Two friends, Mooney and Spooney, meet. They had pulled a bad prank on the king and were fired for it. Thus, they decide to become stationmasters. Orlando has to take a train to Birmingham, which saddens his wife, Sophonisba. He reassures her by saying he will be home for dinner. They agree to eat mutton. Mooney and Spooney, now stationmasters, start singing instead of talking, as was required by Bradshaw. They meet Kaffir, a mysterious character who does not speak their language. According to Mooney, Kaffir wants to be a train driver. Mooney gives him the position. Mrs. Muddle reaches the platform. She wants to take the train to Birmingham and send a telegram from there. A two-legged Bradshaw’s Guide appears in front of Mooney and asks him in a loud voice why he is not singing. He adds that Spooney sings out of tune and that both of them must stop singing. Orlando, now at the train station, refuses to pay for his train ticket but is forced to do so by the stationmasters. He puts his luggage on the train and leaves to fetch the money. When he comes back an hour later, he learns that the train left with his luggage before the time given by the Bradshaw’s Guide. When the train heading to Birmingham pulls into the station, Spooney and Mooney go warn Mrs. Muddle, but she wants to take an omnibus over the train. She leaves, accusing them of wanting to trick her. When she comes back to pick up her things, she learns that the train left with them. Meanwhile, Sophonisba worries about her husband being late. Their cook, ruined the meal and offers to make an Irish stew instead. Orlando comes home and curses the Bradshaw because the trains do not leave according to the guide’s timetables. Bradshaw comes into play. He states that he took revenge and changed the train schedules because his order of singing was not respected.

Young audiences

Carroll Lewis

Great Britain

Croft-on-Tees

Printed

Train station

Revenge

Train times

Train

Journey

Comical

Humorous

Farcical

L. Carroll, La Guida di Bragia. The Lewis Carroll Society of North America, 1999.

English

Announcer

Stationmaster

Husband

Wife

Traveller

Cook

Situation comedy

Word warping

Song

Personified object

Misunderstanding

La Guida di Bragia

The Real Lady enters a shop to buy a foil that will accompany her in her social engagements. The Shopman first recommends her a “Real Horror”, whom she turns down. Then, he introduces the Real Artist, the Van Gogh model (only his legs and shoes are visible), but he growls whenever he hears about money and the Shopman advises her against buying it in the end. He suggests a Marionette instead – The Real Gentleman. The Real Lady inspects it closely, buys it and gets out of the shop with it, carrying it around on a leash. From behind a window, art historian John Ruskin and naturalist Charles Darwin followed and briefly commented on the scene. The interlude concludes with other remarks, from Buddha and Ahha, who appeared in a version of The First Prologue and who, accompanied by Parrot, were supposed to travel throughout centuries in the Drama for Fools initial project.

String marionette

Shadow theatre

Silhouette

Giant marionette

Not specified

Craig Edward Gordon

Italy

Marina di Pisa

Trade

Shopping

Stooge

Society life

Goods

Monster

Money

People and history

Witness

Satirical

Absurd

Salesman

Lady

Gentleman

Artist

Vincent Van Gogh

John Ruskin

Charles Darwin

Buddha

Ahha

Parrot

Columbus

Speechless character

Metadiscourse on puppet theatre

Spying scene

Commentary

A theoretician is giving a lecture on philosophical and artistic concepts inherent to objects and mentioning ancient philosophers and Bauhaus artists, among other people. However, he is constantly interrupted by his assistant sharing information with him, by technical problems or elements that seem out of control: microphones moving in all directions, the light being turned off, objects falling, … In a second part, the conference goes over different works of the company and reveals the creative processes behind the shows and the common thread bringing them together. At the end, the theoretician tries to resume his lecture without success; the technician’s body mysteriously appears on the floor and a phantasmagorical atmosphere spreads. Curtains are brought down several times while the action of the play continues.

Object theatre

All audiences

Portugal

Porto

Storyboard

Language comedy

Failure

Impossibility to communicate

Animated object

Memory

Phantom

Philosophical tale

Fantastic

Igor Gandra, A revolta dos objetos. Uma conferência animada (Teatro de Ferro, 2021)