In the prologue, Talia (Thalia) and Urania announce an inspiring story. Baldassara, a successful actress admired by Alvaro and Rodrigo, is tormented: as she performs the role of Clorinda in the company of Beatrice, Lisa, and Biscotto in a theatrical adaptation of La Gerusalemme Liberata by Torquato Tasso, she is so disturbed that she misses her cue. Baldassara understands that her torment comes from the fact that, while she plays the role of a young Christian, she has turned a deaf ear to the calls of God. Right in the middle of the performance, she leaves to exile herself in the desert, pursued by Biscotto and Lisa, who attempt to deter her from her goal. Beatrice, however, has only contempt for her rival; the other actors apologize to the public, who seem enthusiastic at the performance of who they call the "Comica del Cielo" (the Actress from the Heavens). During her exile, Baldassara discovers the beauty in solitude, while Lisa and Biscotto see only horror. She refuses their pleas to return to Valenza. The Demon, disguised as a hunter, tempts Alvaro, who has left in search of his lover: the young man finds Baldassara, who implores him to devote his life to God. In despair, he leaves to throw himself from a cliff. Baldassara tries to stop him, but a boulder in the form of a cross intervenes. Baldassara kneels before the power of the Divine. Biscotto, in hermit's robes, decides to stay at her side despite objections from Lisa. During her slumber, the Demon sends Baldassara temptations: upon her wake, she repels him with a Christian symbol, which breaks the spell. Biscotto, however, regardless of Lisa's warnings, tastes a cake from the Demon: the bitterness in his mouth remains, but he succeeds in chasing the Demon away. Act II ends with a ballet. Beatrice arrives in the desert after the death of Tafer, who she followed across the oceans and who was defeated by Rodrigo. In a nocturnal scene, Baldassara and Biscotto discover Beatrice and successfully dissuade her from killing herself. Rodrigo, arriving mid-reunion, wants to kill Beatrice to avenge her infidelity. Baldassara interjects and commands him to turn toward God. After these multiple conversions Penitenza (Penitence) appears to Baldassara to bring her her rewards; she confronts the Demon and triumphs over him. Since Alvaro hopes to regain his good graces with the help of Lisa, he finds Baldassara dead, in the midst of a choir of angels and happy souls.

"On foot and by rod" puppet

Marionette with counterweight

Not specified

Spain

Madrid

Italy

Rome

Printed

Conversion

Desert

Hermit

Actress

Miracle

Edifying

Heroic

Religious

Epic

Italian

La Conversione di Santa Baldassarra Comica Spagnuola; La Comica celeste

ovvero La Baldassara

Thalie

Muse

Lover (man)

King

Counselor

Servant

Maid

Devil

Soldier

Spectator

Choir

Angel

Play in verse

Chorus

Interlude

Prologue

Theatre within the theatre

Crowd

Sleeping character

Soliloquy

Reunion

Night scene

Revelation

Failed suicide

Apparition of the Devil

Pact with the devil

Allegory

Death on stage

Flying machine

Apotheosis

Ascent to heaven

Appearance of an angel

La Comica del Cielo

The Actress from the Heavens

Doctor Faust is disillusioned with academic disciplines. He learns black magic and makes a deal with the devil Mephistopheles, promising him his soul if the latter accepts to serve him for twenty-four years. Faust’s new domestic servant, Casperle, also learns to summon demons, and engages the services of the devil Auerhahn. However, he refuses to sell his soul to him. During the wedding of the Duke and Duchess of Parma, Faust makes the Ancient Testament appear before them and attempts to seduce the duchess. But he is pursued by her husband, the Inquisition and the outraged people, because Casperle has used his links with the devil to carry out miracles. Faust flees to Constantinople and Auerhahn brings Casperle to Mainz. The final act relates Faust’s damnation. He does penance, but he is doomed when Mephistopheles promises him the most beautiful woman in the world – Helen of Troy. Faust is carried off by demons, while Casperle, now a night watchman, takes his revenge on his wife at the end of the play, for the domestic violence she inflicted on him.

String marionette

Simrock Karl

Germany

Bonn

Scholar

Necromancy

Magic

University

Monkey

Pluto

Crow

Mainz

Perlicke

Drink

Pigtail

Dragon

Seduction

Inquisition

Couch

Vanity

Repentance

Nightwatchman

Lust

Future punishment

Spousal abuse

Tragic

Humorous

German

Monologue

Dilemma

Off-stage voices

Tragic irony

Misunderstanding

Comic Equivocation

Aside

Lazzi

Song

Versified passages

Dream

Appearance

Pyrotechnics

Chase

Domestic scene

Dance

Doctor Johannes Faust

Polichinelle has cloistered himself in a barrel to escape the world’s malice. Despite the pleas of Pierrot, Cassandre and a pork butcher, he is determined to stay cloistered (although he took the wine, the money and the ham they brought to try and lure him out). Everyone misses the old Polichinelle and his love for life, but Pierrot comes up with an idea. He makes sure that Polichinelle watches a puppet show in which a harmless Polichinelle has withdrawn from the world. The real Polichinelle is outraged – he knocks the booth over and drives the puppeteer out. Meanwhile, Pierrot takes the barrel away. Polichinelle sorely misses his barrel, which he claims was a trick to better swindle people. The policeman arrives to arrest Polichinelle, for “disturbance to civilisation”, but the latter escapes. Pierrot, who fled when he saw the policeman, comes back with his arms full of the wine, ham and money he found in the barrel.

Glove-puppet

All audiences

France

Paris

Hypocrisy

Misanthropy

Cunning

Wine

Money

Depression

Withdrawal from the world

Parodistic

Comical

Farcical

Frontispiece of Polichinelle withdrawn from the World.

French

Polichinelle

Pierrot

Constable

Pork butcher

Cassandre

Cassandra

L’Acteur faisant le personnage de Polichinelle

Actor

Manipulator

L’Acteur faisant le personnage de Pierrot

Blow-with-a-stick

Hidden character

Apparition of the puppeteer

Characterisation through onomatopoeia

Polichinelle retiré du monde

Polichinelle withdrawn from the world

After a prologue in which a marionette summarizes the plot, the scene opens in Juno’s bedroom at 3 a.m. Jove and Mercury, drunk and dressed as burglars, break the window to get in. Jove drives Mercury away and tries to sleep but he wakes up Juno, who picks a quarrel with him. She is furious and she decides to go to Hell and fetch two snakes which will kill Hercules and his mother in retaliation for Jove’s unfaithfulness. At the gates of Hell, Juno orders snakes and meets Blind Boy and Columbus the Parrot, who are carrying a bag. They are introduced to Pluto and his favorite snake, Slimy-Go-Gurgle-and-Twirl. They are sentenced to boil in the cauldron of Hell, but Columbus states that he has a present for Pluto in his bag. Pluto asks to see it. The present is an egg containing six other eggs, which are all of different colours and are placed one inside the other. Out of the smallest one hatches the “Worm of Worms,” Cockatrice, who kills all the snakes in Hell and terrifies everybody. Pluto gives his ring to Blind Boy and asks him to take Cockatrice away, but Blind Boy informs him that he is his mother and offers to explain how it happened. They all sit in front of a small theatre, where the story of Cockatrice’s birth is narrated. In the cockney neighborhood of London, Jove, dressed up as a cock, steps into Blind Woman and Blind Boy’s shop in order to buy pigeon milk. He hands over an egg to Blind Boy, since he is blind and therefore cannot see Cockatrice, who is about to hatch, for a single glance at Cockatrice would prove fatal - it would even kill him to see himself in a mirror. Jove asks Blind Boy to be Cockatrice’s mother and to never reveal to him who his father is. After hatching, Cockatrice befriends Blind Boy, and they decide to travel the different worlds together. After the performance ends, Blind Boy, Cockatrice, and Parrot leave Hell in order to rescue Hercules from the snakes sent by that Juno sent.

Craig Edward Gordon

Marina di Pisa

Printed excerpts

Unfaithfulness

Latin Mythology

Hell

Monster

Evil

Descent into hell

Fantasy

Satirical

English

Jupiter - Parrot - Pluto - Cockatrice & Blind-Boy

1st version

Puppet

Juno

Jupiter (Jove)

Mercury

Worker

Blind Boy

Blind

Parrot

Pretty Polly

Columbus

Slimy-Go-Gurgle-And-Twirl

Snake

Cockatrice

Basilic

Gusano (ver)

Cock, cockerel

Egg eclosion

Verbal imitation

Argument

Blind character

Disguised character (false identity)

Analepsis (Flash-back)

Anachronism

Avista

Hell (1916)

Enfer

The wanderer Nabíh tells a child, Hassan, how the merchant Abdul found on a dead man’s body a bottle from which emerges a genie. This genie, in turn, tells the story of the dead man, a fallen king, father of Fatima, a princess who is said to have taken refuge among the desert dwellers because of the fratricidal war. The king's supporters are looking for Fatima to offer her the throne, and discover that she is Laïla, Hassan's mother. However, she renounces the throne to become the princess of the desert. Other stories are added to this main plot.