At the market, Esopo (Aesop) is sold to a new master: the philosopher Xanto. Xanto’s daughter, Filena, is in love with one of her father’s followers, Periandro: Esopo is bought as a matchmaker. Xanto confides in him: he is in love with his wife’s lady-in-waiting, Geringonça. The latter becomes infatuated with Esopo, who rejects her. During a symposium, Xanto bets that he can empty the sea: Esopo helps him untangle himself from this bet, in exchange for freedom. Esopo, drunk, tells Geringonça that his master loves her; his wife Eurípedes hears this too: upset, she leaves the house. Disguised as another woman, Filena is courted by Periandro: she accuses him of being unfaithful and leaves him. Esopo has been sent to prison. He is freed by Xanto, who thus settles his promise; he now promises to free Esopo on condition that he bring Eurípedes back. While Temístocles (Themistocles) and Cresso are waging war against Athens, one of Jupiter’s eagles lands on Esopo, who becomes commander of the armies. Esopo manages to make Eurípedes so jealous that she decides to go back to her husband. As Cresso’s army is standing outside Athens, Esopo begins to tell a fable about love, punctuated with macaronic Latin. The two couples (Xanto and Eurípedes, Periandro and Filena) reconcile. Esopo, who is in love with Filena, recites a sonnet to her, and makes her write an ambiguous letter intended for him. Called to duty, Esopo triumphs over Temístocles, through betrayal and plays on words. During a night scene, Eurípedes goes to the court where Xanto is meeting Geringonça. Xanto meets his daughter there, waiting for her lover. Eurípedes pretends to be Geringonça, to expose her husband’s infidelity. Esopo is fooled, and Geringonça shouts that she has been robbed. After the defeat of the town has been announced, Esopo dresses as a woman and draws Temístocles’ attention: he has fallen in love with the beautiful young woman. Esopo is imprisoned and Cresso tasks him with building a tower in the air. After another turnaround, the King pardons him and he goes back to Athens, where his fellow citizens make peace with him as he narrates a fable to them.

Rod and string marionette

Giant marionette

Not specified

António José Da Silva (António José da Silva, aka O Judeu)

Portugal

Lisbon

Printed

Slave

Philosophy

Love

Unfaithfulness

Enfranchisement

Parodistic

Comical

Burlesque

Philosophical tale

Esopaida, title page and summary of the play (1759)

Portuguese

ou Vida de Esopo

Croesus

King

Xeno

Philosopher

Slave master

Lover (man)

Disciple

Themistocles

General

Daughter

Wife

Maid

Aesop

Soldier

Choir

Music

Philosophical dialogue

Love story

Thwarted love

Dinner scene

Statue coming to life

Change of social status

Allusion to theatrical events of the time

Metadiscourse on puppet theatre

Macaronic Latin

Fight

Oracle

Battlefield scene

Cross-dressing

Esopaida

Aesop’s Life

Doctor Sassafras is pleased to have a client as hypochondriac as Steinreich. This rich and selfish man forbids his niece Marie from continuing to see his secretary Schreiber, whom he dismisses. Steinreich envisions a more beneficial match for his niece. Doctor Sassafras makes a deal with the devil to summon Death. Schreiber then attempts suicide, but a gravedigger saves him, as Death is detained in Sassafras’ enchanted chair. The Devil realises that his pact with Sassafras is detrimental to him and breaks their contract. Death comes fetch the doctor, who turns to God and hopes for His mercy. In the meantime, Steinreich converted: he has become charitable and, most importantly, no longer opposes Marie and Schreiber’s union.

String marionette

Young audiences

Pocci Franz von

Germany

Munich

Medicine

Knödel

Usurpation

Drink

Surgery

Prestige

Wealth

Champagne

Misery

Forced marriage

Hypochondria

Vanity

Cemetery

Faust

Bible

Suicide

Sentimentalism

Religion

Farcical

Satirical

Pathetic

Title page in the original edition of Pocci's comedies

German

oder Doctor, Tod und Teufel

Doctor

Kasperl

Secretary

Death

Devil

Peasant

Domestic servant

Gravedigger

Apparition

Parody of formal language

Dialect as a social marker

Versified passages

Allegory

Light effects

Pact with the devil

Song

Monologue

Off-stage voice

Final wedding

Doctor Sassafras

Mr. Casperl, a wealthy man of private income, has an appointment with Lieutenant Säbelmaier and the wife of the secretary Federspitzen for an excursion to Lake Starnberg near Munich, but his barber comes too late and he has to leave in a hurry to catch his train, which had been announced late. In the second part of the play, the boat of the three excursionists is wrecked by a sudden storm on the lake. Säbelmaier and Mrs. Federspitzen probably managed to save themselves. Casperl has been living like Robinson for eight days in a deserted forest by the lake. He finally meets a sheep with whom he can talk about philosophy, because it is in fact the reincarnation of a professor and living proof of the truth of metempsychosis. But they argue and the sheep flees in the face of another coming storm. A hunter then finds Casperl passed out and wants to bring him to justice as a poacher, but ends up recognising him as the man who disappeared eight days ago, and Casperl concludes by recommending that the audience take the steamboat instead.

Manuscript

Train

Railway

Train station

Independently wealthy person

Military

Civil servant

Bourgeoisie

Barber

Robinson

Shipwreck

Beer

Hunger

Lamb

Sheep

Professor

Metempsychosis

Reincarnation

Hinduism

Pantheism

Poacher

Loneliness

Humorous

Die Parthie nach Starnberg; Herr Casperl als Robinson

Die Parthie nach Starnberg

Lieutenant

Hunter

Dream

Unexpected turn of events

Talking animal

Scene of recognition

Criticism of actors' theatre

Address to the public

Aria

Argument

Caricature

Casperl als Robinsohn

Casperl as Robinson

In Bavaria, Kaspar learns that Professor Johann Christoph Gottsched is conspiring against him. He goes to Leipzig to work as a servant, under a false name, in the house of Gottsched and his friend, the actress and theatre director Caroline Neuber. During a performance, Caroline Neuber symbolically banishes Kaspar’s character from the stage and dismisses the actor who successfully played him, Silvio. But Gottsched's ward, Lucinde, is in love with the actor: the two young people defy Gottsched's dismissal and marry in secret. In search of a new actor to play the comic role in a play by the student Gotthold Ephraim, Caroline Neuber offers the position to Kaspar, who declines and then reveals his true identity. The actress breaks up with Gottsched and hires Silvio again, as well as Lucinde. Kaspar is arrested by the Bavarian policeman Stadelmann, who has set out after him, but is finally released by Gotthold Ephraim and is praised by the entire audience.

Glove-puppet

Schmidt-Ziegler Tilla

Leipzig

Conspiring

Bavaria

Hanswurst

Literary criticism

Theatre

Reformation

Impossible love

Humour

Rationality

Women's condition

Pigtail

Wedding

Puppenkomödie aus dem alten Leipzig

Madame Kasperl

Policeman

Johann Christoph Gottsched

Neuberin

Cook

Pasteur

Gotthold Ephraim Lessing

Disguise

Metatheatre

Word for another

Dance

Kaspar stirbt nicht!

Kaspar does not die!

The text is a disjointed succession of small texts full of imagery that tackle in a humorous and poetic manner the ways in which the human brain functions (neurons, grey matter, cerebral hemisphere, transmission of information to organs) and rationalises human feelings, especially love. The texts mention metaphysical themes such as the universe, death, being, space or time. The fragments can take various forms : scenes from everyday life, small story, poem, dialogue, reflexive monologue, aphorism, songs,... Some poems are in italics and follow a rhythmic or phonetic thread.