In the Prologue, Sole (the Sun) and Amore (Eros) compete over Giasone (Jason), to settle which woman, Isifile (Hypsipyle) or Medea, he will love. In Colchis, Giasone forgets himself in Medea’s company. His friend Ercole (Hercules) reproaches him for his lack of heroic diligence. Indeed, the hero left his first wife, Isifile (queen of Lemnos), to find the Golden Fleece, and he declares his love to his new mistress. As for Medea, she dismisses Egeo (Aegeus), whose love bothers her. Oreste (Orestes) came to inquire about Giasone on behalf of Isifile; he meets the stammerer Demo, who challenges him to a duel and then begs to be his friend, while still imploring him to let himself be beaten because it would make Oreste happy. Medea plays with Giasone and makes him believe that she wants him to marry Delfa, then she declares her love to him, causing bitterness on the nurse Delfa’s part. While Isifile laments the loss of her husband, Medea wards off the spirits to ensure Giasone’s success in his quest for the Fleece. Oreste learns about Giasone’s love for Medea and goes to tell Isifile, whom he finds asleep, dreaming about her husband’s return: he takes advantage of the situation and steals a few kisses from her. When she wakes up, he tells her about Giasone’s betrayal. She orders him to have Giasone killed. Giasone struggles in the Labyrinth, as part of his quest for the Fleece; then he sails to Corinth, with Medea. A love affair develops between Oreste and Alinda, Isifile’s companion. Egeo learns of the lovers’ flight from Demo and decides to follow them. When their ship sinks, Demo believes that he is dead and in a whale’s stomach. Another love affair begins between Alinda and Besso. Oreste tells Giasone that Isifile is looking for him. Giasone tries to distance Medea, who wants to meet her rival, by explaining to her that she is a visionary. Isifile walks in on the romantic duo, interrupting them. To get rid of her, Giasone promises her his love, and he arranges for them to meet in an inn. He gives in to her request for a kiss, as a token of his honesty. Once again, a romantic duo is interrupted: it is Medea’s turn to walk in on Giasone and Isifile. To pacify her, Giasone asks her to meet him too, and promises that Besso will have Isifile killed. To Besso, Giasone demands that the first person to appear be thrown into the sea, no matter if they are man or woman. Egeo, dressed up as a seaman, meets Demo who, still convinced to be dead, mistakes him for a spirit. Suspicious, Medea appears before Besso: captured by Giasone’ soldiers, she believes that her lover has betrayed her. When Isifile arrives, Besso sends her away. Thrown into the water, Medea is rescued by Egeo; she entrusts him with her revenge. Giasone, convinced that Besso carried out his mission, tries to fall asleep, and he dreams of the ghosts of the two women. Egeo tries to kill him, but Isifile prevents him from doing so. She is wrongly accused of the attempted murder, and Egeo runs away. While Besso announces Medea’s death, the latter appears and reveals the whole plot. Then, Egeo’s testimony clears up the situation. Isifile wants to kill herself out of romantic disappointment, but the depth of her feelings wins Giasone back. Everyone, including Medea, can now rejoice.

Not specified

Acciaiuoli Filippo (aka Gran Burattinajo)

Apolloni Giovanni Filippo

Italy

Rome

Printed

Greek mythology

Golden Fleece

Love

Jealousy

Shipwreck

Unfaithfulness

Magic

Heroic

Melodramatic

Fantasy

Comical

Il Novello Giasone, 1671 (front cover)

Italian

Jason

Hercules

Confident

Queen

Hypsipyle

Oreste

Lady

Medea

Nurse

King

Aegeus

Servant

Satyre

Spirit

Choir

Argonauts

Soldier

Sailor

Sung play

Love story

Play in verse

Prologue

Cross-dressing

Character mistaken as a member of the other sex

Sword fight

Comic stuttering

Prayer

Magic spell

Apparition of demons

Account of a dream

Monologue

Night scene

Interlude

Apparition of a god

Ballet

Flying machine

Stone throwing

Flying character

Equivocation

Off-stage scream

Off-stage noise

Il Novello Giasone

The New Jason

The play begins with Colombo (Colombus) sailing the sea with his wife Anarda and their son Fernando. They meet a choir of mermaids, then of tritons, all of which are taken away by Fortuna. The ship berths at Motenzuma, the capital of Peru. Tendilla, daughter of Ginacra, the king of Peru, advocates against welcoming the foreigners. Her lover Guascarre speaks against his wife’s empty fears. Ginacra sends him to the ships to meet the strangers, who have brought presents. When the Court and the strangers meet, Colombo fears that his wife Anarda will be tempted; she assures him that she is faithful. Their son falls in love with Tendilla. The servant Giumbè is leading two camels carrying many gifts. This is followed by a dance of monkeys trying to imitate human dances. Ginacra wooes Anarda. As she rejects him, he tries to force Colombo to give his wife to him. The two husbands ask for Guascarre’s help, although he himself is jealous of Fernando. Taken to the temple to be sacrificed, Anarda accepts her coming death—to prove her love for Colombo. Trying to make her change her mind, Ginacra turns her into a goddess: faced with a renewed rejection, he takes her to prison. Colombo is set on dying for his wife. Fernando asks Tendilla to intercede with the tyrant on behalf of his mother. The interlude stages the European nations dressed in colourful costumes. At night, Anarda is waiting in her cell for her husband to save her: Colombo arrives, carrying a torch, and with Giumbè’s help manages to see Anarda. Ginacra also arrives at the prison. Anarda pretends to like him and suggests that he kills Colombo in a duel, to win her love. Colombo hears the end of the conversation, displays jealousy and tries to kill himself at his wife’s feet. She prevents him from doing so and explains her plan to fight, disguised as him. Tendilla declares her love to Fernando: as a true gentleman, Guascarre promises his rival mutual love. Colombo cross-dresses and offers to fight the duel in Ginacra’s stead: the fight now opposes Anarda cross-dressed as Colombo, and Colombo cross-dressed as the king’s champion. Hurt by Anarda, Colombo falls to the ground; When she discovers her opponent’s true identity, she faints. Learning about Anarda’s feats, Ginacra decides to leave her alone. Tendilla hesitates between her two suitors: her father decides that she will marry Guascarre, the oldest of the two.

Automaton

Ottoboni Pietro

Peru

Geographic discoveries

Explorer

Rivalry in love

Sacrifice

Edifying

Pietro Ottoboni, Il Colombo ovvero L'India scoperta, 1690.

overo L'India scoperta

Christopher Columbus

Wife

Slave

Interpreter

Young woman

Prince

Lady-in-waiting

Mermaid

Chorality

Thwarted love

Love rivalry

Boat mounted on wheels

Clouds

Board meeting

Sleeping character

Spying scene

Fall of a character

Release of a prisoner

Duel scene

Disguised character (false identity)

Final wedding

Il Colombo

Pulcinella, an apothecary, is pleased with his situation. Her daughter’s servant, Cannetella, tells him that women have qualities that make good apothecaries. After quarrelling several times about this topic, Pulcinella plans on marrying her. However, Cannatella is in love with a young man, Lisardo, who came to offer his services and work in the shop. Lisardo was hired by Pulcinella and is happy to be progressing with his plans: in fact, under the name Lisardo, a young woman called Delmira is hiding. She came to take revenge on Filarco, who robbed her of her honour and then abandoned her. However, Filarco is now wooing Rosaura, Pulcinella’s daughter. In fact, Rosaura is sick: to cure her, Pulcinella suggests that she marry Damone; she flatly refuses. Filarco sees many similarities between Lisardo and his ex-mistress, whom he believed was dead, but he is still fooled: he asks the young man to help him win Rosaura; Delmira calls him a traitor. To cure Rosaura, Pulcinella hires Damone, who is also a doctor: when the latter woos her during the consultation, she faints. As for Lisardo, he rejects Cannetella’s advances. The servant suggests that Filarco pretends to be a doctor to grow closer to Rosaura: because of her exhortations, Pulcinella summons Damone and Filarco, who examine the young woman together: this leads to double meanings between the young characters, who declare their love to each other. Filarco’s prescription is in fact a love letter, and Lisardo condemns his betrayal (Pulcinella cannot read): however, Rosaura manages to interpret every single word in medical terms. After taking the treatment prescribed by Damone, Rosaura pretends to have gone insane and behaves like Eurydice waiting for her Orfeo (Orpheus). She is so believable that Pulcinella discharges Damone and relies on Filarco: Rosaura pretends to see Orfeo in him; he goes along with it and earns the right to marry her. In an attempt to stop the marriage, Damone discloses that Rosaura is not Pulcinella’s daughter. Therefore, Pulcinella does not have the right to decide who she will marry: Rosaura declares her love to Filarco nonetheless. Delmira reveals who she truly is, and Filarco decides to go back to his first wife. Rosaura then lets herself be talked into marrying Damone, and Cannetella agrees to marry Pulcinella.