Quarlous and Winwife visit the office of their friend John Littlewit, a legal clerk. Both men want to marry Littlewit's mother, Lady Purecraft. They argue over which of them has the better chance of winning her heart. They are joined by other characters, including Bartholomew Cokes, who has come to collect a license to marry Grace Welborn. Littlewit invites the characters to come to the Bartholomew Fair to see the puppet show he has put on. Adam Overdo, a judge and Grace Welborn’s guardian, decides to disguise himself in order to uncover all the crimes committed during the fair. The plot shifts to the popular world of the Smithfield district, and Littlewit’s group soon finds itself confronted with the debauchery of the fair: Overdo is tricked by Mooncalf, a waitress, and Edgworth, a thief. Edgworth then steals money from Bartholomew Cokes. Overdo, in disguise, is suspected of being the thief’s accomplice. Quarlous and Winwife discover that the culprit is none other than Edgworth, and Quarlous hires him to steal Cokes’s marriage license. Overdo, Wasp (a servant of Cokes who caused a brawl) and the false preacher Zeal-of-the-Land Busy are sentenced to the gallows, while Win Littlewit and Mistress Overdo are encouraged to drink to excess. Trouble-All, a madman, has a fit of madness because no arrest warrant has been issued for Overdo, Wasp and Busy. His outburst creates a diversion and the three men manage to escape from their sentence. All the characters go to John Littlewit's puppet show, which brings together the love story of Hero and Leander and the friendship of Damon and Pythias. Zeal-of-the-Land Busy constantly interrupts the show to denounce its immoral and blasphemous nature. Puppet Dionysus puts an end to the debate by pulling up its costume, reminding Busy that puppets have no sex: its status as an "object" prompts Busy to change his mind, transforming him into a model spectator.

Not specified

Jonson Ben

Great Britain

London

Printed

Theatre

Debauchery

Fair

Religion

Love

Friendship

Comical

Farcical

English

Puppeteer

Leandre

Puppet

Waiter

Pythias

Damon

Hero (priestess)

Dionysos

Dialogue between actor and puppet

Undressed character on stage

Punching

Kicking

Puppet theatre within the theatre

Bartholomew Fair

La Foire de la Saint-Barthélemy

Kasperl leaves for America on a boat, but is swallowed by a whale that spits him out on an island inhabited by cannibals. They salt him and smear him in whale fat. Attracted by the smell of fat, an eagle kidnaps Kasperl on the verge of being eaten and takes him back to Europe. Kasperl manages to escape and meets a horseman who takes him back to his family. The play ends as a prologue with an invitation to take a seat in front of the puppet theatre for the start of the main performance.

Shadow theatre

Young audiences

Pocci Franz von

Germany

Munich

Boat

Navigation

Navy

America

Shipwreck

Fish

Leviathan

Unknown land

Island

Sausage

Beer

Thirst

Hunger

Cannibalism

Savage

Kidnapping

Horse

Family

Fantasy

German

Kasperl

Baleine

Cannibale

Eagle

Horserider

Madame Kasperl

Child

Monologue

Play in verse

Chorus

Sung scenes

Macaronism

Unexpected turn of events

Kasperl bei den Menschenfressern

Kasperl among the anthropophagi

The Viennese public attends a puppet show in the Prater. The play in question features a hero who is unwillingly involved in a foursome with his lover Liesl and the Duke and Duchess of Lawin. The duel between him and the Duke is cancelled, but he loses the interest of the Duchess and the love of Liesl in the process. Death comes. The audience, which has not stopped commenting on the play, intervenes more and more loudly and the performance turns into a scandal. It is no longer clear who is a spectator, who is a puppet, until a man in a blue coat enters the stage... and cuts the strings of the puppets with a sword, thus discriminating between animate and inanimate.

String marionette

Glove-puppet

Schnitzler Arthur

Austria

Vienna

Berlin

Spectator

Unfaithfulness

Duel

Self-consciousness of puppets

Local color

Argument

Wrangle

Hanswurst

Noise

Lust

Entertainment

Burlesque

Satirical

Marionetten

Burleske in einem Akt

Director

Poet

Bourgeois

Daughter

Count

Soldier

Duke

Father

Husband

Raisonneur

Wrestler

Dead woman

Valet

Death

Metadiscourse on puppet theatre

Address to the public

Pantomime

Parody of formal language

Prologue

Versified passages

Stichomythia

Metamorphosis

Character thrown out of the scene

Zum großen Wurstel

To the big sausage

The poet meets Kasperl in the street. He proposes to him to attend his puppet theatre, leaving him alone in front of the puppet booth. The first character to emerge is Hanswurst, but he fails to amuse Kasperl, who kills him by hitting him with a stick. Next, an allegory portraying Art enters the stage and offers him fruits. Kasperl does not find them to his liking and spills the garbage can on the poor woman's head. Finally, Death comes for him, and Kasperl knocks his head off with a stick. The furious poet returns to chastise him, but Kasperl has had enough and beats him to death.

Blümel Otto

Poetry

Gluttony

Bavaria

Radish

Beauty

Symbolism

George, Stefan Anton

Parodistic

Arts

Comical regional accent

Dialogue of the deaf

Song

Blow-with-a-stick

Murder on stage

Allegory

Der Dichter

The poet

The Prologue begins where Molière’s play ended: Don Juan is going down the long stairway into Hell with the statue of the Commander. When he hears Sganarelle scream “My wages!”, he climbs back up to kick his servant, then comes back down. The statue of the Commander is surprised by his courage and offers to bring him back to life. But La Griffe du Diable (The Devil’s Claw) holds Don Juan back by his clothes. In the end, Don Juan is granted another ten years of life, as he makes a deal with La Griffe: during these ten years, he will continue to corrupt women and claim new victims. Ten years later, this extension is about to come to an end. Don Juan lives in Venice and believes that the Devil has forgotten about him. He is getting ready to have dinner and then go out. A puppeteer is passing in the street, and he invites Don Juan to his home, where he performs his show for him. From the glove-puppet booth, Polichinelle talks to Don Juan, who is reminiscing about the shows he saw as a child. Polichinelle kills Pierrot and Cassandre. He is bitten by a dog then attempts to seduce a doll, using Don Juan’s advice, and finally kills her. Don Juan asks that the puppeteer cut some scenes and get to the moment the Devil takes Polichinelle away. Then he provokes the puppet of the Devil by saying that he would not fear being carried off by him. The puppeteer leaves the booth, reveals that he is the Devil and sits at a table to dine with Don Juan. Don Juan enthuses over his conquests. He asks Sganarelle for the list of the women he seduced, which he then tears up. The Devil turns into a violinist and makes the scraps of paper dance: the Shadows of the one thousand and three women seduced by Don Juan arrive in gondolas. The Devil challenges Don Juan to recognise these women, but he gets them all wrong. Don Juan, who believed he had seduced and possessed all these women, realises that they had him wrapped around their fingers, and that even the tears they shed because of him were fake. He claims his victories, but he is told that he never did anything with them, and that he never knew how to love. Out of desperation, Don Juan reminds the Devil about the scale of his provocation when he gave a coin to Le Pauvre (The Beggar) “out of love for humanity”. But the Devil makes the Pauvre appear, and the latter throws the coin in Don Juan’s face and forbids him from claiming that he has embodied any kind of revolt. The Devil proves to Don Juan that he was only controlled by ribaldry, like Polichinelle. Rather than sending him to the fires of Hell, which is what the seducer proudly demands, the Devil sentences him to become a puppet in a booth.

Rostand Edmond

France

Cambo-les-Bains

Paris

Seduction

Haughtiness

Woman

Suffering

Presumption

Future punishment

Evil

Ridiculous

Revolt

Venice

Deal with the Devil

Lyrical

Dramatic

Sketch by George Barbier for the Puppetteer's costume in Edmond Rostand's La Dernière Nuit de Don Juan, 1922.

French

Don Juan

Commander

Statue

Devil

Sganarelle

Poor

Ghost

Polichinelle

Pulcinella

Cassandre

Pierrot

Doll

Disguised character (false identity)

Metonymy (mode of characterisation)

Apparition of the Devil

Appearance

Crowd

Unveiling

La Dernière Nuit de Don Juan

Don Juan's Last Night

Through various scenes that follow one another without necessarily being linked, The text evokes the deportation of Jews to the concentration camps through a poetic diversions. The common thread running through the entire play is the character of the little girl, about seven years old, who meets different characters, human or not: a Man who shrinks the sky, a Little Pile of Ashes, a Train, a Chimney. Each character appears as a metaphor charged with meaning, first and foremost the Little Pile of Ashes, which materializes in a macabre and at the same time "light" way the ashes of the victims burned in the ovens. At the end of the play, the little girl, who has lost both her innocence and her life force, also disappears, swallowed up by the little pile of ashes.

Actor and puppet

Cagnard Jean

Cannes

Shoah

Loss

Concentration camp

Lightness

Change of age of the characters

Historical event

Pathetic

Petite-fille

Mother

Grand-mère

Transforming scenery

Change of size on sight

Active stage directions

Board

Les Gens légers

Th light people

Ondina Peteani was born in Trieste on 26 April 1925. As a teenager, she began to associate with the Fontanot family and attended communist meetings. At the age of seventeen, she chose to become an underground activist of the Italian Communist Party (PCI). She soon began to carry out her first resistance actions under the pseudonym "Natalia". During a police operation in a mountain refuge, Ondina managed to save herself with the help of comrade Cvetko. In June 1943, all the members of the resistance group to which Ondina belonged, Ondina herself, her mother and her sister were imprisoned because of a double agent. After the armistice on 8 September, they are all freed by the people. The informer turns out to be Ondina's sister, Santina, because she had a love affair with a young fascist. Santina is executed. Fighting against the Germans begins and the resistance fighters succumb after a fierce struggle. Ondine and comrade Stecchi are sent in pursuit of the traitor Blechi, who has caused the death of many resistance fighters after infiltrating among them. The comic sketch with the glove-puppets begins: Blechi notices the presence of Ondina and Stecchi and disguises himself as a priest so as not to be recognised, thus managing to escape. When he meets Ondina, he disguises himself as an old man, but she recognises him and Blechi is caught and killed. In 1944, Ondina is deported to the Auschwitz concentration camp as a political prisoner. She survives despite the physical and psychological hardships. The horror she experienced in the camp did not erase her conviction that she had to fight for resistance and freedom.