Fleeing his wife, Polichinelle steals a charlatan's cabriolet with Pierrot. First he wins the trust of the population with free advice, then he launches a subscription for a phantom financial company. When the shareholders demand their money, he sends them away with good words and blows, until the Public itself comes to threaten him directly. Mrs. Polichinelle offers to take care of the punishment. Terrified, Polichinelle flees into the forest. Abandoned by Pierrot, he walks to Hell. There, he tries to swindle Death and stands up to the Devil who, in desperation, goes looking for Mrs. Polichinelle. She brings her husband home firmly, with the approval of the audience.

Glove-puppet

All audiences

France

Paris

Duranty Louis Émile Edmond

Printed

Swindling

Hell

Marriage hell

Punishment

Forest

Public

Perseverance in Evil

Money

Capitalism

Bossy woman

Escape

Comical

Satirical

Farcical

Ironic

French

Le Charlatan

Charlatan

Polichinelle

Crook

Pierrot

Tenant

Lady

Peasant

Cassandre

Cassandra

Shopkeeper

Colombine

Valet

Death

Devil

Intervention of the audience

Apparition of the Devil

Plot twist

Blow-with-a-stick

Appearence of Death

L'Homme au cabriolet

the man with a cabriolet

A French journalist – François – is in a country at war to work on a report. He is welcomed by Malik – the leader of one of the camps, a collector of weapons and a fan of the Western consumer society and of the soap opera Santa Barbara. François also meets a sculptor monk, who happily guards the “cemetery of idiots”, and Marcel, a blind professor who philosophises about the fall of communism and the moral misery of humanity. François shows more and more aversion to the trade of journalism, which forces him to seek for the most gruesome news, and aversion also to humanity as a whole. The rats take an interest in this personal crisis: they are looking to communicate with him. Then the journalist meets the leader of the enemy camp, who happens to be Malik. For years, the militiamen have been fighting against themselves, playing the role of two enemy camps. The rats explain their inter-species cooperation project to François, the aim of which is to clean up the waste on Earth, and to purge humanity of its metaphysical stain. A world summit of good neighbourliness is organised in Luxembourg, to discuss the modalities of the alliance. But the rats are too visible and so the situation slowly deteriorates. The play ends with François’ burial in the “cemetery of idiots”.

Adults

Visniec Matéi

Avignon

Television

TV soap opera

Journalism

Cemetery

Communism

Socialism

Ecology

Waste

Globalization

Depollution

Censorship

Balkans

Grotesque

Tragic

Matéi Visniec, La Mémoire des serpillières (front cover)

Journalist

Militiaman

Sculptor monk

President

Le Ministre français des affaires étrangères

Minister

Architect

Macedonian

Russian

Clown

Soldier

Talking animal

Political allegory

Modular scenes

Scene fragment

Exchangeable characters

Address to the public

Masked characters

Procession

Chorus

Off-stage voice

Throws

La Mémoire des serpillères

The Memory of mops