Pauline, a noble but penniless young woman, is about to leave her friend Anastasie and the latter’s mother, Madame Samson, who accommodated her. Madame Samson informs Anastasie that an important visitor, the count de Morland, a rich man with a title, wants to buy their property. She specifies that he will arrive incognito. Anastasie, worried, fears that the count will covet Pauline. Her mother reassures her and says that her dowry of 300 000 francs is a lot more valuable than Pauline’s title of nobility. Soon after, Monsieur Sylvestre, a dance instructor, arrives to give a lesson. Madame Samson mistakes him for the count de Morland and begins a serious conversation with him, which puzzles Monsieur Sylvestre; he is unaware of the misunderstanding. However, he begins to take Madame Samson’s flattering words seriously. When she sees this “so-called count” from the window, Pauline quickly realises that it is in fact her dance instructor. At this moment, the real count de Morland arrives. Pauline welcomes him, and he explains that he met her mother in Paris and that she talked about selling the castle. As he is trying to negotiate discreetly, he chose not to reveal his identity—to avoid overpaying. Meanwhile, Monsieur Samson, puzzled by the odd behaviour of the so-called count, comments on his only talking – what is more, with great familiarity – about actors of the Opera. The real count is still incognito and takes part in the conversation between Pauline and Monsieur Samson; he mentions having heard that Monsieur de Morland will soon marry the daughter of an old friend of his father. At the same time, Madame Samson reveals that she already knew the real identity of the anonymous visitor (without specifying his name). Monsieur Sylvestre, still lost, is surprised to learn that a wedding involving him is still planned. Madame de Brennemur (Pauline’s mother) finally arrives and introduces her future son-in-law, the count de Morland, who wants to marry her daughter. Madame Samson introduces Monsieur Sylvestre as her future son-in-law too, also calling him “Monsieur de Morland”. At this moment, the truth comes out. In the end, Madame Samson comes up with an arrangement: the count can buy the castle for a reasonable price, on condition that this over-the-top story remains a secret.

String marionette

Young audiences

Bernard Laure

France

Printed

Castle

Bourgeoisie

Arranged marriage

Professor

Happy marriage

Comical

French

Father

Suitor

Count

Teacher

Lady

Daughter

Aside

Misunderstanding

Situation comedy

Plot twist

Une méprise

A misunderstanding

A dove is saved from a vulture by the knight Theobald and finds shelter in the knight’s daughter’s (Agnes) lap. At this moment, their neighbour – a widow called Rosalinde – and her daughter Emma come to ask for Theobald’s protection against Ulrich von der Wart, who wants to grab her land. As a token of friendship, Agnes gives Emma her dove. Ulrich has hired a robber to break into Theobald’s castle to put it to the fire and the sword with the help of his group. The robbers dress as pilgrims and stop at Rosalinde’s place. But Casperl, Rosalinde’s servant, uncovers their plot and tells his madam. Theobald, his family and servants would have been lost had Emma not thought of sending the dove to Agnes, with a message to warn them. The robbers find themselves powerless. Theobald besieges Ulrich’s castle, and the latter is killed during the fight.

Pocci Franz von

Germany

Munich

Gangster

Middle Ages

Widow

Knighthood

Justice

Rapacity

Friendship

Pilgrimage

Morality

Drink

Crusades

Siege

Dramatic

Burlesque

Illustration by Franz Pocci for the first edition of the play

German

Nach einer Erzählung von Christoph Schmid in vier Aufzügen dramatisch bearbeitet

Knight

Dietrich le Noir

Kasperl

Guard

Servant

Horserider

Monologue

Song

Off-stage voice

Disguise

Letter

Story

Die Taube

The Dove

Princess Dana of Gurkistan is kidnapped and sequestered by the sorcerer Khalakuck and she must prepare him eight noodle dishes a day and clean his nose every morning. But after a year, the magician gives her a choice: either to marry him or be devoured! At this moment she discovers that the rocking horse that was in her room is none other than Prince Schaukelpferd from Spielzeugland transformed into a toy. With the help of Tziptzap, a magic tit (bird), they manage to escape from their prison, flying on Schaukelpferd’s back, which has grown wings during the night. But they are caught by Khalakuck. The prince knows that he only has three and a half metamorphoses left to win the final battle against the sorcerer. The tale ends with a triple wedding: the prince with the princess, the market gardener with the policeman, and Kasperl with Grete. The last couple was indeed already married, but marriage, according to Kasperl, is something you can never do too often.

Fühmann Franz

Berlin

Fairy play

Tale

Magic

Wonderland

German Democratic Republic (GDR)

Socialism

Freedom

Jail

Emancipation

Bird

Animal

Childhood

Sexuality

Society

Chickadee

Sorcery

Pickle

Children's game

Horse

Animals, Mythical

Bans

Shortage

Economy

Majority

Adult

Market

Civism

Educational methods

Fantasy

Humorous

Satirical

Prince

Magician

Die Spucke in der Bütte auf der Schwelle

Policeman

Madame Kasperl

Address to the public

Metamorphosis

Talking animal

Object coming to life

Magic act

Scene of recognition

Bawdy equivocation

Political allegory

Love story

Running away

Chase

Confinement

Das Spiel von der glücklichen Flucht des Prinzen Schaukelpferd vom Spielzeugland mit der Prinzessin Dana von Gurkistan aus der Burg des bösen Zauberers Khalakuck

The play about the happy escape of Prince Rocking Horse of Toyland with Princess Dana of Gurkistan from the castle of the evil sorcerer Khalakuck