Venus asks her son Cupid to make Adonis fall in love with her. Punch is furious and curses the gods, love and poetry. Cupid hears him. He strikes him with an arrow and condemns him to love Proserpina. When she appears, Punch sings his love to her. She dies and Punch is driven to despair. Venus and Adonis are in love. Venus asks Adonis not to go hunting because it would be too dangerous. Adonis ignores her plea and goes anyway. He is wounded and dies. Venus wants to catch his soul and join him. She is mourning his death with Pallas. Jupiter visits Proserpina in the Underworld to convince her to love Punch, who has been changed into Mars by Jupiter. The two lovers kiss and go back to the surface. All the characters ascend.
In her epilogue, Iris declares that love has prevailed.

Rod and string marionette

Not specified

Great Britain

London

Printed

Love

Death

Hunting

Latin Mythology

Metamorphosis

Comical

Burlesque

Parodistic

Martin Powell, Venus and Adonis, 1713. (Title page).

English

Adonis

Eros

Jupiter (Jove)

Punch

Mars

Venus

Athena

Proserpina

Iris

Satyre

Nymph

Sung play

Hunting scene

Ascent to heaven

Set that comes to life

Magic spell

Venus and Adonis; or, the Triumphs of Love.

Jason lands in Colchis with Teseu (Theseus) and an armed escort; he seeks to obtain the Golden Fleece. As he admires the King’s beautiful daughter, Medeia (Medea), and her cousin Creúsa, his servant Sacatrapo is coveting Arpia, Medeia’s servant. Sacatrapo, hidden inside a sideboard, overhears Medeia declaring her love for Jason to her servant. Jason promises to marry Medeia if she helps him find the Golden Fleece. But he is in love with Creúsa: he declares his love to his servant and entrusts him with inquiring into the young woman’s feelings. The King is sceptical about the motifs of Jason’s coming and asks Medeia to find out about his true intentions. Because Jason urges her to, Medeia carries him on a cloud to the enchanted garden. On Pegasus’s back, Jason enters the garden, where he fights against a fire-breathing dragon; laid down, the dragon disappears into flames. Medeia summons Sacatrapo thanks to a dragon who spits the servant out of its month. Casting her spells, she makes the flowers of the garden move and transforms them into nymphs (which Sacatrapo sees as donkeys). Jason confirms again that he loves Medeia, even though he is thinking about Creúsa. Jason is preparing to flee with Teseu and asks Sacatrapo to go fetch Creúsa. The servant tells the King that Jason stole the Golden Fleece from him. Medeia, abandoned, confides in Creúsa. The young women order Jason to explain himself. The King asks Medeia to vouch for Jason; she agrees. Sacatrapo meets Medeia: mistaking her for Creúsa during a night scene, he reveals that Jason is unfaithful. Furious, Medeia buries him slowly to feed the dragons with him, and replaces his head with a donkey’s. He must look for his head in the depths. Arpia fools Sacatrapo by promising that he will discover a donkey with golden droppings; this donkey is said to be kept by an ant. Sacatrapo is determined to kill the ant and steal the donkey using the hat given by Arpia, which should make him invisible. Medeia walks in on Creúsa and Jason during a romantic duo scene; she buries her rival inside a mountain. The King begins a war against the Argonauts: Sacatrapo arrives with a rag on his head and believes that he is invisible. He and Jason are taken prisoners. Riding a chariot drawn by dragons, Medeia divides the armies with a river. The King disowns his daughter, as she raises a tower from which she defies him. While Sacatrapo believes that he has found a treasure, snakes come out of the chest he is dragging: he has once again been fooled by Arpia. Creúsa and Jason flee during a night scene, but Medeia unleashes the winds, leading to a storm scene, so that they are forced to go back to Colchis. The King pardons Jason, offers him to marry Creúsa and promises to kill Medeia, who escapes on a cloud.

Giant marionette

António José Da Silva (António José da Silva, aka O Judeu)

Portugal

Lisbon

Magic

Dragon

Golden Fleece

Theft

Treason

Unrequited love

Mock-heroic

Lyrical

Fantasy

Farcical

Summary of the play Os Encantos de Medeia (edition of 1759)

Portuguese

Jason

Theseus

Prince

Nephew

King

General

Medea

Princess

Creusa

Niece

Maid

Servant

Guard

Soldier

Choir

Enchantment

Avista

Flying machine

Love rivalry

Clouds

Fighting a monster

Character represented in animal form

Night scene

Stormy scene

Shipwreck scene

Animated natural element

Battlefield scene

Battle against a sorcerer

Entering with vehicle

Splitting of the body

Headbutt

Spying scene

Thunderbolt

Apotheosis

Final wedding

Dancing entertainment

Music

Ballet

Os Encantos de Medeia

Medea's Spells

Faetonte (Phaethon) came to Italy to find the young woman whose portrait made him fall in love. He meets Egéria, the daughter of Tirreno (Tyrrhenus), who was dispossessed of her kingdom by her uncle Tages. The latter wants his daughter Ismene to become queen; he would like her to marry his nephew Albano. Faetonte does not know that he is the son of the Sun and introduces himself as a shepherd from Thessaly. Egéria falls in love with him and asks him to avenge her by killing Ismene. Faetonte meets the magician Fíton, who followed him from Thessaly. The servant Chichisbéu, who also followed his master Faetonte, is mistaken for the magician and taken prisoner by Tages’s soldiers. Albano worries because he betrayed Egéria, choosing Ismene instead. Tages announces the arrival of the great magician; he hopes that he will reveal the identity of the son of the Sun, who is known to be in the region. Faetonte arrives at Tages’s palace and reunites with Chichisbéu, who is tasked with finding the son of the Sun. On Faetonte’s suggestion, Chichisbéu pretends that his master is the son; he can therefore enter the palace. Chichisbéu tries in vain to charm Chirinola, Egéria’s maid: his nose grows longer with every lie he tells. Faetonte is about to kill Ismene when he realises that she is the young woman from the portrait. He stops his hand, and she calls the soldier, but Faetonte flees in the darkness cast by Fíton. Ismene asks Albano to avenge her. Albano asks Chichisbéu to reveal the murderer’s identity: the fake magician says that he will find him in the forest. The King admits that he would rather give his daughter’s hand to the son of the Sun rather than to Albano, whom he does not trust. Ismene goes into the forest to hunt and wounds Faetonte, believing that he is an animal. He falls to her feet and declares his love to her. Albano is convinced that Faetonte is Ismene’s murderer and tries to kill him. Chichisbéu stops him and reveals that Faetonte is the son of the Sun; the trees begin to move on orders of Apolo to signal that this is true, and he is escorted with great pomp to the King’s court. When Egéria finds blood on the ground, she believes that Faetonte has killed Ismene and been imprisoned. Faetonte declares his love to Ismene, who recognises the portrait in his hands as the one she sent to her future husband, the Prince of Rhodes. During the ceremony meant to unite Ismene and Albano, Fíton turns off the lights: claiming that this is a sign from Apolo, the King adjourns the wedding. Fíton tells Faetonte that he really is the son of the Sun, but that disclosing his identity would only cause his downfall. The King wants Ismene to marry the son of the Sun and have Egéria marry Albano. Albano and Faetonte fight, but they are interrupted by Ismene, who appeals to the gods. To curry favour with Chirinola, Chichisbéu reveals his true identity and says that Faetonte is only a shepherd. Ismene and Albano were spying on them and now believe that they know the truth: the King announces that he will marry his daughter to Albano, and Faetonte despairs. Quarreling with Fíton, he asks his father to confirm his identity. Apolo therefore entrusts his chariot to him: the horses bolt and run to the sea where Egéria is—she finds Faetonte’s lifeless body in her arms. Apolo brings his son back to life. Faetonte marries Egéria, and Chirinola agrees to marry Chichisbéu.

Portrait

Identity

Inheritance

Filiation

Revelation

Pastoral

Antonio José da Silva, Precipício de Faetonte, 1759.

Phaethon

Shepherd

Magician

Daughter

Apollo

Double intrigue

Love duet

Apparition of a wizard

Attempted assassination

Spectacular turn of events

Gunshot

Scene of recognition

Scene in the dark

Warning signs

Duel scene

Deus ex machina

Resurrected character

Precipício de Faetonte

The Fall of Phaethon

Ipodamia (Hippodamia), the widow of the Armenian King, begs her daughter Aurinome to choose between her two suitors, Eurimedonte (Eurymedon) and Timocleone (Timoleon), to bring peace to the kingdom. Aurinome puts their love to the test, and they compete using words. Oronte, the general of the army, is secretly in love with Aurinome; Acrone discovers it and tells Ipodamia. The latter is set on stopping him to prevent her daughter from ending up in the hands of an unworthy man, and to spare the kingdom the anger of the princes. During a hunt, Oronte saves Aurinome from the mouth of a lion; he declares his love to her. Aurinome demands that the brave general receive a reward, but Ipodamia and the two suitors downplay his courageous act. Aurinome fell in love with Oronte. She tells the princes to meet her at the altar of the great Jupiter. As she is late, they hesitate over embarking with their respective armies, but Ipodamia convinces them to stay. Aurinome asks Oronte to arrive before her at the temple: he obeys her, and she asks him to choose one of her suitors. Oronte does not know what to answer, and he is interrupted by Acrone. Aurinome promises to choose between her suitors before the entire kingdom. As Eurimedonte and Timocleone, standing by the Avernus, are contemplating suicide, Acrone announces that Oronte will soon be dead. Inside a gorgeous room where royal weddings are celebrated, Aurinome asks the princes to promise that they will respect her choice; at this moment, Oronte arrives, armed: he has been saved by partisans and entrusts his fate to the Princess: she pronounces him husband and King.

String marionette

Zanetti Girolamo

Italy

Venice

Suitors

Decisions

Royals

Jealousy

Haughtiness

Wedding

Eurimedonte e Timocleone, Teatro di San Girolamo (1746)

Italian

ovvero I Rivali delusi

Queen

Widow

Counselor

Interlude

Chorus

Love story

Thwarted love

Board meeting

Boat mounted on wheels

Crowd

Public announcement

Fight

Transforming scenery

Eurimedonte e Timocleone

Eurymedon and Timoelon

The enchanter Merlin captured Marie – the young woman loved by the painter Arthur. To free her, Arthur and his valet Guignol go through many adventures. Merlin comes into Arthur’s workshop so that he draws his portrait. Guignol also tries to paint Merlin’s portrait, but he fights with the painting, which keeps transforming because of the enchanter’s spells. Arthur then visits Merlin thanks to a gift from Marie’s godmother – the Fée Merveilleuse (Marvellous Fairy): a talisman that makes him invisible. Only Marie can see him. She advises him to go to the Sorcière’s hut (the Witch’s hut), which he does with Guignol. At the Sorcière’s hut, they meet the madman Richepance – her assistant. The Sorcière welcomes Arthur while Guignol is mistreated for a long time by the furniture of the house which keeps playing with him. Arthur and Guignol can finally save Marie. But she is under a spell by Merlin that makes her look very old. Arthur still wishes to free and marry her, but Marie believes that it would be too great a sacrifice for him to marry an old woman. Merlin is jubilant at the sight of the torn couple. The Fée Merveilleuse is moved by Arthur’s devotion. She sets Marie free from the spell and restores her true appearance. The lovers can finally marry, and Merlin is defeated.

Glove-puppet

All audiences

France

Saint-Étienne

Manuscript

Valet

Kidnapping

Test

La Case de la sorcière (cover page)

French

Guignol

Merlin

Fairy

Situation comedy

Word warping

Slaps

Change of age

Invisible force

La Case de la sorcière

The witch's Hut

Truitonne quarrels with her sister Florine – she is unhappy with her own name and reproaches her for being loved by everyone while she is despised. She would like to inflict pain on others and to be loved anyway. Their godfather Enchanteur Rotomago (Sorcerer Rotomago) announces that he would like them to marry: Truitonne with Prince Charmant (Prince Charming) and Florine with himself. Gilles, Prince Charmant’s servant , comes in and announces Prince Charmant’s arrival, but at first the characters mistake him for his master. When Charmant arrives, he immediately notices Florine, while Rotomago tries to draw attention to Truitonne. A Fée (fairy) steps in to warn him that Florine is the woman he must love. Rotomago bribes Gilles so that he helps him set up a trap. He will have Charmant believe that Florine has asked to see him. But taking advantage of the dark, they will make Truitonne come to the rendezvous instead. Thus, Truitonne poses as Florine and Charmant gives her a ring as a token of his love. As he believes that he is speaking to Florine, Charmant wishes out loud that a devil would carry her sister away, and his wish is fulfilled – a devil carries Florine away, but Charmant launches himself after her. Once at the cemetery, Charmant and Gilles meet an apparition of her that tells them that Florine is still alive. Rotomago asks Charmant to marry Truitonne, and when he refuses, he punishes him by changing him into a bird for seven years. Florine is made captive in a tower under the supervision of Gilles, who has them believe that Charmant died of sorrow and of an indigestion of rum babas. A blue bird (Oiseau bleu) enters her room, and Florine understands him to be Prince Charmant. He takes hold of a cane and hits Gilles. Rotomago, Truitonne and Gilles go after Oiseau bleu. The latter comes back to Florine and receives a letter brought by a Bourdon (bumblebee), in which he is told about an attack on his kingdom. Gilles glimpses Oiseau, shoots him with a gun then puts him in a magical coach that takes him to his own castle. There, he convinces the Seigneurs (lords) of his court to let him lead an army to battle. Rotomago appears and offers to give him back his human form on condition that he marries Truitonne. Charmant agrees in order to protect his subjects. As Charmant and Truitonne’s marriage is about to be celebrated, a Génie (Genie) appears with Florine. He transforms the Enchanteur into a turkey and convinces Gilles and Truitonne to marry, while Charmant will marry Florine.