Apollo has fled the wretchedness of German literature for the land of Utopia. Mercury relates how German poets have turned the Parnassus into a brothel and reminds Apollo of his responsibilities. They go to the Parnassus and find that Minerva has been raped and is on the verge of hanging herself. Then, Apollo dispenses justice and punishes muses and the members of their cult: he transforms them into pigs, donkeys, dung beetles, spittoons and dustbins, and serves the rest up to journalists. Once their work is complete, they will be hung by their feet.

Not specified

Schink Johann Friedrich

Germany

Berlin

Printed

Greek mythology

Gods

Poetry

Wonderland

Friedrich Gottlieb Klopstock

Gottfried August Bürger

Popular literature

Sturm und Drang

Preromantic

Triviality

Scatology

Rousseauism

Germanic mythology

Philosophy

Stench

Satirical

Burlesque

Engraving from the original publication of Marionettentheater (1778)

German

Apoll

Eine dramatsche Fantasei

Creativity

Apollo

Mercury

Minerva

Muse

Grâce

Prologue

Allegory

Song

Allusion to current literary events

Hanging scene

Chorus

Sung scenes

Versified passages

Foul language register

Parodic trial

Defecation on stage

Metamorphosis

Epilogue

Der Staupbesen

The Broom

A marquis with a suggestive name (the Marquis de Coquencu, literally Marquis of Rooster-in-ass) exposes his run of bad luck to the audience: him and the Marquise (Marchioness) cannot conceive a child. He uses different tricks, such as stimulating drugs or increasingly bizarre sexual games to finally have an heir. However, the Marquise’s moods change from one extreme to the other; she beats the Marquis, and feigns a feeling of faintness to have an affair with the Domestique (Servant). In the second act, two new characters hide in the bushes to defecate, leading to numerous scatological jokes, most notably when the Marquise, pregnant, assures that she enjoys the smell of excrement to the point of asking the Marquis to bring them back to their place and cook them. The play ends with another domestic quarrel.

Glove-puppet

Adults

Rolland Amédée

Jean Duboys (Jean-Charles Du Boys)

France

Paris

Eroticism

Pornography

Licentiousness

Sexuality

Adultery

Servant

Couple

Pregnancy

Farcical

Erotic

Comical

Le Théâtre érotique de la rue de la Santé (1866 edition). Anonymous illustration.

French

Toucher de la merde c’est signe d’argent

Erotic scene

Scene of copulation

Aria

Comedy of language

Situation comedy

Argument

Seduction scene

Signe d'argent

Sign of money

The count Franz Pocci comes back on Earth to see Munich, his good old city, once again. There, he encounters a series of characters that, each in their own way, prove the missteps of the Soviet Republic: the Demagogue–under the features of revolutionary Kurt Eisner; Death; the Jew and the Devil; then Kasperl and the Münchner Kindl (“Munich child”, figure inspired by the coat of arms of the city). At the end, a young war invalid arrives and gathers around him university students, workers: an exhilarated crowd, who, fulfilling the count’s wish, begins to awaken “the ancient force of the German people” (“die alte deutsche Volkeskraft”).

Der Staupbesen

Eine dramatsche Fantasei

Signe d'argent

Nachtschatten

Ein Puppenspiel aus der Nachkriegszeit