The fisherman's daughter Lisi and the young bird-catcher Wastl live by a lake in Germany. They offer hospitality to the painter Wilhelm, who has just returned from Italy. The short play ends with a song to nature and joy.

Not specified

Pocci Franz von

Germany

Munich

Manuscript

Fishing

Bird

Nature

Painting

Picturesque

Countryside

Birdcatcher

Bucolic

Forest

Wood

Happiness

Painter

Music

Italy

Journey

Hospitality

Childhood

Lyrical

German

Allegory

Monologue

Metatheatre

Song

Final song

Am See

By the lake

The play is set in Cannes in 1871. Madame Palmer, her daughter Miss Kate (both Americans), Monsieur Balandard and his nephew Arthur, a young painter, are staying in a hotel. The young painter is in love with Miss Kate and paints her portrait. However, Miss Kate does not recognise herself in the painting and suggests, in Arthur’s face, that he find a “real” job. The young man is hurt: he draws a caricature of Miss Kate’s silhouette and complains to his uncle – Monsieur Balandard. Meanwhile, Madame Palmer organises an occult ritual with her daughter to find out the name of the daughter’s future husband. Cléophée, Madame Palmer’s occult “friend”, writes the name “Bal…”. From that moment on, Madame Palmer tries to arrange a marriage between her daughter and Monsieur Balandard. However, the uncle decides to help his nephew. To do so, he organises a fake occult ritual and hides Arthur inside a speaking bubble. In the end, the farce is revealed and faith in occultism is shattered.

Glove-puppet

Maurice Sand (Maurice Sand)

France

Nohant

Printed

Casino

Hotel

Bourgeoisie

Unrequited love

Arranged marriage

Spirits

Occultism

Trap

Comical

Satirical

Farcical

Eugène Lambert, George Sand, Maurice Sand : puppet of Arthur Dupinceau.

French

L'Oncle et le neveu

Balandard

Young man

Innkeeper

Constable

American

Woman of the bourgeoisie

Young woman

Aside

Situation comedy

Invocation of the spirits of the dead

Aria

Plot twist

Les Esprits frappeurs

The Spirits that strike

Toulouse-Lautrec retraces his life marked by the illness that prevented him from enjoying the pleasures of the nobility to which he belonged, in the Albi family home: outdoor games, hunting, parties, etc. The only pastime that made him forget his illness was painting; because of this he decided to leave for Paris to perfect his art. There, he took refuge in the shadows of the artistic and literary bohemian nights, alcohol, brothels, cabarets, café-concerts, circuses and marginal districts to hide his disability.