Printed39 pagesPulcinella et la Révolution françaiseBruno Leone | 1989 | Naples, Italy | FrenchDialog between a puppet and its puppeteerDialect as a social markerBlow-with-a-stickWord warpingBuilding a puppet on sightDisguised character (false identity)MonologueBeheadingSwazzleNational language as a social markerDecomposition of a puppetHungerQuestPovertyWealthRevolutionExecuting a kingMarseillaisePlurilingualismExecutionFrench RevolutionGuillotineNapoleon BonapartePopeEmperorLiterary tonesComical, FarceAnimations techniquesGlove-puppet, Actor and puppetAudienceAll audiences
Printed30 pagesÈ bello vivere liberi!Progetto di teatro civile per un’attrice, cinque burattini e un pupazzoMarta Cuscunà | 2009 | Monfalcone, Italy | ItalianPeasant accentComical regional accentAlternating narrative / dialogueTransforming sceneryDisguiseConfinementPantomimeDisguised character (false identity)Puppet theatre within the theatreNarrative TheaterNarratorMurder on stageDocumentary storyBiographyTrue storyResistance fighterPartisan struggleResistanceWorld War IIFascismCommunismFeminismWomanHeroismMaquisAuschwitzLiterary tonesRealist, Pathetic, DramaticAnimations techniquesGlove-puppet, Actor and puppet, Gloved hand, MannequinAudienceNot specified
Audio recording, Electronic text22 pagesPulcinella Principe per due oreAdriano Ferrajolo (Adriano Ferraiolo) | 2012 | Salerno, Italy | ItalianWord warpingWord for anotherDisguised character (false identity)Blow-with-a-stickPunSpectacular turn of eventsAddress to the publicNobilityMiseryHungerDisguiseHoaxLoveEngagementLiterary tonesComicalAnimations techniquesGlove-puppetAudienceNot specified