Polichinelle wants to be loved while he is dressed as the shepherd Philemon, but is rejected by Issé. Doris accepts Pan's love for a while. Hylas is in turn rejected by Issé. Issé questions the oracle of the oaks of Dodona who tells her that she will fall in love with the god of light. Issé refuses because she prefers Polichinelle. Polichinelle reveals himself to her as Apollo.

Not specified

France

Paris

Manuscript with songs and dialogue summaries

Oracle

God disguised as a mortal

Greek mythology

Shepherd

Unrequited love

Seduction

Rivalry in love

Parodistic

French

Polichinelle

Philémon

Mother Gigogne

Doris

The Interpreter

Pierrot

Hylas

Priest

Peasant (female)

Apollo

Misunderstanding

Unveiling

Spectacular turn of events

Ballet

Song

Dialogue with a character in the audience

Apollon Polichinelle

Apollo as Polichinelle

Alvarès makes his son Guzman a bailiff and promises that he will marry Alzire. Alvarès convinces Alzire’s father, Monteze, to have her marry Guzman. Alzire believes that her fiancé Zamore is dead, but he is released from prison. When he learns that Alzire will marry Guzman, Zamore tries to kill him and thinks that he has succeeded. Zamore and Alvire, who is thought to be his accomplice, are sentenced to death. Just when Zamore is about to be hanged, Guzman appears, wounded. He forgives Zamore and lets him marry Alzire.

Latin America

Forgiveness

Jail

Murder

Bailiff

Indigenous people

Death penalty

Obedience

Forced marriage

Comical

La Fille obéissante, manuscript Collection Soleinne (Ms FF 9313), Bibliothèque nationale de France.

Parodie d'Alzire

Waiter

Guard

Tragic conflict

Fake death

Hanging scene

La Fille obéissante

The obedient Daughter

Faetonte (Phaethon) came to Italy to find the young woman whose portrait made him fall in love. He meets Egéria, the daughter of Tirreno (Tyrrhenus), who was dispossessed of her kingdom by her uncle Tages. The latter wants his daughter Ismene to become queen; he would like her to marry his nephew Albano. Faetonte does not know that he is the son of the Sun and introduces himself as a shepherd from Thessaly. Egéria falls in love with him and asks him to avenge her by killing Ismene. Faetonte meets the magician Fíton, who followed him from Thessaly. The servant Chichisbéu, who also followed his master Faetonte, is mistaken for the magician and taken prisoner by Tages’s soldiers. Albano worries because he betrayed Egéria, choosing Ismene instead. Tages announces the arrival of the great magician; he hopes that he will reveal the identity of the son of the Sun, who is known to be in the region. Faetonte arrives at Tages’s palace and reunites with Chichisbéu, who is tasked with finding the son of the Sun. On Faetonte’s suggestion, Chichisbéu pretends that his master is the son; he can therefore enter the palace. Chichisbéu tries in vain to charm Chirinola, Egéria’s maid: his nose grows longer with every lie he tells. Faetonte is about to kill Ismene when he realises that she is the young woman from the portrait. He stops his hand, and she calls the soldier, but Faetonte flees in the darkness cast by Fíton. Ismene asks Albano to avenge her. Albano asks Chichisbéu to reveal the murderer’s identity: the fake magician says that he will find him in the forest. The King admits that he would rather give his daughter’s hand to the son of the Sun rather than to Albano, whom he does not trust. Ismene goes into the forest to hunt and wounds Faetonte, believing that he is an animal. He falls to her feet and declares his love to her. Albano is convinced that Faetonte is Ismene’s murderer and tries to kill him. Chichisbéu stops him and reveals that Faetonte is the son of the Sun; the trees begin to move on orders of Apolo to signal that this is true, and he is escorted with great pomp to the King’s court. When Egéria finds blood on the ground, she believes that Faetonte has killed Ismene and been imprisoned. Faetonte declares his love to Ismene, who recognises the portrait in his hands as the one she sent to her future husband, the Prince of Rhodes. During the ceremony meant to unite Ismene and Albano, Fíton turns off the lights: claiming that this is a sign from Apolo, the King adjourns the wedding. Fíton tells Faetonte that he really is the son of the Sun, but that disclosing his identity would only cause his downfall. The King wants Ismene to marry the son of the Sun and have Egéria marry Albano. Albano and Faetonte fight, but they are interrupted by Ismene, who appeals to the gods. To curry favour with Chirinola, Chichisbéu reveals his true identity and says that Faetonte is only a shepherd. Ismene and Albano were spying on them and now believe that they know the truth: the King announces that he will marry his daughter to Albano, and Faetonte despairs. Quarreling with Fíton, he asks his father to confirm his identity. Apolo therefore entrusts his chariot to him: the horses bolt and run to the sea where Egéria is—she finds Faetonte’s lifeless body in her arms. Apolo brings his son back to life. Faetonte marries Egéria, and Chirinola agrees to marry Chichisbéu.

António José Da Silva (António José da Silva, aka O Judeu)

Portugal

Lisbon

Printed

Portrait

Identity

Love

Inheritance

Metamorphosis

Filiation

Revelation

Fantasy

Pastoral

Lyrical

Burlesque

Antonio José da Silva, Precipício de Faetonte, 1759.

Portuguese

Phaethon

Prince

King

Magician

Servant

Niece

Princess

Daughter

Maid

Music

Double intrigue

Love duet

Love rivalry

Set that comes to life

Apparition of a wizard

Attempted assassination

Hunting scene

Gunshot

Animated natural element

Scene of recognition

Scene in the dark

Warning signs

Duel scene

Spying scene

Flying machine

Clouds

Deus ex machina

Resurrected character

Final wedding

Precipício de Faetonte

The Fall of Phaethon

Alcide (Alcides) is in love with Alceste (Alcestis) and grieves when she marries Admète (Admetus). Straton learns that Céphise is leaving him, since she loves Licas now. Lycomède (Lycomedes), another character in love with Alceste, is planning a party in honour of the newly-wed—Admète and Alceste. He abducts Alceste, taking her to his ship guarded by his sister Thétis, who unleashes a tempest soon stopped by Eole (Aeolus). Licomède holds Alceste captive, but Alcide and Admète arrive with an army to set her free. The assailants win the battle, but Admète is mortally wounded. Apollon (Apollo) announces that he will come back to life if someone agrees to die in his stead: Alceste decides to sacrifice herself. Alcide makes her cross the Styx. Pluton (Pluto) does not care about Alceste’s sacrifice. Alcide arrives and asks for Alceste; she is handed back to him. Licas and Straton ask Céphise to choose between them, then the three of them agree that you should not marry if you want to stay in love. At first, Alcide wants to assert his rights over Alceste; however, he renounces when he witnesses the sorrow of the two lovers: he gives Alceste back to Admète.

Manuscript

Sacrifice

Heroism

Kidnapping

Battle

Siege

Grief

Descent into hell

Trap

Immortality

Hercules

Alcestis

Admetus

Lycomedes

Lychas

Thétis

Eole

Mercury

Pluto

Charon

Shadow

Combattant

Choir

Monster

Comical regional accent

Metatheatre

Final song

Alceste

Don Juan has asked his servant Kasperl to sell his last shirt and coat, but Kasperl has spent the money from the sale on beers. He sends him to borrow money from his father, the knight Pantolfius. When Pantolfius refuses, Don Juan himself comes to ask him to comply, but in vain, and Kasperl kicks him in the nose. To find money, Kasperl then has the idea of summoning the devil, but when Don Juan wants to sell him his soul, he replies that it already belongs to him and takes it to hell.

Reinhardt Carl

Germany

Munich

Tralala

Excessive drinking

Drunkard

Drinking

Credit

Father

Perlike

Money

Debt

Hits

Radirullala

Devil

Eternal punishment

Satirical

Grotesque

Farcical

German

Don Juan

Pantolfius

Kasperl

Final intervention of the devil

Pact with the devil

Kasperl und Don Juan

Kasperl and Don Juan

Kasperl drags on stage the corpse of the devil murdered in Kasperl und der Teufel, and, to get rid of it, throws it out of the hand-puppet booth. His wife suddenly tells him that Death is coming before running away. Death tells Kasperl that it is time to die, but he answers that he does not have time for that. As Death insists, he asks to go and kiss his dear wife one last time: he comes back with a stick and, letting Death go before him, he strikes the skeleton to pieces with a great blow in its back. He leaves and gently sings: everyone now celebrates Kasperl for having defeated Death.

Glove-puppet

Gruesome

Stick

Death

Woman

Household

Beer

Tavern

Detail of a page from Carl Reinhardt, Das wahrhaftige Kasperltheater (based on a 1924 republication, Wien/Leipzig/München, Rikola Verlag, p. 75): Kasperl blows Death to pieces.

Madame Kasperl

Allegory

Address to the public

Blow-with-a-stick

Epilogue

Kasperl und der Tod

Kasperl and Death

The only spirit which the magician Negrocephalus is able to invoke on that day is the rooster spirit of Gockelhahn. The spirit informs him that his wife, the Gackerackack chick, is hatching a golden egg, which he promises to bring to Negrocephalus. The tired magician goes to his cabinet and asks his famulus Putzlmayer to keep watch. However, Putzlmayer prefers having fun by doing magic, thanks to Negrocephalus’s spellbook. He too invokes Gockelhahn, who comes back with the promised egg. Putzlmayer gets scared after hearing a voice coming from the egg and informs Negrocephalus before fleeing. Whoever is inside the egg keeps asking to be let out, and Negrocephalus starts worrying too. He swears to the being inside the egg that he will not eat it before daring to break the shell with his magic wand. After a series of thunderclaps and lightning, Kasperl comes out of the egg.

Apollon Polichinelle

La Fille obéissante

Parodie d'Alzire

Precipício de Faetonte

Alceste

Kasperl und Don Juan

Kasperl und der Tod

Das goldene Ei

La Malle de Berlingue

La Tragédie d'Arlequin

Les Voisines