After performing a traditional guarattelle show, the puppeteer and his Pulcinella think they won’t have anything to eat as the audience left without paying. They both decide to leave Naples for France. When they arrive at court, the King carefully examines Pulcinella with a magnifying glass, and finds him too poor, so drives him away. Pulcinella beats the King with a stick and the guards come to arrest him. The puppet escapes from the puppet booth with the Puppeteer, who explains that if the puppet wants to eat, he must “change his face”.
The Puppeteer then turns Pulcinella into Polichinelle, giving him new, luxurious clothes decorated with ribbons and little bells, two bumps (one on the belly and the other on the back) and a white mask to hide his black half-mask. Thus transformed, Pulcinella moves and speaks far more slowly, but his new lazzi with a cock amuse the King greatly. The puppet and the Puppeteer are able to eat a big plate of pasta in front of the puppet booth and go to sleep with a full belly. Woken by the Marseillaise, they enter the puppet booth, believing a party is going on. On stage, in front of a guillotine, Robespierre and Danton debate whether the King should be tried. After cutting off the heads of Danton and the King, Robespierre also wants to kill Polichinelle, who is friends with the King. First, he cuts off one bump, and then the other, and finally the white mask. Polichinelle, who has now gone back to being “Pulcinella the revolutionary”, cuts off Robespierre’s head and then, like Napoleon Bonparte, proclaims himself emperor and uses a stick to beat, one after the other, the emperor of Austria and the Pope who has come to crown him. He shows his emperor’s crown to the Puppeteer: it means he’ll be able to eat for 200 years. The Puppeteer comes out of the booth for a last monologue at the end of which he dons the black half-mask and proclaims himself to be Pulcinella.

Glove-puppet

Actor and puppet

All audiences

Leone Bruno

Italy

Naples

Printed

Hunger

Quest

Poverty

Wealth

Revolution

Executing a king

Marseillaise

Plurilingualism

Execution

French Revolution

Guillotine

Napoleon Bonaparte

Pope

Emperor

Comical

Farce

French

Puppeteer

Pulcinella

Louis XVI

Ministre

Garde

Polichinelle

Danton

Maximilien de Robespierre

François I d'Autriche

Pie VII

Dialog between a puppet and its puppeteer

Dialect as a social marker

Blow-with-a-stick

Word warping

Building a puppet on sight

Disguised character (false identity)

Monologue

Beheading

Swazzle

National language as a social marker

Decomposition of a puppet

Pulcinella et la Révolution française

Ondina Peteani was born in Trieste on 26 April 1925. As a teenager, she began to associate with the Fontanot family and attended communist meetings. At the age of seventeen, she chose to become an underground activist of the Italian Communist Party (PCI). She soon began to carry out her first resistance actions under the pseudonym "Natalia". During a police operation in a mountain refuge, Ondina managed to save herself with the help of comrade Cvetko. In June 1943, all the members of the resistance group to which Ondina belonged, Ondina herself, her mother and her sister were imprisoned because of a double agent. After the armistice on 8 September, they are all freed by the people. The informer turns out to be Ondina's sister, Santina, because she had a love affair with a young fascist. Santina is executed. Fighting against the Germans begins and the resistance fighters succumb after a fierce struggle. Ondine and comrade Stecchi are sent in pursuit of the traitor Blechi, who has caused the death of many resistance fighters after infiltrating among them. The comic sketch with the glove-puppets begins: Blechi notices the presence of Ondina and Stecchi and disguises himself as a priest so as not to be recognised, thus managing to escape. When he meets Ondina, he disguises himself as an old man, but she recognises him and Blechi is caught and killed. In 1944, Ondina is deported to the Auschwitz concentration camp as a political prisoner. She survives despite the physical and psychological hardships. The horror she experienced in the camp did not erase her conviction that she had to fight for resistance and freedom.

Gloved hand

Mannequin

Not specified

Cuscunà Marta

Monfalcone

Documentary story

Biography

True story

Resistance fighter

Partisan struggle

Resistance

World War II

Fascism

Communism

Feminism

Woman

Heroism

Maquis

Auschwitz

Realist

Pathetic

Dramatic

Italian

Progetto di teatro civile per un’attrice, cinque burattini e un pupazzo

Choir

Peasant accent

Comical regional accent

Alternating narrative / dialogue

Transforming scenery

Disguise

Confinement

Pantomime

Puppet theatre within the theatre

Narrative Theater

Narrator

Murder on stage

È bello vivere liberi!

It's good to live free!

One rainy day, Pulcinella is waiting for his friend and roommate Mastro Raffaele to come home with some money so he can eat. Unfortunately, Mastro Raffaele has lost the coal he was supposed to sell, but he possesses a valuable item that he could pawn. When Mastro Raffaele goes to look for this item, Pulcinelluccio, the son of Pulcinella, shows up. Pulcinella has given Pulcinelluccio the job of taking a letter to his uncle to ask for a loan. But the child makes a greasy mark on the letter and his uncle refuses to read it. Pulcinella, furious, chases his son away. Even the hope of withdrawing some money from Mastro Raffaele’s treasury vanishes when the latter returns with an old garment. At that moment, the Prince of Casadoro, a friend of Pucinella, shows up.
The Prince has asked Cavaliere Buonobono for the hand of his daughter, the first dancer at the Naples Opera. Buonobono will agree to the marriage on condition that he meets the Prince’s family. But the Prince’s father and uncle are on a trip and the young lover, impatient to get married, asks Pulcinella and Mastro Raffaele to impersonate them. Buonobono starts to have doubts about the identity of the two friends when they throw themselves on the meal they have been served, climb on the table and put the spaghetti in their pockets. His suspicions are confirmed when he discovers Pulcinella with his wife. It turns out that Pulcinella’s wife and son had been hired as servants at Cavaliere Buonbono’s house after Pulcinella ejected them from his own house.
Despite the deception being uncovered, the young Prince obtains Buonobono’s forgiveness and pays Pulcinella and Mastro Raffaele for their services.