El drac

Printed

103 pages

El drac

| 1995 | Valencia, Spain
Characters
Toniquet, Marieta, Salomó, Caporal, Soldat 1, Soldat 2, Drac, Narrador, Jove 1, Jove 2, Jove 3, Botiguer, Capità, Clavariessa 1, Clavariessa 2, Mossén, Sagristà, Guàrdia, Governador
Number of acts
1
Note

This play is inspired by a story from Valencian novelist Vicente Blasco Ibáñez, entitled El dragón del Patriarca; the story itself takes its inspiration from a popular Valencian legend. Manel Cubedo both translated the original tale from Spanish to Catalan and adapted it for puppet theatre, so that the play could be performed in the streets or at the theatre. The author wrote a first version of the play which was staged in 1980, by the theatrical troupe L’Entaulat Teatre at the Teatre Micalet in Valencia. Then in 1995, fifteen years later, he produced a second, more complete version, staged again by the same theatrical troupe, this time in the Sala Escalante in Valencia. In these two productions, Manel Cubedo was both the stage director and one of the puppeteers.

The play won the children’s theatre award of the district Council of Valencia in 1995.

Plot summary

A foreign hero saves the city of Valencia from the dragon of Albufera

When the Albufera of Valencia was still only an immense lake, a dragon appeared there and terrorised the population. The terrible beast found pleasure in eating people. Neither the militia, nor the Church, nor the governor himself were capable of defeating the obdurate dragon. Only Salomon (Solomon), a Jewish merchant, wanted to fight the dragon, but he was unjustly poisoned in the end. When Salomon was finally freed, he killed the dragon using a ruse and the people applauded him.

Composition date
1995

Other titles

El drac de l'Albufera

First performance

Valencia, Spain, 26 November 1995 -

Centre Teatral Escalante, L'Entaulat Teatre

Publications and translations

Publication

Edicions Bromera, Collection Micalet Teatre, Alzira, 1995

Language
Catalan
Literary tones
Fantastic, Heroic, Satirical, Ironic
Animations techniques
Direct Manipulation Bunraku-type Puppetry, Glove-puppet, String marionette, Shadow theatre
Audience
Young audiences

Key-words

Theatrical techniques

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Written by

Jaume Lloret