Mrs Lee confesses her love to her Gardener, in front of her husband. The Gardener snorts in response. She gives herself to him, thrilled by the idea of joining their souls. As they are making love, the Gardener slits her throat with his scythe. Mr. Lee, who witnessed everything from the room where the audience is, is delighted that everything was fake and that it was just a dream. Aha and Blindboy, who witnessed it all, decide to go back in the past, disappointed by the modern world.

String marionette

Not specified

Craig Edward Gordon

Italy

Marina di Pisa

Printed

Garden

Unfaithfulness

Spiritual union

Carnal love

Satirical

Erotic

Parodistic

Edward Gordon Craig, Uplifted Petticoats (front cover)

English

A Highbrow Morality Play for Men Only

Husband

Gardener

Ahha

Blind Boy

Blind

Monologue

Address to the public

Seduction scene

Erotic scene

Murder on stage

Commentary

Speechless character

Blind character

Uplifted Petticoats

The Real Lady enters a shop to buy a foil that will accompany her in her social engagements. The Shopman first recommends her a “Real Horror”, whom she turns down. Then, he introduces the Real Artist, the Van Gogh model (only his legs and shoes are visible), but he growls whenever he hears about money and the Shopman advises her against buying it in the end. He suggests a Marionette instead – The Real Gentleman. The Real Lady inspects it closely, buys it and gets out of the shop with it, carrying it around on a leash. From behind a window, art historian John Ruskin and naturalist Charles Darwin followed and briefly commented on the scene. The interlude concludes with other remarks, from Buddha and Ahha, who appeared in a version of The First Prologue and who, accompanied by Parrot, were supposed to travel throughout centuries in the Drama for Fools initial project.

Shadow theatre

Trade

Shopping

Stooge

Society life

Goods

Monster

Money

People and history

Witness

Comical

Absurd

Salesman

Lady

Gentleman

Artist

Vincent Van Gogh

John Ruskin

Charles Darwin

Buddha

Parrot

Columbus

Situation comedy

Metadiscourse on puppet theatre

Spying scene

Théophile Hippolyte Sébastien Lacroix visits Marianne Larue and suggests different outings that she declines without exception, with a simple “noa” (nan-an). After Théodore’s departure, Marianne keeps answering this to all outside noises, even when the curtain goes down and the theater lights go off. Marianne’s shape can still be seen through the partly transparent curtain, while it grows excessively. The play ends with a young man’s ironic and “coarse” whistle.

Uplifted Petticoats

A Highbrow Morality Play for Men Only

Shopping

Noa

Une conversation marionnettique en style "snap-shot"