Mrs Lee confesses her love to her Gardener, in front of her husband. The Gardener snorts in response. She gives herself to him, thrilled by the idea of joining their souls. As they are making love, the Gardener slits her throat with his scythe. Mr. Lee, who witnessed everything from the room where the audience is, is delighted that everything was fake and that it was just a dream. Aha and Blindboy, who witnessed it all, decide to go back in the past, disappointed by the modern world.

String marionette

Not specified

Craig Edward Gordon

Italy

Marina di Pisa

Printed

Garden

Unfaithfulness

Spiritual union

Carnal love

Satirical

Erotic

Parodistic

Edward Gordon Craig, Uplifted Petticoats (front cover)

English

A Highbrow Morality Play for Men Only

Husband

Gardener

Ahha

Blind Boy

Blind

Monologue

Address to the public

Seduction scene

Erotic scene

Murder on stage

Commentary

Speechless character

Blind character

Uplifted Petticoats

The Real Lady enters a shop to buy a foil that will accompany her in her social engagements. The Shopman first recommends her a “Real Horror”, whom she turns down. Then, he introduces the Real Artist, the Van Gogh model (only his legs and shoes are visible), but he growls whenever he hears about money and the Shopman advises her against buying it in the end. He suggests a Marionette instead – The Real Gentleman. The Real Lady inspects it closely, buys it and gets out of the shop with it, carrying it around on a leash. From behind a window, art historian John Ruskin and naturalist Charles Darwin followed and briefly commented on the scene. The interlude concludes with other remarks, from Buddha and Ahha, who appeared in a version of The First Prologue and who, accompanied by Parrot, were supposed to travel throughout centuries in the Drama for Fools initial project.

Shadow theatre

Trade

Shopping

Stooge

Society life

Goods

Monster

Money

People and history

Witness

Comical

Absurd

Salesman

Lady

Gentleman

Artist

Vincent Van Gogh

John Ruskin

Charles Darwin

Buddha

Parrot

Columbus

Situation comedy

Metadiscourse on puppet theatre

Spying scene

Théophile Hippolyte Sébastien Lacroix visits Marianne Larue and suggests different outings that she declines without exception, with a simple “noa” (nan-an). After Théodore’s departure, Marianne keeps answering this to all outside noises, even when the curtain goes down and the theater lights go off. Marianne’s shape can still be seen through the partly transparent curtain, while it grows excessively. The play ends with a young man’s ironic and “coarse” whistle.

Leghorn

Woman

Seduction

Unrequited love

Invitation

Refusal

Language

Bilinguism

Fantastic

Edward Gordon Craig, Noa.

Une conversation marionnettique en style "snap-shot"

Running gag

Comedy of language

Off-stage noise

Light effects

Lowering the curtain during action

Nan-an

Felix Techno is the inventor of a time machine which he demonstrates to the audience. He gives Technikus, a robot, to his nephew Peter, but makes it malfunction to punish him for his poor performance at school and to see if Peter and his friend Kalle can control it. The deranged robot wreaks havoc on the city. Felix, who observes the events from the future, returns to take part in them under different disguises. When the robot continues its journey into space, Felix dons a spacesuit and brings it back to Earth. The inventor decides to give the robot to Kalle, who has managed to control it, because "technology belongs to the one who controls it".

Young audiences

Focke Gerd

Germany

Time travel

Physics

Dysfunction

Cosmic journey

Spoutnik

Learning

Diving suit

Television

Robot

Dinosaur

Music

Time

Disobedience

Radio

School

Technical

German

Eine utopische Märchenkomödie für einen Schauspieler und einige Puppen

Inventor

Physician

Vendeur de journaux

Schoolteacher

Police officer

Fireman

Astronaut

Und die halbe Weltgeschichte, von übermorgen bis zur Zeit der Dinosaurier (oder umgekehrt)