The first act is set in a church, where a group of Dévotes (pious persons) and a group of Sans-culottes (revolutionaries during the French Revolution) confront each other. The revolutionaries want to punish Parisian priests for their abuses and their crimes. As for the Dévotes and the priests, they are impatiently expecting a Catholic army to storm through Paris and put an end to the Revolution. The abbot Blondinet is disguised as a bourgeois and tries to rape Rose, a young girl who manages to escape him. The Sans-culottes want to get rid of the priests. A Magistrat (Magistrate) arrives and seizes the church’s furniture, but Blondinet tells the Dévotes that he managed to hide some of it. The second act is set just outside the church, on a public square. Blondinet set up a “Temporary Chapel” inside the shop of a Savetier (cobbler), next to that of a Fruitère (fruit merchant). A Chansonnier (Singer) and his wife arrive on the square and the people come closer to listen to their songs. A puppeteer, Brioché, joins them with his wife and performs his play of a “new genre” – La Calotte au tombeau. Together, the puppeteer and the Chansonnier condemn the Church’s abuses with the help of puppets and songs. The Sans-culottes exit the church with a stretcher as they perform a symbolic burial of objects of worship. A child from the choir, Cascaret, denounces Blondinet as a thief. The Sans-culottes take him alongside the Dévotes so they can be judged by the Committee of Public Safety. The third act is set in a cave in which three see-through paintings are displayed – La Saint Barthélémy, Le Massacre des Cévennes and Les Vêpres Siciliennes. Standing on a pile of bones, Superstition, Célibat (Celibacy) and Fanatisme (Fanaticism) are chained to posts. The action assumes an allegorical form with these three monstrous figures and several other symbols of crimes caused by religious intolerance. Several references are made to Christoph Willibald’s opera – Orpheus and Eurydice. The Ombre (Shadow) of the revolutionary Marat (murdered in July 1793) is called by the Génie de la France (France’s Genie) who arrives on a cloud. The Ombre rises out of the earth with a bloody shroud around it. The three monsters disappear in a volcano. Instead, a magnificent and luminous temple appears – the Temple of Truth. Liberté (Liberty), Vérité (Truth) and Égalité (Equality) are placed on an altar. The Troup of Sans-culottes also appears and dances with a Magistrate of the people. The Peuple (the People), Orphelins de la Patrie (Orphans of the homeland), the Députés (Deputies) of the National Convention and the Artisans (Craftsmen) march victoriously. The Convention’s President reads out a speech commending the revolutionaries. An Évêque (Bishop) admits his faults and after making a speech praising Raison (Reason), he burns his priestly vestments. The Orphelins and Orphelines who were harmed by fanaticism sing with defenders of the homeland and do gymnastic exercises. The Citoyens (Citizens) of the first requisition showcase military exercises which draw parallels between scenes from Antiquity and from the Revolution. The play ends on an ode to Vérité (Truth), a mention of the victory over the Austrians and the emigrants, and finally a collective ballet.

Not specified

France

Paris

Printed

French Revolution

Sans-culotte

Comic opera

Religion

People

Priest

State

Wealth

Abuse

Justice

Truth

Satirical

Dramatic

Comical

Fantastic

Le Tombeau des imposteurs et l'Inauguration du Temple de la Vérité, 1793 (title page).

French

President

Magistrato

Choirboy

Peasant

Zapatera

Bishop

Charlatan

Jean-Paul Marat

Ghost

Countess

Mother

Daughter

Governess

Troupe de Satellites du fanatisme travestis en Furies

Puppeteer

Puppet

Musical pause

Chorus

Monologue

Puppet theatre within the theatre

Changement de langue

Dialect as a social marker

Allegory

Speechless character

Dance

Public announcement

Avista

Music

Aria

Versified passages

Popular speech

Ballet

Le Tombeau des imposteurs et l'Inauguration du Temple de la Vérité

The impostors' Tomb and the Inauguration of the Temple of Truth

The puppeteer is an inmate. He plays his puppet show for an audience of psychology students who have come to hear him relate his autobiographical story. He introduces the characters: Dean’s puppet, Wayne’s puppet, and the puppets of several dead boys. He also plays his own role, that of David. David and Wayne are a teenage couple. Dean is older than them. In their house, they talk of multiple murders they committed together: in the cave, the victims were killed by Dean, with the help of Wayne, after having been sexually assaulted, tortured and mutilated. The crimes were recorded on camera by David. The series of murders goes on until the murder of Jamie – a boy Wayne was in love with. Wayne is blinded by rage and kills Dean. David suggests that they put an end to the killing spree. Wayne agrees in a first time. But when he meets Brad, another boy, and engages in an erotic game at the end of which he takes Dean’s place: he tortures Brad until he kills him. After the murder, David kills Wayne during a panic attack. Then he calls the police and confesses to his crimes.