Les Prétendants de Caroline

Typewriting

Les Prétendants de Caroline

| Between 1941 and 1944 | Paris, France
Genre (as defined by the author)
Comédie
Characters
Jean-François Billembois, Canezou, Arthur, Oscar, Jasmin, Caroline, Chœur des comparses
Number of acts
2
Note

Les Prétendants de Caroline is one the plays for hand puppets written by Gaston Baty during the German military administration in occupied France. These plays were performed by a small group of actors and are now kept in the Fonds Baty of the Bibliothèque nationale de France (French national library – cote 4-COL-285). Although the text indicates “based on Laurent Mourguet’s work and the puppets from Lyon”, the plot does not draw on a specific play among the old Guignol repertory. Instead, it seems that the author mainly borrowed two of its characters – Canezou and Guignol, here called Billembois.

This two-act comedy is rather inspired by Molière’s Le Bourgeois gentilhomme. The play is set in Paris and stages the character of Jean-François Billembois – a typical Parisian craftsman imagined by Baty and featured in many puppet play projects written at the time.

Plot summary

A young woman’s suitors cure her of her dreams of greatness

Canezou – a rich Parisian merchant – suggests that her daughter marry the son of his friend Fromaget – a young, rich, handsome and intelligent man. But the fickle girl turns down all commoner suitors. Arthur Galuchait – the son of one of Canezou’s old friends – returns to Paris after having become rich in the Indies, and he proposes to Caroline. Her father warns Arthur about his daughter’s state of mind. The young man leaves an excellent first impression on Caroline but is then thrown out on the street when she discovers that he does not have noble blood. Arthur stumbles on Oscar, another suitor rejected on the same grounds by the fair girl. They both want to teach Caroline a lesson and join up with the carpenter Billembois.

Then Arthur goes to Canezou’s house dressed Indian-style to deliver a message from the king Menemetapa – the King wants his son to marry the fair Caroline, his son having fallen in love after seeing her at the Théâtre des Italiens. For this reason, the young Prince is going to grant Canezou the rank of “Grand Crustacé du royaume” (Great Crustacean of the kingdom). Canezou summons his daughter, who trembles with emotion. Oscar is disguised in the middle of a parade of servants and escorts Billembois, who is wearing a fake moustache and the costume of an oriental prince. Billembois proposes to Caroline in a speech of exotic gibberish, and she is enthralled and agrees to marry him. Billembois kisses Caroline. When Canezou and Caroline are about to sign the prenuptial agreement written by Oscar, Billembois has qualms about hurting Caroline. He reveals the fraud and removes his mask. Arthur gets angry at Billembois, who was supposed to disclose his true identity only after signing the agreement. Oscar removes his disguise too. Oscar, Arthur, Billembois and the rest of the procession leave. Cured of her dreams of greatness, Caroline admits that she is still under Billembois’s spell. Canezou is flabbergasted and keeps talking about Fromaget’s son.

Related works
Le Bourgeois gentilhomme1670
Composition date
Between 1941 and 1944

Conservation place

Bibliothèque nationale de France - Paris, France
Language
French
Literary tones
Comical, Didactic
Animations techniques
Glove-puppet
Audience
All audiences
Licence
Public domain

Key-words

Theatrical techniques

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Written by

Carole Guidicelli