Princess Dana of Gurkistan is kidnapped and sequestered by the sorcerer Khalakuck and she must prepare him eight noodle dishes a day and clean his nose every morning. But after a year, the magician gives her a choice: either to marry him or be devoured! At this moment she discovers that the rocking horse that was in her room is none other than Prince Schaukelpferd from Spielzeugland transformed into a toy. With the help of Tziptzap, a magic tit (bird), they manage to escape from their prison, flying on Schaukelpferd’s back, which has grown wings during the night. But they are caught by Khalakuck. The prince knows that he only has three and a half metamorphoses left to win the final battle against the sorcerer. The tale ends with a triple wedding: the prince with the princess, the market gardener with the policeman, and Kasperl with Grete. The last couple was indeed already married, but marriage, according to Kasperl, is something you can never do too often.

Young audiences

Fühmann Franz

Germany

Berlin

Printed

Fairy play

Tale

Magic

Wonderland

German Democratic Republic (GDR)

Socialism

Freedom

Jail

Emancipation

Bird

Animal

Childhood

Sexuality

Society

Chickadee

Sorcery

Pickle

Children's game

Horse

Animals, Mythical

Bans

Shortage

Economy

Majority

Adult

Castle

Market

Civism

Educational methods

Fantasy

Humorous

Satirical

German

Prince

Magician

Die Spucke in der Bütte auf der Schwelle

Policeman

Kasperl

Madame Kasperl

Address to the public

Metamorphosis

Talking animal

Object coming to life

Magic act

Scene of recognition

Bawdy equivocation

Political allegory

Love story

Running away

Chase

Confinement

Das Spiel von der glücklichen Flucht des Prinzen Schaukelpferd vom Spielzeugland mit der Prinzessin Dana von Gurkistan aus der Burg des bösen Zauberers Khalakuck

The play about the happy escape of Prince Rocking Horse of Toyland with Princess Dana of Gurkistan from the castle of the evil sorcerer Khalakuck

A French journalist – François – is in a country at war to work on a report. He is welcomed by Malik – the leader of one of the camps, a collector of weapons and a fan of the Western consumer society and of the soap opera Santa Barbara. François also meets a sculptor monk, who happily guards the “cemetery of idiots”, and Marcel, a blind professor who philosophises about the fall of communism and the moral misery of humanity. François shows more and more aversion to the trade of journalism, which forces him to seek for the most gruesome news, and aversion also to humanity as a whole. The rats take an interest in this personal crisis: they are looking to communicate with him. Then the journalist meets the leader of the enemy camp, who happens to be Malik. For years, the militiamen have been fighting against themselves, playing the role of two enemy camps. The rats explain their inter-species cooperation project to François, the aim of which is to clean up the waste on Earth, and to purge humanity of its metaphysical stain. A world summit of good neighbourliness is organised in Luxembourg, to discuss the modalities of the alliance. But the rats are too visible and so the situation slowly deteriorates. The play ends with François’ burial in the “cemetery of idiots”.