The Knight Soleie has lost his horse and weapons. He believes he has landed on a desert island. Tchantchet shows him he has not. The Knight wants to find his father and, once he arrives at his family’s castle, asks his mother about his whereabouts. She tells him that his father has gone to war. The Knight believes he can see his wounded father – a fact which alarms his mother. But it is only a passing vision. Tchantchet brings a letter announcing the return of the father, the Bon Ténébreux. The latter arrives at the castle, reunites with his family and relates his achievements, especially his duel against Don Quixote, whom he has killed. The Knight Soleie also relates his fights, one of which ended with Malbrouke’s death. The Knight Mastique, one of Soleie’s cousins, introduces himself. He asks for the permission to bring Soleie with him, on a boat, to free the woman he loves. The Queen Rosemonde worries about this journey and has them promise to ring her or send a telegram if the boat sinks. Mastique and Soleie have landed on a new shore. The Géant Bras d’Acier (the Giant with the Steel Arm) appears suddenly and wants them to pay for the right of way. He wounds Soleie but the latter kills him. Mastique tends to Soleie. They both decide to leave the island and are flung in the air by an Enchanter, who brings them back home.

Single rod marionettes

Not specified

Belgium

Liège

Printed

Knighthood

Adventure

Navigation

Giant

Comical

Epic

Parodistic

Walloon

Knight

King

Queen

Tchantchès

Magician

Monologue

Vision

Story

Fight

Appearance of a wizard

Flying character

Le Chevalier Soleie

The Knight Soleie

A young boy named Pepperl is sick and can't go out. With the collaboration of Kasperl, who replaces him in bed and takes the medicines meant for him, Pepperl escapes from his house to go see the Christmas manger. Arriving on a flying saucer and disguised as an astronaut, the Man on the Moon convinces Kasperl and Pepperl to escape the boring festive season to celebrate Christmas on the Moon. Upon their arrival, they learn that the Man on the Moon was deceiving them. Kasperl loses his memory of his life on Earth. Thanks to the intervention of the Girl on the Moon and of Saint Nicolas who brings him a musical Christmas ornament, Kasperl recovers his memory. Saint Nicolas, Kasperl, and Pepperl return to Earth, where they are awaited by Father Christmas to celebrate the holiday.

String marionette

Young audiences

Germany

Munich

Audio-visual recording

Forced marriage

Identity

Nostalgia

Sadness

Cosmic journey

Visit

Regrets

Countdown

Oversight

Crater

Threat

Astronaut

Journey

Christmas

Fantasy

German

Kasperl

Pepperl

Inhabitants on the moon

Grand-father

Saint Nicholas

Doctor

Dialect

Object coming to life

Disguised character (false identity)

Letter

Flying machine

Appearance

Entrance from below stage

Die klingende Weihnachtskugel

La boule de Noël musicale

Miséria est un vieux forgeron qui passe ses journées à travailler le fer. Son seul plaisir est de prendre soin de son noyer. Un jour, São Pedro (Saint Pierre) vient lui rendre visite, demandant un fer à cheval. Comme il ne lui en reste plus, Miséria lui propose de prendre celui qui est un porte-bonheur en argent. Quelques temps plus tard, São Pedro retourne chez Miséria, disant qu’il peut demander un souhait. Miséria demande que ceux qui grimpent dans son noyer pour voler des noix finissent prisonniers de l’arbre. 
Quand la Mort arrive pour chercher Miséria, il fait un pacte avec le diable, avec lequel il gagne 20 ans. Au bout de 20 ans, la Mort revient. A ce moment, Miséria lui demande un dernier souhait : qu’elle grimpe à l’arbre pour lui chercher une noix. Ainsi, la Mort devient prisonnière du noyer. Tant qu'elle est prisonnière de l'arbre, le soleil ne se couche plus, il n’y a plus de vent, les feuilles restent immobiles ; le monde s’est arrêté. Miséria finit pas libérer la Mort à condition qu’elle lui promette la vie éternelle. La Mort accepte, mais le prévient qu’il regrettera son souhait. La pièce finit avec le vieux forgeron qui travaille le fer, se plaignant de son sort : son arbre qui était la raison de son existence vient de mourir et il reste condamné à la vie éternelle.

Rod puppet

Full-view manipulation

Adults

Portugal

Porto

Magalhães Álvaro

Electronic text

Death

Old age

Tree

Deal with the Devil

Tale

Desires

Human condition

Future punishment

Time

Immortality

Philosophical tale

Tragic

Dramatic

Miséria (Teatro de Marionetas do Porto, 1991)

Portuguese

Old man

Blacksmith

Devil

Saint Peter

Voice

Apparition of a Saint

Narrator

Appearence of Death

Song

Peasant accent

Change of voice

Smoke

Music

Miséria

Misère

A cuntista (storyteller) relates that Carlo Magno has thrown a party for the birth of his first child, gathering the paladins of France and foreign knights. Princess Angelica arrives accompanied by her brother Argalia and four giants. Angelica and Carlo Magno make a deal: the first knight to defeat Argalia in a spear duel will get to marry the princess, but those that will be defeated will be made prisoners. Every paladin and every foreign knight want to fight. Malagigi, the necromancer, discovers Argalia’s deception. He has a magical spear and Angelica has a ring that will make her invisible and will help her escape. Malagigi, however, does not manage to warn the paladins, for he too has succumbed to Angelica’s beauty and has thus been made prisoner. After Astolfo (the first knight to lose the spear duel against Argalia) comes the Spanish Ferraù who does not admit defeat and ends up killing Argalia. Astolfo and Angelica manage to flee. 
At the Royal Palace, Carlo Magno is desperate because an enemy army is besieging the city of Paris and most of the paladins (including Orlando) have gone looking for Angelica. Carlo Magno entrusts the command of the army to Rinaldo. In the meantime, Angelica falls in love with Medoro, a pagan soldier, and Orlando goes mad when he finds out that they love each other. Astolfo finds a hippogriff which takes him to the moon. The cuntista relates that Astolfo finds Orlando’s lost spirit on the moon. He then interrupts his story and announces that he will continue it later.

Armed rod marionette

Rod and string marionette

Italy

Palermo

Venice

Unrequited love

Moon

Madness

Travel in the air

Magic object

Deception

Sicilian

Angelica alla corte di Re Carlo

Storyteller

Charlemagne (King)

Soldier

Angelique

Astolphe

Orlando

Renaud de Montauban

Ferragu

Paladin

Oliver

Maugis

Archbishop Turpin

Peasant

Maid

Hippogriff

Ganelon

Apparition of the Devil

Sword fight

Undressed character on stage

Scene of madness

Fighting a monster

Address to the public

Interrupting

Dal Catai a Parigi

From Cathay to Paris. Angelica at King Charlemagne’s court

Abu is an imaginary place in the desert, inhabited by Mica – a young girl who enjoys counting the birds that fly above her – and her grandfather, who teaches her a secret way to fly without wings. According to his magic formula, one only needs to listen to the wind while exhaling deeply. A giant slide represents a dune. Behind it is a springboard which Mica and her grandfather – played by actors – use to jump and try to take flight. Several birds and a dragonfly try too, but without success. Then, the young girl – represented by a puppet – tries again. She is swept by the wind: she jumps, sways, walks clumsily and then falls over. A dragonfly slides down a ski slope, blowing air to maintain balance while also protecting itself from the cold. Several contraptions, flying machines and planes arrive on stage; they are manipulated by actors. At the end, a mysterious character named Flyer declares that he must leave, because he may otherwise become part of the desert.