle (Miss) Félicité, a foreign doctoral student, pays a visit to Morched – a master puppeteer – to buy his puppets. Her request is categorically denied because, in Morched’s eyes, puppetry is ancestral work. However, after the 1979 Islamic Revolution, the authorities censored traditional Iranian culture and Morched is forbidden from practicing his trade. In spite of this prohibition, he decides to use his puppets one last time to tell the love story between Pahlévâne and Sarvé-Nâz Khânome, which will soon be made impossible because of the Mullahs, who support their friend Mobârak (“a mischievous servant”). Unable to destroy his puppets, Morched – just before he dies – decides to entrust them to Mademoiselle Félicité, who will be able to keep the memory of his work alive.

Puppets

Student

Love

Power

Transmission

Religion

Daily life

Bans

Political context

Epic

Frédéric de Manassein, cover art for Mémoires d'une marionnette.

Journal d'une marionnette

Mobârak

Monster

Horse

King

Prince

Young woman

Herald

Guard

Deux Balayeurs, Torch-Ali Bak et Chirin-ali Bak (jumeaux)

Twins

Eunuch

Vehicle

Ambassador

Quelques Dignitaires civils et militaires

Dancer

Comic speech

Multi-voice shouting

Versified passages

Hands visible

Mémoires d'une marionnette

Memoirs of a puppet

A theatre director has hired Polichinelle for the evening, but Polichinelle is late for the show. When he comes on, he is haunted by the ghost of his conscience, that chastises him for his very instinctive personality. Following the director’s questions concerning what is tormenting him, Polichinelle uses glove-puppets to play episodes from his childhood, when he was often punished for his misdemeanour. Once the flashback is over, Polichinelle wants to improvise some jokes, but the director forbids him from tackling political themes. As he does not know what kind of show to put on, Polichinelle keeps talking about his past – how his parents had him then abandoned him for lack of money, and his first heartbreaks. Polichinelle and the director argue. The latter summons Illness and Death, who want to take Polichinelle with them. While screaming that he is an immortal character, Polichinelle manages to drive them out – thus saving theatre and also making up with the director.

Nordmann Jean-Gabriel

Fable théâtrale pour comédiens et marionnettes

Sous le masque tu es mortel pauvre orphelin !

Behind the mask you are mortal poor orphan!