In the Prologue, Sole (the Sun) and Amore (Eros) compete over Giasone (Jason), to settle which woman, Isifile (Hypsipyle) or Medea, he will love. In Colchis, Giasone forgets himself in Medea’s company. His friend Ercole (Hercules) reproaches him for his lack of heroic diligence. Indeed, the hero left his first wife, Isifile (queen of Lemnos), to find the Golden Fleece, and he declares his love to his new mistress. As for Medea, she dismisses Egeo (Aegeus), whose love bothers her. Oreste (Orestes) came to inquire about Giasone on behalf of Isifile; he meets the stammerer Demo, who challenges him to a duel and then begs to be his friend, while still imploring him to let himself be beaten because it would make Oreste happy. Medea plays with Giasone and makes him believe that she wants him to marry Delfa, then she declares her love to him, causing bitterness on the nurse Delfa’s part. While Isifile laments the loss of her husband, Medea wards off the spirits to ensure Giasone’s success in his quest for the Fleece. Oreste learns about Giasone’s love for Medea and goes to tell Isifile, whom he finds asleep, dreaming about her husband’s return: he takes advantage of the situation and steals a few kisses from her. When she wakes up, he tells her about Giasone’s betrayal. She orders him to have Giasone killed. Giasone struggles in the Labyrinth, as part of his quest for the Fleece; then he sails to Corinth, with Medea. A love affair develops between Oreste and Alinda, Isifile’s companion. Egeo learns of the lovers’ flight from Demo and decides to follow them. When their ship sinks, Demo believes that he is dead and in a whale’s stomach. Another love affair begins between Alinda and Besso. Oreste tells Giasone that Isifile is looking for him. Giasone tries to distance Medea, who wants to meet her rival, by explaining to her that she is a visionary. Isifile walks in on the romantic duo, interrupting them. To get rid of her, Giasone promises her his love, and he arranges for them to meet in an inn. He gives in to her request for a kiss, as a token of his honesty. Once again, a romantic duo is interrupted: it is Medea’s turn to walk in on Giasone and Isifile. To pacify her, Giasone asks her to meet him too, and promises that Besso will have Isifile killed. To Besso, Giasone demands that the first person to appear be thrown into the sea, no matter if they are man or woman. Egeo, dressed up as a seaman, meets Demo who, still convinced to be dead, mistakes him for a spirit. Suspicious, Medea appears before Besso: captured by Giasone’ soldiers, she believes that her lover has betrayed her. When Isifile arrives, Besso sends her away. Thrown into the water, Medea is rescued by Egeo; she entrusts him with her revenge. Giasone, convinced that Besso carried out his mission, tries to fall asleep, and he dreams of the ghosts of the two women. Egeo tries to kill him, but Isifile prevents him from doing so. She is wrongly accused of the attempted murder, and Egeo runs away. While Besso announces Medea’s death, the latter appears and reveals the whole plot. Then, Egeo’s testimony clears up the situation. Isifile wants to kill herself out of romantic disappointment, but the depth of her feelings wins Giasone back. Everyone, including Medea, can now rejoice.

"On foot and by rod" puppet

Marionette with counterweight

Not specified

Acciaiuoli Filippo (aka Gran Burattinajo)

Apolloni Giovanni Filippo

Italy

Rome

Printed

Greek mythology

Golden Fleece

Love

Jealousy

Shipwreck

Unfaithfulness

Magic

Heroic

Melodramatic

Fantasy

Comical

Il Novello Giasone, 1671 (front cover)

Italian

Jason

Hercules

Confident

Queen

Hypsipyle

Oreste

Lady

Medea

Nurse

King

Aegeus

Servant

Satyre

Spirit

Choir

Argonauts

Soldier

Sailor

Sung play

Love story

Play in verse

Prologue

Cross-dressing

Character mistaken as a member of the other sex

Sword fight

Comic stuttering

Prayer

Magic spell

Apparition of demons

Account of a dream

Monologue

Night scene

Interlude

Apparition of a god

Ballet

Flying machine

Stone throwing

Flying character

Equivocation

Off-stage scream

Off-stage noise

Il Novello Giasone

The New Jason

Admeto (Admetus), ill and dying, goes to see the oracle of Giove (Jupiter) in order to learn how to stay alive: he can only survive if someone dies in his stead. His wife Alceste (Alcestis) is the only one who accepts to die for him. Ercole (Heracles) asks for the hospitality of the court of Admeto, and there he narrates his labours. He promises his host that he will bring Alceste back from the underworld. Accompanied by the servant Faggiolino, Ercole descends to the underworld, where he kills several antagonists, and asks Plutone (Pluto) to bring Alceste back to life. Because Plutone refuses, Ercole kidnaps Alceste. Back on Earth, Ercole, Faggiolino and Alceste are welcomed with a sumptuous feast, and Faggiolino is promoted Great of the court.

Glove-puppet

Bologna

Handwritten summary

Death resurrected

Sacrifice

Descent into hell

con Faggiolino spaventato dai mostri infernali

Admetus

Alcestis

Prince

Héraklès

Protée

Fagiolino

Priest

Pluto

Proserpina

Charon

Death

Cerberus

Oracle

Pyrotechnics

Fighting a monster

Change of social status

Ercole all'Inferno

Hercules in the Underworld

A voice tells Marie that she is about to be pregnant with God. Marie says a prayer to God, in which she expresses at once her shame, her pain and her sense of fulfillment. Then she greets Elisabeth, who praises the light emanating from her. Marie thanks her but she also mentions her pain and the tears she has shed. In the barn, Joseph marvels at the celestial voices he has just heard, and reveals his confusion at Marie’s state, who can miraculously see the star and hear these voices. A group of shepherds comes. Each brings a present (a toy, a jar of honey, bread) and leaves. Once alone with Marie, Joseph wonders whether he is dreaming. Gaspar, Balthazar and Melchior come in. They relate their journey and how the star has appeared to them, and they leave a present (incense, gold, an ornamented staff). Joseph still vacillates from rapture to incomprehension, and he praises their new-found wealth and Marie’s lit up face. But an angel warns them about King Herod’s anger. He advises them to flee to Egypt.

Shadow theatre

Bernus Alexander von

Germany

Munich

Nativity

Annunciation

Visitation Festival

Light

Religious

Lyrical

Karl Thylmann, silhouettes and sceneries for "The Annunciation" in Heiliges Spiel.