In order to help his mater Octavio marry Isabelle (Cintio’s daughter), Mezetin becomes Cintio’s servant. Cintio and the Doctor are looking for the Philosopher’s Stone. Arlequin and Mezetin dress as chimney sweeps and make the story of La Belle Maguelone into a puppet show, during which they give Octavio’s letter to Isabelle. Arlequin cross-dresses as a viscountess and fails to convince a marquis and the Doctor to share their secrets. Octavio proposes to Isabelle, but Cintio forbids their union. Quacks show up to an assembly called by the Doctor, and they are driven out by Polichinel. The quacks boast about their inventions, but they run away when they see Mezetin and Pierrot, who are respectively dressed as a Commissaire (commissioner) and a Clerc (clerk). The Commissaire tells Cintio that Isabelle has been abducted. Octavio comes forward to save her. When Isabelle comes back, Cintio still forbids their marriage. But Octavio threatens to report him for having invited counterfeiters. Everyone goes watch Mars and Apollon’s fight on the Place des Victoires (Victory square). Cintio finally accepts Octavio as his son-in-law.

Curiosité

Not specified

France

Paris

Printed

Alchemy

Philosopher's stone

False Scientist

Science

Invention

Fake kidnapping

Forger

Rivalry of theatres

Comical

Satirical

Arlequin holding the curiosité. Frontispiece of Les Souffleurs, 1694.

French

ou la Pierre philosophale d'Arlequin

Il Dottore (Commedia dell'arte)

Cintio

Isabelle

Marinette

Arlecchino

Octavio

Mezetin

Pierrot

Chimney sweeper

Vicomtess

Marquis

Seneschal

Colombine

Pasquariello

Polichinelle

Knight

Police Superintendant

Clerk

Goldsmith

Mars

Victoria

Warrior

Apollo

Themis

Minerva

Arts

Disguise

Letter

Cross-dressing

Jack of all trades

Allegory

Pantomime

Puppet theatre within the theatre

Storyteller

Les Souffleurs

The Alchemists

The shepherd Tityre lives in the Arcadian mountains with his beloved, a Zither player named Lycoris. One day, Lycoris strays away from their home and is captured by Lycophon, a pirate who sells her to a slaveholder Flagellantus, then to the Emperor’s barber Pelliculus and finally to the senator Mamillarus. Tityre follows the pirate ship to save his beloved. In the meantime, Mamillarus and Titus are waiting for a feast to begin. Tityre decides to buy his beloved back, but he does not have enough money. Therefore, he decides to start serving Mamillarus and his wife Mamillara. However, it is discovered that Tityre is in fact Mamillarus’ legitimate son, who was kidnapped by bandits. At the end of the play, César Titus arrives and sings his goodness and his absence of pride, in the fashion of street “hits”. He gives Lycoris her freedom back and offers to pay for the wedding.

Glove-puppet

Maurice Sand (Maurice Sand)

Nohant

Ancient history

Love

Piracy

Slavery

Adventure

Emperor

Relationship between father and son

Wedding

Maurice Sand, hand-puppet (between 1850 and 1875).

Le Berger Tityre

Senator

Citizen

Shepherd

Lover

Barber

Pirate

Guard

Slave

Coryphaeus

Wife

Sheperherdess

Comedy of language

Dinner scene

Sung scenes

Prologue

Address to the public

Allusion to the audience

Monologue

Quote

La Clémence de Titus

The Clemency of Titus

When the Albufera of Valencia was still only an immense lake, a dragon appeared there and terrorised the population. The terrible beast found pleasure in eating people. Neither the militia, nor the Church, nor the governor himself were capable of defeating the obdurate dragon. Only Salomon (Solomon), a Jewish merchant, wanted to fight the dragon, but he was unjustly poisoned in the end. When Salomon was finally freed, he killed the dragon using a ruse and the people applauded him.

Direct Manipulation Bunraku-type Puppetry

String marionette

Shadow theatre

Young audiences

Spain

Valencia

Legend

Dragon

Hero

Irony

Cunning

Fantastic

Heroic

Ironic

Cover page of Manuel Cubedo's El drac

Catalan

El drac de l'Albufera

Child

Granddaugther

Merchant (man)

Soldier

Narrator

Merchant (woman)

Captain

Festival organiser

Priest

Sacristan

Governor

Talking animal

Intervention of the audience

Children games

Theatre within the theatre

Song

El drac

The dragon

A cuntista (storyteller) relates that Carlo Magno has thrown a party for the birth of his first child, gathering the paladins of France and foreign knights. Princess Angelica arrives accompanied by her brother Argalia and four giants. Angelica and Carlo Magno make a deal: the first knight to defeat Argalia in a spear duel will get to marry the princess, but those that will be defeated will be made prisoners. Every paladin and every foreign knight want to fight. Malagigi, the necromancer, discovers Argalia’s deception. He has a magical spear and Angelica has a ring that will make her invisible and will help her escape. Malagigi, however, does not manage to warn the paladins, for he too has succumbed to Angelica’s beauty and has thus been made prisoner. After Astolfo (the first knight to lose the spear duel against Argalia) comes the Spanish Ferraù who does not admit defeat and ends up killing Argalia. Astolfo and Angelica manage to flee. 
At the Royal Palace, Carlo Magno is desperate because an enemy army is besieging the city of Paris and most of the paladins (including Orlando) have gone looking for Angelica. Carlo Magno entrusts the command of the army to Rinaldo. In the meantime, Angelica falls in love with Medoro, a pagan soldier, and Orlando goes mad when he finds out that they love each other. Astolfo finds a hippogriff which takes him to the moon. The cuntista relates that Astolfo finds Orlando’s lost spirit on the moon. He then interrupts his story and announces that he will continue it later.

Armed rod marionette

Single rod marionettes

Rod and string marionette

Italy

Palermo

Venice

Unrequited love

Moon

Madness

Travel in the air

Magic object

Deception

Epic

Fantasy

Sicilian

Angelica alla corte di Re Carlo

Charlemagne (King)

Angelique

Astolphe

Orlando

Renaud de Montauban

Ferragu

Paladin

Oliver

Maugis

Magician

Devil

Giant

Archbishop Turpin

King

Peasant

Maid

Hippogriff

Ganelon

Apparition of the Devil

Sword fight

Undressed character on stage

Scene of madness

Fighting a monster

Flying character

Interrupting

Dal Catai a Parigi

From Cathay to Paris. Angelica at King Charlemagne’s court

A human narrator, Giafar the magician, addresses the audience. One of his spirits tells him that he found the pure-hearted child Giafar was looking for. Giafar needed the child to capture the powerful genie of a magic lamp. At a marketplace, the narrator recounts the story of Scheherazade to some children. Among them was Aladdin – the pure-hearted child. Giafar pretends to be his uncle, and then leads Aladdin down into an underground cave to retrieve the magic lamp. But Aladdin does not give it to him, and so Giafar abandons him in the cave. With the help of a magic ring, Aladdin goes back to his mother’s house, bringing with him many precious stones as well as the lamp. He frees the genie, who helps him and his mother earn enough money to support themselves for years. Later, as a grown-up, the Sultan agrees to let Aladdin marry his daughter, thanks to the precious stones he found in the cave. But Giafar the magician finds out that Aladdin is still alive and that he grew rich with the help of the genie. He does everything in his power to retrieve the lamp and the genie. But in the end, Aladdin defeats Giafar. The genie seals him in the lamp and Giafar is doomed to come out only to tell the story of Aladdin to children.

Magic

Power

Treasure

Childhood

Purity

Genie

Lamp

Mimmo Cuticchio in Aladino di tutti i colori

Italian

Aladin

Mother

Town crier

Princess

Virticchio

Nofrio

Choir

Sultan

Vizir

Female companion

Apparition of a genie

Fall of a character

Flying machine

Hidden character

Avista

Dialogue between actor and puppet

Battlefield scene

Fight between an actor and a puppet

Aladino di tutti i colori

Aladdin of all colours

A flesh-and-blood Pulcinella speaks to the audience about his secret passion for books and, in particular, for Shakespeare's Macbeth. While reading a book and manipulating chess pieces on a small table in front of a castelet, Pulcinella tells the story of Macbeth. At the end, convinced that it's impossible for such a wicked character to die, he casts a spell to keep Macbeth alive. Pulcinella enters in the puppet boots and "Mr. Punch Macbeth" appears on stage.
After hitting his wife Judy and making a sausage with the Baby, Mr Punch-Macbeth meets Hamlet, played by a Pierrot puppet. In an absurd dialogue between the two characters, their stories mingle and Hamlet ends up killing Mr Punch-Macbeth, shouting, « Essere o non essere, non è un problema! » (« To be or not to be isn’t a problem! »). Hamlet falls in love with Juliette, but his brother (a Sicilian pupo) and the puppeteer prevent the marriage of a glove puppet and a marionette. Juliette drinks a potion which makes her appear to be dead. Hamlet swallows a poison which turns him into a glove puppet representing Mobârak (the black valet of the Iranian puppet theater), in the role of Othello.
Othello mistakes Juliette for Desdemona and kills her before remembering that he himself is Romeo. In despair, he commits suicide. Iago enters, interpreted by a puppet with the head of the Neapolitan actor Totò, and proclaims himself king of the wicked. But he is immediately attacked and killed by a Polichinelle playing the part of Richard III. All the characters haunt the sleep of Polichinelle-Richard III: Mr Punch-Macbeth, Hamlet-Romeo, Othello, Iago. In the end, he is pursued by Death, but a horse with Pulcinella’s white hat and black half-mask comes to save him. At this moment, a marotte representing Shakespeare intervenes to bring the show to an end. Accompanied by the song Che cosa sono le nuvole? by Domenico Modugno and Pier Paolo Pasolini, taken from Pasolini's movie of the same name, the puppets make a final appearance on the puppet booth stage.

Leone Bruno

Miscellanea di drammi shakespeariani in guarattellesco by Pulcinella Cetrulo

Pulchi Shake and Speare