The Prologue begins where Molière’s play ended: Don Juan is going down the long stairway into Hell with the statue of the Commander. When he hears Sganarelle scream “My wages!”, he climbs back up to kick his servant, then comes back down. The statue of the Commander is surprised by his courage and offers to bring him back to life. But La Griffe du Diable (The Devil’s Claw) holds Don Juan back by his clothes. In the end, Don Juan is granted another ten years of life, as he makes a deal with La Griffe: during these ten years, he will continue to corrupt women and claim new victims. Ten years later, this extension is about to come to an end. Don Juan lives in Venice and believes that the Devil has forgotten about him. He is getting ready to have dinner and then go out. A puppeteer is passing in the street, and he invites Don Juan to his home, where he performs his show for him. From the glove-puppet booth, Polichinelle talks to Don Juan, who is reminiscing about the shows he saw as a child. Polichinelle kills Pierrot and Cassandre. He is bitten by a dog then attempts to seduce a doll, using Don Juan’s advice, and finally kills her. Don Juan asks that the puppeteer cut some scenes and get to the moment the Devil takes Polichinelle away. Then he provokes the puppet of the Devil by saying that he would not fear being carried off by him. The puppeteer leaves the booth, reveals that he is the Devil and sits at a table to dine with Don Juan. Don Juan enthuses over his conquests. He asks Sganarelle for the list of the women he seduced, which he then tears up. The Devil turns into a violinist and makes the scraps of paper dance: the Shadows of the one thousand and three women seduced by Don Juan arrive in gondolas. The Devil challenges Don Juan to recognise these women, but he gets them all wrong. Don Juan, who believed he had seduced and possessed all these women, realises that they had him wrapped around their fingers, and that even the tears they shed because of him were fake. He claims his victories, but he is told that he never did anything with them, and that he never knew how to love. Out of desperation, Don Juan reminds the Devil about the scale of his provocation when he gave a coin to Le Pauvre (The Beggar) “out of love for humanity”. But the Devil makes the Pauvre appear, and the latter throws the coin in Don Juan’s face and forbids him from claiming that he has embodied any kind of revolt. The Devil proves to Don Juan that he was only controlled by ribaldry, like Polichinelle. Rather than sending him to the fires of Hell, which is what the seducer proudly demands, the Devil sentences him to become a puppet in a booth.

Glove-puppet

Not specified

Rostand Edmond

France

Cambo-les-Bains

Paris

Printed

Seduction

Haughtiness

Woman

Lust

Suffering

Presumption

Death

Future punishment

Evil

Ridiculous

Revolt

Love

Venice

Deal with the Devil

Comical

Lyrical

Satirical

Dramatic

Sketch by George Barbier for the Puppetteer's costume in Edmond Rostand's La Dernière Nuit de Don Juan, 1922.

French

Don Juan

Commander

Statue

Devil

Sganarelle

Poor

Ghost

Polichinelle

Pulcinella

Cassandre

Pierrot

Doll

Play in verse

Puppet theatre within the theatre

Disguised character (false identity)

Metonymy (mode of characterisation)

Apparition of the Devil

Apparition

Blow-with-a-stick

Crowd

Unveiling

La Dernière Nuit de Don Juan

Don Juan's Last Night

After a prologue in which a marionette summarizes the plot, the scene opens in Juno’s bedroom at 3 a.m. Jove and Mercury, drunk and dressed as burglars, break the window to get in. Jove drives Mercury away and tries to sleep but he wakes up Juno, who picks a quarrel with him. She is furious and she decides to go to Hell and fetch two snakes which will kill Hercules and his mother in retaliation for Jove’s unfaithfulness. At the gates of Hell, Juno orders snakes and meets Blind Boy and Columbus the Parrot, who are carrying a bag. They are introduced to Pluto and his favorite snake, Slimy-Go-Gurgle-and-Twirl. They are sentenced to boil in the cauldron of Hell, but Columbus states that he has a present for Pluto in his bag. Pluto asks to see it. The present is an egg containing six other eggs, which are all of different colours and are placed one inside the other. Out of the smallest one hatches the “Worm of Worms,” Cockatrice, who kills all the snakes in Hell and terrifies everybody. Pluto gives his ring to Blind Boy and asks him to take Cockatrice away, but Blind Boy informs him that he is his mother and offers to explain how it happened. They all sit in front of a small theatre, where the story of Cockatrice’s birth is narrated. In the cockney neighborhood of London, Jove, dressed up as a cock, steps into Blind Woman and Blind Boy’s shop in order to buy pigeon milk. He hands over an egg to Blind Boy, since he is blind and therefore cannot see Cockatrice, who is about to hatch, for a single glance at Cockatrice would prove fatal - it would even kill him to see himself in a mirror. Jove asks Blind Boy to be Cockatrice’s mother and to never reveal to him who his father is. After hatching, Cockatrice befriends Blind Boy, and they decide to travel the different worlds together. After the performance ends, Blind Boy, Cockatrice, and Parrot leave Hell in order to rescue Hercules from the snakes sent by that Juno sent.

String marionette

Craig Edward Gordon

Italy

Marina di Pisa

Printed excerpts

Unfaithfulness

Latin Mythology

Hell

Monster

Descent into hell

Fantasy

Parodistic

English

Jupiter - Parrot - Pluto - Cockatrice & Blind-Boy

1st version

Puppet

Juno

Jupiter (Jove)

Mercury

Worker

Blind Boy

Blind

Parrot

Pretty Polly

Columbus

Servant

Pluto

Slimy-Go-Gurgle-And-Twirl

Snake

Cockatrice

Basilic

Worm

Cock, cockerel

Theatre within the theatre

Egg eclosion

Verbal imitation

Argument

Blind character

Analepsis (Flash-back)

Anachronism

Avista

Hell (1916)

Enfer

The play begins in Hell: a small bedroom in an apartment in Cheapside, London. Pluto, the God of Hell, is an old man in a dressing gown and slippers who sleeps in his armchair while angel-faced devils sing him a lullaby. He is awakened by the announcement of the arrival of two visitors. Before they enter, Pluto orders the place to be changed in accordance with the expected aspects of Hell: cauldrons, damned souls, flames, and devils. The two visitors, Blind-boy and Pretty Polly the parrot, are introduced to Pluto and his favorite snake, Slimy-Go-Gurgle-and-Twirl. They are sentenced to boil in the cauldron of Hell, but Pretty Polly states that it has a gift for Pluto in its bag. Pluto asks to see it. The gift is an egg containing six others, all of different colors and set one into the other. The “Worm of worms”, Cockatrice, hatches from the smallest, killing all the snakes of Hell and frightening everyone. Pluto gifts his ring to Blind-Boy so that he can take Cockatrice away, but Blind-Boy informs him that he is his mother and offers to share how it came to be. They all sit in front of a small theater where the story of Cockatrice’s birth is narrated. In the cockney neighborhood of London, Jove, dressed up as a rooster, enters Blind-Woman and Blind-Boy’s shop in order to buy pigeon milk. He hands over an egg to Blind-Boy, who is blind and cannot see that Cockatrice is ready to hatch. As the sight of Cockatrice is dangerous—it would even be fatal for him to see himself in a mirror—Jove asks Blind-Boy to be Cockatrice’s mother and to never reveal to him who his father is. After hatching, Cockatrice befriends Blind-Boy, and they decide to travel the different worlds together. After the performance ends, Blind-Boy, Cockatrice, and Pretty Polly leave Hell in order to save Hercules from the snakes sent by Juno.

Edward Gordon Craig, front cover of the manuscript of the 3rd version of Hell, 1918.

The Drama for Fools, Scenes 2-3-4
Cheapside

3rd version

Richard Burbage

Alfred Harmsworth

Propsman

Hell (1918)

The play opens with a “Prologo in cielo” (prologue in the sky) during which the Teatro Vagante (an itinerant theatre) is brought down from the fly towers to the stage: the Teatro Vagante is at once a cave, a house, a cradle, a cart and a theatre. The actors have seen the theatre of the gods, which they have to try recreating now because “a mystery must be revealed”. The mystery is about a country where people are insatiable and keep wanting to eat fresh meat, even though resources are scarce. There are no cattle, an epidemic has broken out in the countryside and rubbish produced by their residents is piling up in the suburbs. This jungle of metal is thought to be the home of spirits called “rottamat”, which people believe to be responsible for the disappearance of several villagers. Everyone praises the butcher for his excellent meat, but he turns out to be an evil character who commits murders to supply meat for his shop. Just like the devil, he takes on numerous shapes: he is simultaneously the Butcher, the Father, the crazy man Matteo and the Emperor. Every morning, the Mother and the Father (the Butcher himself) wait for the butcher’s shop to open so they can buy the best meat, even when their son is in a hospital after having been attacked by the Father. The Mother flirts with the Butcher – who embodies her erotic ideal – until she becomes his victim. Nobody suspects the Butcher. Or maybe everybody keeps quiet so they can keep enjoying his excellent meat? The killings go on until all the villagers have eaten one another. Ultimately, only the Watchman understands that the Butcher is behind the murders, but even he is killed in the end. According to the actors of the Teatro Vagante, only hope remains: “even hell can be transformed – I hope”, one of the actors declares.

Actor and puppet

Shadow theatre

Brescia

Consumer society

Meat

Pollution

Famine

Cannibalism

Ecology

Tragic

Grotesque

Giuliano Scabia, Fantastica visione, stage direction by Alessandro Marinuzzi, 1993.

Italian

sopra il taglio e la vendita di carne con cenni alla questione degli attori, dell'arte, del teatro e del mercato generale degli oggetti nel disarmonico presente

Actor

Butcher

Apprentice

Mother

Father

Student

Police officer

Fool

Smuggler

Butterfly

Shadow

Voice

Emperor

Minister

Valet

Angel

Interlude

Prologue

Song

Metatheatre

Political allegory

Double characters

Hidden corpse

Dialect

Fight

Flying character

Masked characters

Dead talking character

Apparition of an angel

Chase

Tragic irony

Stabbing

Murder on stage

Scene of recognition

Splitting of the body

Revelation

Scene in the dark

Seduction scene

Dream

Thunderbolt

Fantastica visione

Fantastic vision

The puppeteer is an inmate. He plays his puppet show for an audience of psychology students who have come to hear him relate his autobiographical story. He introduces the characters: Dean’s puppet, Wayne’s puppet, and the puppets of several dead boys. He also plays his own role, that of David. David and Wayne are a teenage couple. Dean is older than them. In their house, they talk of multiple murders they committed together: in the cave, the victims were killed by Dean, with the help of Wayne, after having been sexually assaulted, tortured and mutilated. The crimes were recorded on camera by David. The series of murders goes on until the murder of Jamie – a boy Wayne was in love with. Wayne is blinded by rage and kills Dean. David suggests that they put an end to the killing spree. Wayne agrees in a first time. But when he meets Brad, another boy, and engages in an erotic game at the end of which he takes Dean’s place: he tortures Brad until he kills him. After the murder, David kills Wayne during a panic attack. Then he calls the police and confesses to his crimes.

Ventriloquism

Full-view manipulation

Adults

Cooper Dennis

Brest

Electronic text

Murder

Torture

Blood

Perversity

Madness

Drugs

Serial killer

Teenagers

United States of America

Drug addiction

Minor news

Homosexuality

Schizophrenia

Humorous

Gore

Dennis Cooper, Jerk, stage direction by Gisèle Vienne, 2008.

Alternating narrative / dialogue

Recounting of memories

Address to the public

Off-stage voice

Musical pause

Jerk

A flesh-and-blood Pulcinella speaks to the audience about his secret passion for books and, in particular, for Shakespeare's Macbeth. While reading a book and manipulating chess pieces on a small table in front of a castelet, Pulcinella tells the story of Macbeth. At the end, convinced that it's impossible for such a wicked character to die, he casts a spell to keep Macbeth alive. Pulcinella enters in the puppet boots and "Mr. Punch Macbeth" appears on stage.
After hitting his wife Judy and making a sausage with the Baby, Mr Punch-Macbeth meets Hamlet, played by a Pierrot puppet. In an absurd dialogue between the two characters, their stories mingle and Hamlet ends up killing Mr Punch-Macbeth, shouting, « Essere o non essere, non è un problema! » (« To be or not to be isn’t a problem! »). Hamlet falls in love with Juliette, but his brother (a Sicilian pupo) and the puppeteer prevent the marriage of a glove puppet and a marionette. Juliette drinks a potion which makes her appear to be dead. Hamlet swallows a poison which turns him into a glove puppet representing Mobârak (the black valet of the Iranian puppet theater), in the role of Othello.
Othello mistakes Juliette for Desdemona and kills her before remembering that he himself is Romeo. In despair, he commits suicide. Iago enters, interpreted by a puppet with the head of the Neapolitan actor Totò, and proclaims himself king of the wicked. But he is immediately attacked and killed by a Polichinelle playing the part of Richard III. All the characters haunt the sleep of Polichinelle-Richard III: Mr Punch-Macbeth, Hamlet-Romeo, Othello, Iago. In the end, he is pursued by Death, but a horse with Pulcinella’s white hat and black half-mask comes to save him. At this moment, a marotte representing Shakespeare intervenes to bring the show to an end. Accompanied by the song Che cosa sono le nuvole? by Domenico Modugno and Pier Paolo Pasolini, taken from Pasolini's movie of the same name, the puppets make a final appearance on the puppet booth stage.