In the Prologue, Sole (the Sun) and Amore (Eros) compete over Giasone (Jason), to settle which woman, Isifile (Hypsipyle) or Medea, he will love. In Colchis, Giasone forgets himself in Medea’s company. His friend Ercole (Hercules) reproaches him for his lack of heroic diligence. Indeed, the hero left his first wife, Isifile (queen of Lemnos), to find the Golden Fleece, and he declares his love to his new mistress. As for Medea, she dismisses Egeo (Aegeus), whose love bothers her. Oreste (Orestes) came to inquire about Giasone on behalf of Isifile; he meets the stammerer Demo, who challenges him to a duel and then begs to be his friend, while still imploring him to let himself be beaten because it would make Oreste happy. Medea plays with Giasone and makes him believe that she wants him to marry Delfa, then she declares her love to him, causing bitterness on the nurse Delfa’s part. While Isifile laments the loss of her husband, Medea wards off the spirits to ensure Giasone’s success in his quest for the Fleece. Oreste learns about Giasone’s love for Medea and goes to tell Isifile, whom he finds asleep, dreaming about her husband’s return: he takes advantage of the situation and steals a few kisses from her. When she wakes up, he tells her about Giasone’s betrayal. She orders him to have Giasone killed. Giasone struggles in the Labyrinth, as part of his quest for the Fleece; then he sails to Corinth, with Medea. A love affair develops between Oreste and Alinda, Isifile’s companion. Egeo learns of the lovers’ flight from Demo and decides to follow them. When their ship sinks, Demo believes that he is dead and in a whale’s stomach. Another love affair begins between Alinda and Besso. Oreste tells Giasone that Isifile is looking for him. Giasone tries to distance Medea, who wants to meet her rival, by explaining to her that she is a visionary. Isifile walks in on the romantic duo, interrupting them. To get rid of her, Giasone promises her his love, and he arranges for them to meet in an inn. He gives in to her request for a kiss, as a token of his honesty. Once again, a romantic duo is interrupted: it is Medea’s turn to walk in on Giasone and Isifile. To pacify her, Giasone asks her to meet him too, and promises that Besso will have Isifile killed. To Besso, Giasone demands that the first person to appear be thrown into the sea, no matter if they are man or woman. Egeo, dressed up as a seaman, meets Demo who, still convinced to be dead, mistakes him for a spirit. Suspicious, Medea appears before Besso: captured by Giasone’ soldiers, she believes that her lover has betrayed her. When Isifile arrives, Besso sends her away. Thrown into the water, Medea is rescued by Egeo; she entrusts him with her revenge. Giasone, convinced that Besso carried out his mission, tries to fall asleep, and he dreams of the ghosts of the two women. Egeo tries to kill him, but Isifile prevents him from doing so. She is wrongly accused of the attempted murder, and Egeo runs away. While Besso announces Medea’s death, the latter appears and reveals the whole plot. Then, Egeo’s testimony clears up the situation. Isifile wants to kill herself out of romantic disappointment, but the depth of her feelings wins Giasone back. Everyone, including Medea, can now rejoice.

"On foot and by rod" puppet

Marionette with counterweight

Not specified

Acciaiuoli Filippo (aka Gran Burattinajo)

Apolloni Giovanni Filippo

Italy

Rome

Printed

Greek mythology

Golden Fleece

Love

Jealousy

Shipwreck

Unfaithfulness

Magic

Heroic

Melodramatic

Fantasy

Comical

Il Novello Giasone, 1671 (front cover)

Italian

Jason

Hercules

Confident

Queen

Hypsipyle

Oreste

Lady

Medea

Nurse

King

Aegeus

Servant

Satyre

Spirit

Choir

Argonauts

Soldier

Sailor

Sung play

Love story

Play in verse

Prologue

Cross-dressing

Character mistaken as a member of the other sex

Sword fight

Comic stuttering

Prayer

Magic spell

Apparition of demons

Account of a dream

Monologue

Night scene

Interlude

Apparition of a god

Ballet

Flying machine

Stone throwing

Flying character

Equivocation

Off-stage scream

Off-stage noise

Il Novello Giasone

The New Jason

Venus asks her son Cupid to make Adonis fall in love with her. Punch is furious and curses the gods, love and poetry. Cupid hears him. He strikes him with an arrow and condemns him to love Proserpina. When she appears, Punch sings his love to her. She dies and Punch is driven to despair. Venus and Adonis are in love. Venus asks Adonis not to go hunting because it would be too dangerous. Adonis ignores her plea and goes anyway. He is wounded and dies. Venus wants to catch his soul and join him. She is mourning his death with Pallas. Jupiter visits Proserpina in the Underworld to convince her to love Punch, who has been changed into Mars by Jupiter. The two lovers kiss and go back to the surface. All the characters ascend.
In her epilogue, Iris declares that love has prevailed.

Rod and string marionette

Great Britain

London

Death

Hunting

Latin Mythology

Metamorphosis

Burlesque

Parodistic

Martin Powell, Venus and Adonis, 1713. (Title page).

English

Adonis

Eros

Jupiter (Jove)

Punch

Mars

Venus

Athena

Proserpina

Iris

Nymph

Hunting scene

Ascent to heaven

Set that comes to life

Venus and Adonis; or, the Triumphs of Love.

As planet Earth is covered by oceans, molten matter is cooling down. Dinosaurs are cooing among the ferns, and the first rocks are starting to form. A naked man from the Stone Age is proudly mounting a horse he has recently tamed. Jules César (Julius Caesar), also on horseback, is posing. Then come the crusades, and Godefroid de Bouillon is proclaimed King of Jerusalem. Centuries later, his equestrian statue is erected on the Royal Square. The horse is replaced by a boat. The city and its port reach the highest point of their history.

Shadow theatre

Belgium

Brussels

Printed summary

Statue équestre

Nationalism

Géologie

Paléontologie

Darwinism

Essor économique

Epic

Illustration by Léon Dardenne from a programme of the Théâtre du Diable au Corps, December 1896.

Il Novello Giasone

Venus and Adonis; or, the Triumphs of Love.

Godefroid de Bouillon à travers les âges

Fantaisie lyrique en sept tableaux