The play opens with a “Prologo in cielo” (prologue in the sky) during which the Teatro Vagante (an itinerant theatre) is brought down from the fly towers to the stage: the Teatro Vagante is at once a cave, a house, a cradle, a cart and a theatre. The actors have seen the theatre of the gods, which they have to try recreating now because “a mystery must be revealed”. The mystery is about a country where people are insatiable and keep wanting to eat fresh meat, even though resources are scarce. There are no cattle, an epidemic has broken out in the countryside and rubbish produced by their residents is piling up in the suburbs. This jungle of metal is thought to be the home of spirits called “rottamat”, which people believe to be responsible for the disappearance of several villagers. Everyone praises the butcher for his excellent meat, but he turns out to be an evil character who commits murders to supply meat for his shop. Just like the devil, he takes on numerous shapes: he is simultaneously the Butcher, the Father, the crazy man Matteo and the Emperor. Every morning, the Mother and the Father (the Butcher himself) wait for the butcher’s shop to open so they can buy the best meat, even when their son is in a hospital after having been attacked by the Father. The Mother flirts with the Butcher – who embodies her erotic ideal – until she becomes his victim. Nobody suspects the Butcher. Or maybe everybody keeps quiet so they can keep enjoying his excellent meat? The killings go on until all the villagers have eaten one another. Ultimately, only the Watchman understands that the Butcher is behind the murders, but even he is killed in the end. According to the actors of the Teatro Vagante, only hope remains: “even hell can be transformed – I hope”, one of the actors declares.

Actor and puppet

Glove-puppet

Shadow theatre

Not specified

Italy

Brescia

Printed

Consumer society

Meat

Pollution

Famine

Cannibalism

Love

Death

Ecology

Evil

Tragic

Grotesque

Lyrical

Giuliano Scabia, Fantastica visione, stage direction by Alessandro Marinuzzi, 1993.

Italian

sopra il taglio e la vendita di carne con cenni alla questione degli attori, dell'arte, del teatro e del mercato generale degli oggetti nel disarmonico presente

Actor

Butcher

Apprentice

Mother

Father

Student

Police officer

Fool

Smuggler

Puppet

Butterfly

Shadow

Voice

Emperor

Minister

Valet

Angel

Interlude

Prologue

Song

Metatheatre

Political allegory

Double characters

Hidden corpse

Dialect

Blow-with-a-stick

Fight

Flying character

Masked characters

Dead talking character

Apparition of the Devil

Apparition of an angel

Puppet theatre within the theatre

Chase

Tragic irony

Stabbing

Murder on stage

Scene of recognition

Splitting of the body

Revelation

Scene in the dark

Seduction scene

Dream

Thunderbolt

Fantastica visione

Fantastic vision

One day, little Agustí decides to grow a tree and plants a seed. But another child, Fidel, swaps the seed with another and the resulting tree produces a very special fruit: it contains the genie Eugeni, who punishes Fidel by beating him with a stick. Fidel asks for forgiveness and the genie throws confetti and sweets to the audience.

Young audiences

Lanuza Empar de

Spain

Valencia

Tree

Environment

Tale

Seed

Candy

Theatre at school

Child

Mean trick

Punishment

Didactic

Fantasy

Catalan

Genie

Misunderstanding

Apparition of a genius

Un arbre genial

An amazing tree

Madelon is angry with her husband Guignol. Because of his laziness, the garden has turned into a jungle, the harvest has been pitiful, and they have no food to feed the children. Gnafron promises that he will speak with Guignol. He tries to convince his friend to at least repair the spade, but Guignol thinks only of napping and eating. Gnafron then tells him about the magician he has just met. The magician promises Guignol a bountiful harvest, which will require no efforts as he will use herbicides. Guignol is skeptical, but the magician uses hypnosis on him and Gnafron. Now that he is free to act as he pleases, the magician summons his master – the Devil. With the help of his imps, the Devil sprays herbicides all over the land, and turns it into a desert. Madelon comes in with a gigantic cabbage. The magician attempts to convince her that this cabbage is far better than the old ones and that, when everything will taste the same, everyone will think the same and there will be no problems anymore. Madelon drives out the magician. The garden becomes wild again and Guignol wakes up – happy to find everything as it was before. He wishes to cultivate the garden, but Madelon asks him to leave it as it is. When Gnafron wakes up, he and Guignol come to the conclusion that one should be wary of all magicians.

France

Bordeaux

Garden

Vegetables

Pesticide

Farming

Hypnosis

Cabbage

French

Guignol

Madelon

Gnafron

Magician

Devil

Address to the public

Apparition of a wizard

Sleeping character

Hidden character

Character invisible to some of the other characters

Guignol et le jardin magique

Guignol and the magical garden

A French journalist – François – is in a country at war to work on a report. He is welcomed by Malik – the leader of one of the camps, a collector of weapons and a fan of the Western consumer society and of the soap opera Santa Barbara. François also meets a sculptor monk, who happily guards the “cemetery of idiots”, and Marcel, a blind professor who philosophises about the fall of communism and the moral misery of humanity. François shows more and more aversion to the trade of journalism, which forces him to seek for the most gruesome news, and aversion also to humanity as a whole. The rats take an interest in this personal crisis: they are looking to communicate with him. Then the journalist meets the leader of the enemy camp, who happens to be Malik. For years, the militiamen have been fighting against themselves, playing the role of two enemy camps. The rats explain their inter-species cooperation project to François, the aim of which is to clean up the waste on Earth, and to purge humanity of its metaphysical stain. A world summit of good neighbourliness is organised in Luxembourg, to discuss the modalities of the alliance. But the rats are too visible and so the situation slowly deteriorates. The play ends with François’ burial in the “cemetery of idiots”.

Adults

Visniec Matéi

Paris

Avignon

Television

Capitalism

TV soap opera

Journalism

Cemetery

Communism

Socialism

Waste

Globalization

Depollution

Censorship

Balkans

Satirical

Matéi Visniec, La Mémoire des serpillières (front cover)

Journalist

Militiaman

Sculptor monk

President

Le Ministre français des affaires étrangères

Architect

Macedonian

Russian

Clown

Soldier

Talking animal

Modular scenes

Scene fragment

Exchangeable characters

Procession

Chorus

Off-stage voice

Plot twist

Throws

La Mémoire des serpillères

The Memory of mops

The work tells the legendary story of the city of Elx (Elche), which is surrounded by palm forests, and of an angry dragon who sees his natural kingdom threatened by the development of the city beyond its walls. To prevent this, the dragon kidnaps the girls of the town and, by means of a spell, turns them into slender palm trees. An improvised hero puts an end to this curse: with the help of a fairy, he reaches an agreement between the dragon and the inhabitants, so that they preserve the palm grove forever.