Three women – young Janet, her mother, and her grandmother – take refuge in a stable while a storm and the temptations of St. Anthony are raging outside. Janet asks in vain to be explained what these temptations are. Saint Anthony (called Anthony Perkins) is in a cell and only has his Halo, his Clock, and his Calendar as friends. He prays to Zeus to send him temptations, for they never reach him. Time flies, and he ends up dying of boredom. Shortly after Anthony’s death, the now old Queen of Sheba enters his cell, accompanied by Gustave Flaubert. The Queen of Sheba dies, disappointed that she could not tempt Anthony. Flaubert asks two eunuchs to bury them. Cleo di Patra appears in the sky, surrounded by angels. The play ends with a great ballet and a funeral cortege.

String marionette

Not specified

Craig Edward Gordon

Italy

Marina di Pisa

Printed

Waiting

Temptation

Desappointment

Lust

Chastity

Hermit

Comical

Satirical

English

Saint Anthony the Great

Clock

Gustave Flaubert

Old woman

Queen of Sheba

Cleopatra

Angel

Black Man

Domestic servant

Eunuch

Stormy scene

Song

Reading aloud

Object coming to life

Speeding up of time

Instrumental tune

Death on stage

Avista

Apotheosis

Procession

Ballet

Current affairs

The Temptation of St Anthony

La Tentation de saint Antoine

A French journalist – François – is in a country at war to work on a report. He is welcomed by Malik – the leader of one of the camps, a collector of weapons and a fan of the Western consumer society and of the soap opera Santa Barbara. François also meets a sculptor monk, who happily guards the “cemetery of idiots”, and Marcel, a blind professor who philosophises about the fall of communism and the moral misery of humanity. François shows more and more aversion to the trade of journalism, which forces him to seek for the most gruesome news, and aversion also to humanity as a whole. The rats take an interest in this personal crisis: they are looking to communicate with him. Then the journalist meets the leader of the enemy camp, who happens to be Malik. For years, the militiamen have been fighting against themselves, playing the role of two enemy camps. The rats explain their inter-species cooperation project to François, the aim of which is to clean up the waste on Earth, and to purge humanity of its metaphysical stain. A world summit of good neighbourliness is organised in Luxembourg, to discuss the modalities of the alliance. But the rats are too visible and so the situation slowly deteriorates. The play ends with François’ burial in the “cemetery of idiots”.

Adults

Visniec Matéi

France

Paris

Avignon

Television

Capitalism

TV soap opera

Journalism

Cemetery

Communism

Socialism

Ecology

Waste

Globalization

Depollution

Censorship

Balkans

Grotesque

Tragic

Matéi Visniec, La Mémoire des serpillières (front cover)

French

Journalist

Militiaman

Sculptor monk

President

Le Ministre français des affaires étrangères

Minister

Architect

Macedonian

Russian

Clown

Soldier

Talking animal

Political allegory

Modular scenes

Scene fragment

Exchangeable characters

Address to the public

Masked characters

Chorus

Off-stage voice

Plot twist

Throws

La Mémoire des serpillères

The Memory of mops