Printed60 pagesArlequin-DeucalionAlexis Piron | 1722 | Paris, France | FrenchSpeechless characterCatastropheOracleSwazzleMonologueFloodMonopoly of theatresLiterary tonesComicalAnimations techniquesGlove-puppetAudienceNot specified
Printed summary7 pagesIl fidanzamento di PulcinellaNunzio Zampella | Mid 20th century | Naples, Italy | NeapolitanSongDanceSwazzleBlow-with-a-stickSyntactic parallelismNational language as a social markerWedding preventedJealous brotherEngagementLiterary tonesComicalAnimations techniquesGlove-puppet, MarotteAudienceAll audiences
Printed39 pagesPulcinella et la Révolution françaiseBruno Leone | 1989 | Naples, Italy | FrenchDialog between a puppet and its puppeteerDialect as a social markerBlow-with-a-stickWord warpingBuilding a puppet on sightDisguised character (false identity)MonologueBeheadingSwazzleNational language as a social markerDecomposition of a puppetHungerQuestPovertyWealthRevolutionExecuting a kingMarseillaisePlurilingualismExecutionFrench RevolutionGuillotineNapoleon BonapartePopeEmperorLiterary tonesComical, FarcicalAnimations techniquesGlove-puppet, Actor and puppetAudienceAll audiences
Electronic text2 pagesPulcinella e l'asino del diavolo | 2007 | Castellammare di Stabia, Italy | ItalianOff-stage voicesDevil's apparitionMetamorphosisFightEnchantmentAddress to the publicMicro-mouvementsDisappearanceSwazzleDialogue with the audienceOthernessHarassmentHateWitchBewitchmentMaliceMagic potionDevilPactImmortalityLiterary tonesComical, DramaticAnimations techniquesGlove-puppet, MarotteAudienceAll audiences