La carota - Gigio Brunello, Gyula Molnár (alias Giulio Molnár)

La carota

Gigio Brunello
, Gyula Molnár (alias Giulio Molnár)
| 2006 | Mogliano Veneto, Italy
Genre
Comédie
Characters
Arlecchino, Arlecchino bambino, Colombina, Colombina bambina, Ginetto, Balanzone, Balanzone bambino, Suor Teodora, Brighella, Brighella bambino, Paolo il pupazzo di neve, Mamma di Arlecchino, Carota, Coro di carote
Acts count
12
Note

After Un trovatello a casa del diavolo et Trovatello Due, La Carota (The Carrot) is the third text in which Ginetto the rabbit appears, a character invented by Gigio Brunello. The first episode told how Ginetto, an orphan, was found in front of the puppeteer's hut; the second celebrated his first birthday. Now, Ginetto
goes to school and is going through a difficult time because of his uncle Harlequin's existential angst. Like many other of Brunello's works, La Carota was conceived in collaboration with Gyula Molnár.

Abstract

Curing a phobia

In school, Ginetto titled his essay "The Uncle is Dying." His uncle Harlequin is indeed tormented by an irrational fear of carrots, which forces him to stay in bed and causes him moments of delirium. His fiancée Columbine, who is pregnant, is overwhelmed by grief, and Doctor Balanzone thinks he is going to die. Brighella would like to take advantage of the situation to obtain the script of Harlequin's good jokes, but the latter does not want to give it to him. Brighella therefore hopes that Balanzone's predictions are correct, but he will be disappointed: Harlequin, through an evocation worthy of a psychoanalysis session, will recover the memory that traumatized him in his childhood, thus curing his phobia of carrots. The show ends with another happy ending: the birth of Harlequin and Columbine's son.

Hypotexts
Un trovatello a casa del diavolo, Gigio Brunello1994Trovatello Due, Gigio Brunello2004
Composition date
2006

Publications and translations

Publication

Gigio Brunello, Tragedie e commedie per tavoli e baracche. Treviso: De Bastiani Editore, 2018.

Language
Italian
Literary tones
Pathetic, Absurd, Ironic, Philosophical tale
Animation Techniques
Glove-puppet
Audience
Adults

Keywords

Theatrical techniques

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Contributor

Francesca Di Fazio