Raggou, a French rogue, has been sentenced to death by hanging and is running away from the police. He meets another Frenchman, a puppeteer on his way to the Bristol Fair with his puppet booth. The runaway buys the booth and swaps his clothes with the puppeteer’s to trick his pursuers. When the two policemen ask if he has seen a French runaway, Raggou, dressed as a puppeteer, is forced to improvise a short performance. He then stages three acts, in which the king of Spain plays the bagpipes for his privy council while king Solomon is passing sentence; the queen of Swiveland and the Whore of Babylon vie to be the most lustful; the king of Norway and Denmark teaches the bishop of Munsera how to juggle. Flea-fint, a looter sentenced to death by hanging and pursued by the police, offers to buy Raggou’s puppet booth and to swap clothes with him. Raggou agrees and flees. Since he would not know how to stage a puppet play, Flea-fint comes up with a plan in case someone asked him to—the key is in Bristol, therefore he cannot open the booth. The true puppeteer comes back, accompanied by policemen. He asks Flea-Flint to give him back his possessions. Flea-flint is thus sentenced to death by hanging, but the policemen do not know how to hang him: instead, they plunder him and spare his life.

Curiosité

Not specified

Great Britain

London

Printed

Disguise

Foreign languages

Comical

Burlesque

John Lacy, The Old Troop; or, Monsieur Raggou, 1672 (front cover).

English

Prussian

King

Solomon

Queen

Prostitute

Bishop

Thief

Puppeteer

Constable

Song

Comic distortion of language

Running gag

Theatre within the theatre

Improvised scene

Current affairs

The Old Troop; or, Monsieur Raggou

Guignol tries to sell a bundle of little sticks carried by his donkey. The barber Pommadin tries to negotiate the price, but Guignol refuses. Pommadin ends the deal and pays the price required by Guignol, but he requests everything that the donkey carries. Guignol agrees, but Pommadin takes the stick that was holding everything together. Guignol complains to the burgomaster, but he sides with Pommadin. Guignol goes to Pommadin’s barber shop and asks for him and one of his friends to be shaved, reassuring Pommadin that he will pay for both of them in advance. Pommadin takes the money, and Guignol comes back with his donkey and forces Pommadin to shave it. The burgomaster is called again, but this time, he sides with Guignol. Pommadin wants the donkey out of his shop and thus has to reimburse and compensate Guignol. An Apothicaire (Apothecary) sells Guignol a remedy that will make his donkey obedient. A Marchande (Female Merchant), Marie, complains to Guignol that the donkey destroyed her crystal and porcelain shop, and they argue. Guignol and Niafron run away to go and have lunch together out of the city.

Glove-puppet

France

Lyon

Donkey

Beard

Trade

Judgment

Deceived deceiver

Farcical

Le Marchand de picarlats (Vuillerme-Dunant's manuscript), Fonds Léopold Dor.

French

Le Marchand de génevottes; Le Marchand de fagots; Le Marchand de cotrets.

Guignol

coiffeur

Bourgmestre

Apothecary

Merchant (woman)

Monologue

Dialect as a social marker

Deceived naivety

Misunderstanding

Fight with an animal

Plot twist

Le Marchand de picarlats

The picarlats Merchant

Guignol’s landlord – Vautour – complains about financial hardship, as his tenants do not pay the rent. He asks Guignol to settle the previous months of arrears, but Guignol ridicules him extensively and then refuses to pay. Gnafron helps Guignol get rid of Vautour. They both fear that Vautour will have Guignol’s furniture seized, and so they move it all before having a drink together.

Rent

Debt

Scatology

Furniture

Le Déménagement de Guignol. Lyon: Elardin, 1876 (couverture).

arrangé par Louis Josserand

Gnafron

Landlord

Fight

Trap

Final song

Le Déménagement de Guignol

Guignol’s Move

The story takes place in Grenada at the beginning of the 16th century. Juan Ramero, a former soldier in the army of Isabella the Catholic, is now a bellringer in a church in town. On the twentieth anniversary of the Reconquista, the inhabitants of Grenada gift a bell made with gold and silver to the old mosque, which was turned into a Catholic church, so that Juan Ramero can ring it to celebrate this anniversary. But Saïd le Maure (the Moor Saïd), who fought Juan Ramero, comes back to avenge himself. He accuses him of having stripped him of his house and of having killed his son. Since then, he became a magician by making a deal with the devil Satanas, and he took advantage of the gullibility of Lola, the servant, to get into the house. In fact, Saïd’s son is not dead – on the day of the last battle between Christians and Muslims, Juan Ramero came across three men fighting over the baby’s crib. Juan Ramero saved him, baptised him under the name Andrès and raised him as his son. However, Saïd knows nothing about this and wants to kill Juan Ramero, his daughter Carmen and Andrès, whom he believes to be Ramero’s son. He makes a deal with Satanas, who grants him the power to transform humans. Saïd chases Juan Ramero and his children in the desert, where he turns Carmen into a myrtle and Andrès into a roebuck. Juan Ramero reveals the whole truth to Saïd. To redeem himself, the latter calls upon Azaël -Satanas’ enemy – who gives the children their original form back. They all make peace and go back to Grenada to start a new life.

String marionette

Paris

Manuscript

Orientalism

Bell

Love

Religion

Revenge

Friendship

Foundling

Exile

Fantastic

Fantasy

Dramatic

Adolphe Joly, La Cloche du diable (title page)

Devil

Magic spell

Incantation

Aside

Apparition of the Devil

Metamorphosis

Aria

La Cloche du diable

The devil's Bell

Two presenters (Tall Ringmaster and Blue Ringmaster) take turns announcing different acts. A variety of characters enter the scene while two clowns, Tuff and Cream, exchange jokes and riddles. In the second part, horsemen from around the world and from every era ride in one by one.

Toy theatre

Young audiences

Ireland

Strete

Circus

Parade

Joke

Show

Clown

Exoticism

Announcer

Horserider

Horse

Singer

Onct More's First Circus

Le Premier cirque d'Onct More

A policeman must arrest two criminals. Clown proposes to Pantaloon to accompany him fishing and boasts that they will need a large pan to cook all the fish he will catch. He thinks he caught a great prize but reels in only a cast iron pan. While Pantaloon mocks him, he insists that he did it on purpose. Pantaloon learns that Old Buffer is looking for a parrot and tries to sell him a talking parrot. When Old Buffer expresses his wish to eat it, Clown threatens to eat Old Buffer. The latter calls the police officer, who promises to help and hides to catch the scoundrels. Dude, a passerby, wants to know the time. Pantaloon advises him to not address the police officer since he is not himself. He shows him the time on a watch upon which the arrows are turning very rapidly. Harlequin and Columbine dance, and the police officer chases them since dancing is forbidden in the streets. A man hides in a letterbox, which troubles the mailman. This man is none other than Clown. The police officer notices Pantaloon and Clown, but he forgot his club at home; his family uses it to whisk the batter for birthday cakes. He decides to hide and to listen to them. All of the characters enter the scene to capture Pantaloon and Clown, who reveal themselves to be the two criminals being searched for.

Arrest

Fishing

Eating

Investigation

Policeman

Captain

Pantaloon

Arlecchino

Colombine

Postman

Hidden character

Arrest scene

Dance

The Wonderful Travellers or The Gamesome Princes and the Pursuing Policeman

Gnafron is crippled with debts. He leaves France for Morocco with Guignol, but they board on a military ship and so the both of them become soldiers. After realising what their new “job” is, they land in Morocco as sentries. While keeping watch, Gnafron and Guignol meet the Qaid’s daughter, Ziléna. Guignol falls in love with the beautiful Muslim woman before even having seen her face – since he needs her father’s permission to do so. Guignol suggests that Gnafron replaces the muezzin’s donkey. He argues that when Ahmed – the muezzin – sees that his donkey has been changed into a man, he will interpret it as a miracle and take Gnafron to the Qaid. Gnafron would then be able to plan Guignol’s arrival. Guignol’s plan works: Ahmed and the Qaid believe in a miracle. He wants to know why “the donkey” took the shape of a French soldier. Gnafron explains that, for a brief period of time, the donkey worked for the French. The Qaid asks Gnafron whether he remembers the French manoeuvres and if he could teach them to his soldiers. Gnafron becomes the general of the Moroccans. In the meantime, Guignol arrives at the palace dressed in Moroccan fashion. He reunites with Ziléma, who agrees to marry him. Guignol warns the Qaid that the Zouaves are close by. The Qaid is distressed as he cannot find his daughter Ziléma. Guignol assures him that she will reappear. The Qaid promises to make him “the greatest Mufti of Islam” if the miracle takes place. At this exact moment, Ziléma unveils her face. The Qaid is overwhelmed with joy, and Guignol takes advantage of his emotion to ask for his approval to marry Ziléma. The Qaid agrees and promises to give Gnafron “a big “negress” of Beaujolais” – one possible meaning of “negress” in French being a bottle. When the Zouaves reaches the town, Guignol introduces himself as the sultan of Casbach. He allows them to enter the town and tells the Qaid that it is a day to celebrate. Gnafron is the only unhappy character at the end, as he is given a real “negress” instead of a bottle of Beaujolais.

Creditor

Veiled woman

Polygamy

Colonialism

Islam

Party

Tony Tardy, Guignol au Maroc (first page)

Grocer

Fishmonger

Pork butcher

Moroccan

Sultan

Officer

Zouave

Sergeant

Sailor

African

Disguised character (false identity)

Guignol au Maroc

Guignol in Morocco

Canezou – a rich Parisian merchant – suggests that her daughter marry the son of his friend Fromaget – a young, rich, handsome and intelligent man. But the fickle girl turns down all commoner suitors. Arthur Galuchait – the son of one of Canezou’s old friends – returns to Paris after having become rich in the Indies, and he proposes to Caroline. Her father warns Arthur about his daughter’s state of mind. The young man leaves an excellent first impression on Caroline but is then thrown out on the street when she discovers that he does not have noble blood. Arthur stumbles on Oscar, another suitor rejected on the same grounds by the fair girl. They both want to teach Caroline a lesson and join up with the carpenter Billembois. Then Arthur goes to Canezou’s house dressed Indian-style to deliver a message from the king Menemetapa – the King wants his son to marry the fair Caroline, his son having fallen in love after seeing her at the Théâtre des Italiens. For this reason, the young Prince is going to grant Canezou the rank of “Grand Crustacé du royaume” (Great Crustacean of the kingdom). Canezou summons his daughter, who trembles with emotion. Oscar is disguised in the middle of a parade of servants and escorts Billembois, who is wearing a fake moustache and the costume of an oriental prince. Billembois proposes to Caroline in a speech of exotic gibberish, and she is enthralled and agrees to marry him. Billembois kisses Caroline. When Canezou and Caroline are about to sign the prenuptial agreement written by Oscar, Billembois has qualms about hurting Caroline. He reveals the fraud and removes his mask. Arthur gets angry at Billembois, who was supposed to disclose his true identity only after signing the agreement. Oscar removes his disguise too. Oscar, Arthur, Billembois and the rest of the procession leave. Cured of her dreams of greatness, Caroline admits that she is still under Billembois’s spell. Canezou is flabbergasted and keeps talking about Fromaget’s son.

All audiences

Typewriting

Haughtiness

Vanity

Wedding

Didactic

Jean-François Billembois

Parisian urchin

Artisan

Woodworker

Canezou

Merchant (man)

Father

Domestic servant

Young woman

Choir

Nervous breakdown

Procession

Music

Kissing scene

Spectacular turn of events

Les Prétendants de Caroline

Caroline's Suitors

The collection brings together small stories or short heterogeneous dialogues, everyday or absurd scenes on various themes: family, school, work, social conflicts, justice, war, mendicancy, etc. The human turns out to be disposable, just like crumpled paper is.