Polichinell enters singing, reveling in spring. He stops in a forest for a snack break. A starving dog comes, and he gives it a piece of bread. The dog undergoes a metamorphosis: it actually is Fairy Rosa (Fée Rosa), who was the prisoner of a spell and who is now free of it thanks to Polichinell’s generosity. She wants to reward him, but Polichinell refuses because he wants to stay poor. He meets Herr von Neid (Desire) and accepts to be his servant. The Devil, who wishes for Polichinell’s downfall, rejoices to have brought them together. Neid and his wife Bosheit (Wickedness) overwhelm him with work, but Polichinell manages to complete the work straight away. Bosheit entrusts Polichinell with her little daughter Unart (Bad habit), who will not stop crying, and who accidentally falls out of the window. Bosheit comes back, learns of Unart’s fall, and beats him with a stick. Polichinell fights back, knocks her out, and does the same to Neid. Fairy Rosa advises Polichinell, who has now become rich thanks to Herr von Neil’s assets, to carry on with his good behavior. In Polichinell’s new house, Habakuk, his servant, leaves him after stealing some of his wealth. Türk the dog bites Polichinell’s nose and Hector the horse kicks him before biting him. After many failed attempts, Polichinell manages to climb on Hector’s back, but the horse makes him fall and flees. Herr von Schadenfroh (The One who rejoices from the misfortune of others), who pretends to be Polichinell’s friend, bursts out of laughter after hearing his misadventures. They fight, and Herr von Shadenfroh is killed by Polichinell. Princess Miauline asks Polichinell to deliver her father, the King of Trapezunt, who is the prisoner of the Magician Gewalt (Violence). The Devil unsuccessfully warns Gewalt of Polichinell’s arrival: Gewalt is convinced that his constable Popanz (Straw) will defend him. Polichinell, thanks to an enchanted chime gifted by Fairy Rosa, makes the castle’s guards fall asleep and frees the King of Trapezunt. At the entrance of the palace, he meets Habakuk, who has become Gewalt’s servant and who refuses to let him in. Polichinell beats Habakuk, enchants Gewalt with the chime, fights, and kills him. Habakuk comes back and has Polichinell arrested and brought before Gewalt. After a mock-trial, Polichinell is sentenced to death by hanging. Polichinell is imprisoned and robbed of the talisman which the fairy had given him, and which served as a protection. Habakuk is in charge of Polichinell’s hanging, but Polichinell manages to hang him instead and then kills Popanz and his guards. Polichinell calls the Devil, fights with him, and kills him. The Fairy makes her appearance again and officiates Polichnell and Miauline’s wedding.

Young audiences

Germany

Printed

Wickedness

Reward

Murder

Wealth

Labour

Fantasy

Comical

German

Polichinelle

Fairy

King

Princess

Count

Minister

Policeman

Baby

Domestic servant

Genie

Horse

Devil

Guard

Monologue

Song

Aria

Versified passages

Dance

Metamorphosis

Apparition of the Devil

Blow-with-a-stick

Death on stage

Allegory

Hanging scene

Final wedding

Polichinell

Simple Simon pays a visit to his friend, Simple Susan, whom he thinks is a bit lazy. Simple Susan states that she hates men and that women can do anything better than them. She catcalls four boys, who bark as an answer, and asks them to help her build a house. First, she goes to choose work clothes. Simple Simon calls for her, but she is too busy and refuses his help. When she comes back in work clothes, the four boys bring the house that they have already built - a doll house. She asks them to send a picture of the house to the Daily Mail and to look for a buyer. While she complains about Simple Simon’s selfishness, he reappears, accompanied by a neighbour who thanks him for everything he is willing to do for her: build a carriage, a house, and go for a walk with her. Furious, Simple Susan asks the neighbour what she is going to do to repay Simple Simon. Her answer, “I can look pretty” makes Simple Susan break into pieces.

String marionette

Not specified

Craig Edward Gordon

Italy

Marina di Pisa

Feminism

Women's condition

House

Jealousy

Obedience

Seduction

Satirical

English

Simple Simon

Address to the public

Animalised character

Splitting of the body

Simple Susan

Simple Susanne

In a former espadrille factory closed for years, abandoned objects, clothes and machines come to life to evoke the forty-five years of life of the factory and its workers. Former workers, former managers, and residents who lived by the rhythm of factory life recall with emotion the hours of hard work interspersed with joy, the strike pickets and union struggles, the resistance to successive factory closures and unemployment. Among them, Jacqueline makes her eight-year-old grandson Ulysse understand the place of the factory in her life. The factory, which was closed and left abandoned for a long time, was finally dismantled and demolished. The day the building is razed to the ground, the whole landscape of the city changes, leaving a gaping void for the inhabitants. The children of the school, worried and disoriented, wonder about this disappearance. The headmaster then asks them to draw the factory as they have always seen it or as they have been told about it, so that they will not forget it. Ulysse offers his drawing to his grandmother Jacqueline to console her: it shows the factory teeming with life, as she knew it. This is how this working-class memory is passed on from one generation to the next.

Object theatre

Actor and puppet

All audiences

Chaffin François

France

Oloron-Sainte-Marie

Factory

Workers’ memory

Industrial past

Remembrance

Machine

Testify

Pathetic

Lyrical

French

Des voix sortant des penderies de vestiaire

Voice

Worker

Ouvrière

Patron

Hand

Le dernier ouvrier de la dernière espadrille

Bird

Grand-mère

Child

Metonymy (mode of characterisation)

Chorality

Chorus

Ni bleu ni blouse

Neither blue nor blouse work clothes

A suitcase is moving on the baggage carousel of an airport, of a supermarket or of an industrial area. It is followed by several objects and goods. As the carousel speeds up, the actors handle the goods frenetically. Their struggle to follow the speed of the machine is reflected in their movements. 
The carousel slows down and the actors use their bare hands to mime imaginary objects - glasses being toasted, or a calabash being carried. Then they exchange various objects: a shotgun, a hammer, a book, an axe, … The carousel stops and the actors bring other objects on stage, which they manipulate or simply put on the floor: a small toy car, trophies, a mannequin’s arm, a fire extinguisher, a heater, a loudspeaker, an umbrella, … At the end of the show, boards with outlines representing members of the audience slowly come nearer to the proscenium until the final curtain comes down.