Dorisbe arrives in Rome with her servant Lucillo: she rejoices at the idea of meeting her future husband, Dottore Grisanto (Doctor Grisanto). Clorimeno, Grisanto’s servant, refuses to be enchained by love, but his master orders him to fall in love. Outside the Colosseum, Dorisbe meets Nisbe, sister of the Dottore; she guides her to her brother’s house. On her way to announce the arrival of Grisanto’s future wife, Nisbe meets Clorimeno and falls in love with him. As for Dorisbe, she despairs after meeting the Dottore: the man she must marry is old, hoary and stupid. In the grip of her sorrow, Dorisbe meets Clorimeno: they both fall in love at first sight, and the young woman asks her lover to spare her from this gruesome marriage. Grisanto learns about his future wife’s unhappiness and dismisses his students to go comfort her; the Latinist students begin to dance. Clorimeno tells his master Grisanto that he loves Dorisbe. Grisanto laughs until he understands that he is the unfortunate husband; he decides to take revenge. After turning the old Nisbe’s love down, Clorimeno meets Dorisbe on her balcony. But Grisanto asks the cowardly Lucillo to make the lover flee and then to take revenge for him, and he scolds his betrothed; she pretends to be madly in love with Grisanto. Unfortunately, Clorimeno relates the whole story to his master when he sees him: he will come back to his beloved before the sun rises. Grisanto hides to spy on the lovers: Dorisbe has seen him, and she makes an ostentatious declaration to Clorimeno, telling him that she is faithful to her husband. In the following scenes, Nisbe comforts herself with Lucillo, while Dorisbe tries to clear up the situation with her lover, who despaired at her last words. The old pedant and future husband practices curtsying, but he falls, and young dancers begin to dance instead. Grisanto offers Clorimeno to Nisbe, who agrees. Clorimeno, who tried to kill himself, falls into Dorisbe’s arms. The lovers reconcile and agree to meet at night; Grisanto overhears them and decides to spy on them. He orders Lucillo to kill any man or woman in his garden. At night, Nisbe is waiting for Clorimeno: Lucillo arrives instead, and he is about to kill her, following the orders he was given. Grisanto stops her just before he does, and he believes that when Clorimeno talked about his lover, he was in fact talking about his sister: he arranges for Nisbe and Clorimeno to marry. Overhearing them, Dorisbe expresses jealousy, which Grisanto interprets as worry over seeing him with another woman. When Clorimeno arrives in the garden, he understands that Dorisbe is his master’s future wife and apologises; Grisanto promises to forgive him, as well as to give him his properties and the woman of the house. When the young man enters the house, Nisbe welcomes him and tells Dorisbe that she will marry him. Clorimeno protests, which comforts Dorisbe and stops her jealous feelings. Grisanto learns the truth and tries to make Clorimeno flee. But Clorimeno answers that he only followed his master’s advice.

"On foot and by rod" puppet

Marionette with counterweight

Not specified

Acciaiuoli Filippo (aka Gran Burattinajo)

Italy

Rome

Printed

Jealousy

Confidence

Promise

Pedant

Forced marriage

Burlesque

Farcical

Lyrical

Chi è cagion del suo mal pianga sè stesso, title page

Italian

Fiancée

Pupil

Schoolteacher

Old woman

Sister

Page

Dancer

Love story

Love rivalry

Music

Interlude

Classroom scene

Monologue

Situation comedy

Character leaning against the window

Spying scene

Hidden character

Night scene

Comic equivocation

Misunderstanding

Wedding

Final wedding

Chi è cagion del suo mal pianga sè stesso

Let him who causes his own suffering blame himself

Pulcinella, an apothecary, is pleased with his situation. Her daughter’s servant, Cannetella, tells him that women have qualities that make good apothecaries. After quarrelling several times about this topic, Pulcinella plans on marrying her. However, Cannatella is in love with a young man, Lisardo, who came to offer his services and work in the shop. Lisardo was hired by Pulcinella and is happy to be progressing with his plans: in fact, under the name Lisardo, a young woman called Delmira is hiding. She came to take revenge on Filarco, who robbed her of her honour and then abandoned her. However, Filarco is now wooing Rosaura, Pulcinella’s daughter. In fact, Rosaura is sick: to cure her, Pulcinella suggests that she marry Damone; she flatly refuses. Filarco sees many similarities between Lisardo and his ex-mistress, whom he believed was dead, but he is still fooled: he asks the young man to help him win Rosaura; Delmira calls him a traitor. To cure Rosaura, Pulcinella hires Damone, who is also a doctor: when the latter woos her during the consultation, she faints. As for Lisardo, he rejects Cannetella’s advances. The servant suggests that Filarco pretends to be a doctor to grow closer to Rosaura: because of her exhortations, Pulcinella summons Damone and Filarco, who examine the young woman together: this leads to double meanings between the young characters, who declare their love to each other. Filarco’s prescription is in fact a love letter, and Lisardo condemns his betrayal (Pulcinella cannot read): however, Rosaura manages to interpret every single word in medical terms. After taking the treatment prescribed by Damone, Rosaura pretends to have gone insane and behaves like Eurydice waiting for her Orfeo (Orpheus). She is so believable that Pulcinella discharges Damone and relies on Filarco: Rosaura pretends to see Orfeo in him; he goes along with it and earns the right to marry her. In an attempt to stop the marriage, Damone discloses that Rosaura is not Pulcinella’s daughter. Therefore, Pulcinella does not have the right to decide who she will marry: Rosaura declares her love to Filarco nonetheless. Delmira reveals who she truly is, and Filarco decides to go back to his first wife. Rosaura then lets herself be talked into marrying Damone, and Cannetella agrees to marry Pulcinella.

Rod and string marionette

Medicine

Love

Revenge

Cure

Unfaithfulness

Melodramatic

Comical

Pulcinella speziale in villa, 1728 (title page)

Pulcinella

Apothecary

Young woman

Young man

Physician

Maid

Dialect

Popular speech

Thwarted love

Argument

Disguised character (false identity)

Cross-dressing

Character mistaken as a member of the other sex

Love duet

Sick character on stage

Fainting

Scene of madness

Pulcinella speziale in villa

Pulcinella apothecary in the villa

Two friends, Mooney and Spooney, meet. They had pulled a bad prank on the king and were fired for it. Thus, they decide to become stationmasters. Orlando has to take a train to Birmingham, which saddens his wife, Sophonisba. He reassures her by saying he will be home for dinner. They agree to eat mutton. Mooney and Spooney, now stationmasters, start singing instead of talking, as was required by Bradshaw. They meet Kaffir, a mysterious character who does not speak their language. According to Mooney, Kaffir wants to be a train driver. Mooney gives him the position. Mrs. Muddle reaches the platform. She wants to take the train to Birmingham and send a telegram from there. A two-legged Bradshaw’s Guide appears in front of Mooney and asks him in a loud voice why he is not singing. He adds that Spooney sings out of tune and that both of them must stop singing. Orlando, now at the train station, refuses to pay for his train ticket but is forced to do so by the stationmasters. He puts his luggage on the train and leaves to fetch the money. When he comes back an hour later, he learns that the train left with his luggage before the time given by the Bradshaw’s Guide. When the train heading to Birmingham pulls into the station, Spooney and Mooney go warn Mrs. Muddle, but she wants to take an omnibus over the train. She leaves, accusing them of wanting to trick her. When she comes back to pick up her things, she learns that the train left with them. Meanwhile, Sophonisba worries about her husband being late. Their cook, ruined the meal and offers to make an Irish stew instead. Orlando comes home and curses the Bradshaw because the trains do not leave according to the guide’s timetables. Bradshaw comes into play. He states that he took revenge and changed the train schedules because his order of singing was not respected.

Young audiences

Carroll Lewis

Great Britain

Croft-on-Tees

Train station

Train times

Train

Journey

Humorous

L. Carroll, La Guida di Bragia. The Lewis Carroll Society of North America, 1999.

English

Announcer

Stationmaster

Husband

Wife

Traveller

Cook

Word warping

Song

Personified object

La Guida di Bragia

The enchanter Merlin captured Marie – the young woman loved by the painter Arthur. To free her, Arthur and his valet Guignol go through many adventures. Merlin comes into Arthur’s workshop so that he draws his portrait. Guignol also tries to paint Merlin’s portrait, but he fights with the painting, which keeps transforming because of the enchanter’s spells. Arthur then visits Merlin thanks to a gift from Marie’s godmother – the Fée Merveilleuse (Marvellous Fairy): a talisman that makes him invisible. Only Marie can see him. She advises him to go to the Sorcière’s hut (the Witch’s hut), which he does with Guignol. At the Sorcière’s hut, they meet the madman Richepance – her assistant. The Sorcière welcomes Arthur while Guignol is mistreated for a long time by the furniture of the house which keeps playing with him. Arthur and Guignol can finally save Marie. But she is under a spell by Merlin that makes her look very old. Arthur still wishes to free and marry her, but Marie believes that it would be too great a sacrifice for him to marry an old woman. Merlin is jubilant at the sight of the torn couple. The Fée Merveilleuse is moved by Arthur’s devotion. She sets Marie free from the spell and restores her true appearance. The lovers can finally marry, and Merlin is defeated.

Glove-puppet

All audiences

France

Saint-Étienne

Manuscript

Magic

Valet

Kidnapping

Test

Portrait

Fantasy

La Case de la sorcière (cover page)

French

Guignol

Magician

Merlin

Fairy

Apparition of a wizard

Magic spell

Set that comes to life

Slaps

Change of age

Invisible force

La Case de la sorcière

The witch's Hut

Benjamin, a young man, asks his servant Crasmagne to leave with him, not as a servant but as a mentor and a friend. Crasmagne is unsure at first, but as he is promised a great sum of money, he accepts. Benjamin tells him to meet him at midnight in a park. In the park, a strongbox is hidden inside a detached house; it is filled with jewels that used to belong to Benjamin’s mother. Benjamin orders Crasmagne to fetch the strongbox. Faced with his master’s threats, the servant has no choice but to oblige. However, once in possession of the strongbox, Crasmagne hides it somewhere else and pretends not to have found it. Furious, Benjamin enters the detached house to retrieve it. Meanwhile, Crasmagne, who is standing outside, sees Monsieur Lésimond, Benjamin’s father. Remorseful, he tells him the whole truth. Shortly after, Benjamin comes out of the house with the strongbox in one hand and a gun in the other. His father curses him and leaves. Crasmagne and Benjamin go to the “Coq Plumé” (Plucked Rooster) hotel. Once there, they meet the hostess and Javotte, her servant. Benjamin leaves Casmagne without a meal, and goes to have fun. However, their vacation soon turns to chaos: after gambling, they are thrown out of the hotel almost naked and penniless. Famished and exhausted, they encounter a peasant who offers them a job: Crasmagne becomes a valet and Benjamin a pig-keeper. Crasmagne dines with the peasant, leaving Benjamin alone with his thoughts: an angel appears and suggests for him to go back to his father. Shortly after, Crasmagne comes back with some soup and learns of Benjamin’s decision to go back home. Once home, Benjamin is forgiven by his father.

String marionette

Servant

Relationship between father and son

Thief

Inheritance

Jewel

Curse

Game of chance

Bankruptcy

Misery

Return

Forgiveness

Edifying

Father

Domestic servant

Peasant

Knight

Host

Aside

Sung scenes

Off-stage noise

Off-stage voice

Apparition of an angel

Change of social status

L'Enfant prodigue

The Prodigal Child

Truitonne quarrels with her sister Florine – she is unhappy with her own name and reproaches her for being loved by everyone while she is despised. She would like to inflict pain on others and to be loved anyway. Their godfather Enchanteur Rotomago (Sorcerer Rotomago) announces that he would like them to marry: Truitonne with Prince Charmant (Prince Charming) and Florine with himself. Gilles, Prince Charmant’s servant , comes in and announces Prince Charmant’s arrival, but at first the characters mistake him for his master. When Charmant arrives, he immediately notices Florine, while Rotomago tries to draw attention to Truitonne. A Fée (fairy) steps in to warn him that Florine is the woman he must love. Rotomago bribes Gilles so that he helps him set up a trap. He will have Charmant believe that Florine has asked to see him. But taking advantage of the dark, they will make Truitonne come to the rendezvous instead. Thus, Truitonne poses as Florine and Charmant gives her a ring as a token of his love. As he believes that he is speaking to Florine, Charmant wishes out loud that a devil would carry her sister away, and his wish is fulfilled – a devil carries Florine away, but Charmant launches himself after her. Once at the cemetery, Charmant and Gilles meet an apparition of her that tells them that Florine is still alive. Rotomago asks Charmant to marry Truitonne, and when he refuses, he punishes him by changing him into a bird for seven years. Florine is made captive in a tower under the supervision of Gilles, who has them believe that Charmant died of sorrow and of an indigestion of rum babas. A blue bird (Oiseau bleu) enters her room, and Florine understands him to be Prince Charmant. He takes hold of a cane and hits Gilles. Rotomago, Truitonne and Gilles go after Oiseau bleu. The latter comes back to Florine and receives a letter brought by a Bourdon (bumblebee), in which he is told about an attack on his kingdom. Gilles glimpses Oiseau, shoots him with a gun then puts him in a magical coach that takes him to his own castle. There, he convinces the Seigneurs (lords) of his court to let him lead an army to battle. Rotomago appears and offers to give him back his human form on condition that he marries Truitonne. Charmant agrees in order to protect his subjects. As Charmant and Truitonne’s marriage is about to be celebrated, a Génie (Genie) appears with Florine. He transforms the Enchanteur into a turkey and convinces Gilles and Truitonne to marry, while Charmant will marry Florine.

Paris

Enchantment

Treason

Hunting

L'Oiseau bleu, first page of the manuscript.

Princess

Gille

Prince

Genie

Devil

Lord

Disguise

Graveyard scene

Dance

Metamorphosis

Flying machine

Talking animal

Entering with vehicle

Letter

Blow-with-a-stick

Gunshot

Apparition of a genie

Final song

L'Oiseau bleu

The blue Bird

In a conversation between Cassandre and his servant Pierrot, we learn that the entire world has been disrupted: a “fluide tournant” (turning fluid) has been discovered, and people are in a frenzy of trying to make things turn. A “société d’honneur” (honour society) even offers Cassandre the prestigious title of “Chef des Tontonmanes” (Leader of the Tontonmanes). However, after eight days of experiments at his home, no concluding results were obtained. Desperate, Cassandre orders Pierrot to publish an advertisement: he will give his daughter’s hand and his cash register’s key to the first man who will succeed in “making something - anything - turn”. Colombine, Cassandre’s daughter, enters the stage in tears. She is in love with Arlequin but her father categorically opposes their union. Shortly after, Arlequin reassures Colombine: he has a plan to overcome this obstacle. Meanwhile, Tournesol (Sunflower), an odd man, arrives and introduces himself as a “professeur de Tontonmanie” (teacher of Tontonmanie). Actually, Tournesol was desperate and about to kill himself when he heard of Pierrot’s advertisement. The prospect of marrying a young woman and gaining a case full of money is an unhoped chance for him of finding a new will to live. Tournesol starts a conversation with Cassandre and offers to make the house turn to prove how well he masters this turning fluid. However, Cassandre is scared of his house collapsing, and flatly refuses. The situation is now very tense: Tournesol promises to carry out his threat and demands Colombine’s hand as well as the key to the case. Then, Arlequin, dressed as a magician, enters the stage. He makes a bottle of wine and a pâté dance, and then, a table starts talking. When Tournesol tries to find out the secret to this miracle, he is mysteriously hit. Arlequin convinces Cassandre that he is gifted with a mental strength that can make things happen: everytime that Cassandre moves his hands or feet, Tournesol is hit (actually by a very discreet Arlequin). After being hit several times, the humiliated Tournesol runs away. Shortly after, a Marchand (Merchant) arrives at Cassandre’s house and demands damages: his china and objects made of glass have started to dance. Despite this, Cassandre is happy and believes in his miraculous mental gift. Colombine can marry her beloved Arlequin.

Wealth

Farce

Impostor

Cassandra

Arlecchino

Pierrot

Suitor

Merchant (man)

Colombine

Nurse

Chorus

Object coming to life

La Tontonmanie

The Tontonmanie

A marquis with a suggestive name (the Marquis de Coquencu, literally Marquis of Rooster-in-ass) exposes his run of bad luck to the audience: him and the Marquise (Marchioness) cannot conceive a child. He uses different tricks, such as stimulating drugs or increasingly bizarre sexual games to finally have an heir. However, the Marquise’s moods change from one extreme to the other; she beats the Marquis, and feigns a feeling of faintness to have an affair with the Domestique (Servant). In the second act, two new characters hide in the bushes to defecate, leading to numerous scatological jokes, most notably when the Marquise, pregnant, assures that she enjoys the smell of excrement to the point of asking the Marquis to bring them back to their place and cook them. The play ends with another domestic quarrel.

Adults

Rolland Amédée

Jean Duboys (Jean-Charles Du Boys)

Eroticism

Pornography

Licentiousness

Sexuality

Adultery

Scatology

Couple

Pregnancy

Erotic

Le Théâtre érotique de la rue de la Santé (1866 edition). Anonymous illustration.

Toucher de la merde c’est signe d’argent

Signe d'argent

Sign of money