The wanderer Nabíh tells a child, Hassan, how the merchant Abdul found on a dead man’s body a bottle from which emerges a genie. This genie, in turn, tells the story of the dead man, a fallen king, father of Fatima, a princess who is said to have taken refuge among the desert dwellers because of the fratricidal war. The king's supporters are looking for Fatima to offer her the throne, and discover that she is Laïla, Hassan's mother. However, she renounces the throne to become the princess of the desert. Other stories are added to this main plot.

Shadow theatre

Rod puppet

String marionette

Young audiences

Sirera Rodolf

Spain

Valencia

Printed

Tale

Fantasy

Adventure

Vagrant

Genie

Theatre at school

East

Princess

Didactic

Catalan

Vagabond

Child

Merchant (man)

Commanding officer

Narrator

Address to the public

Theatre within the theatre

Apparition of a genie

Throws

Dance

Instrumental tune

La Princesa del desert

Princess of the Desert

In a tavern, Virgili presents four short stories that take place in a circus and have the themes of solitude, failure and death in common. A clown, in love with a trapeze artist, kills her partner; a trainer treats his wife as if she were a circus animal and ends up killing her; a young juggler kills his father with the needles he uses to inject cocaine; a soldier, a musician in the circus band who raped girls and killed children during the war, ends up shot as a deserter.

Adults

Alapont Pasqual

Love

Despair

Discrimination

Death

Couple

Loneliness

Revenge

Violence

Spousal abuse

Circus

Domination

Murder

Dramatic

Grotesque

Obra per a un actor i titelles

Clown

Trapeze artist

Accordionist

Edith Piaf

Waiter

Spider

Jazz Band

Billie Holiday

Tamer

Carlos Gardel

Guitarist

Dancer

Juggler

Father

Soldier

Harald Paulsen

General

Announcer

Metatheatre

Song

Murder on stage

Allegory

El circ de la fosca

Le cirque des ténèbres

The protagonist, Franz, is a young Viennese scientist who, during a hypnosis session conducted by Mesmer, learns that his cousin Angèlica, with whom he is in love, is in great danger. He decides to go to her rescue and, after many adventures, arrives in Budapest to find that she has just died. Convinced that she has been hypnotised by the alchemist Adam Le Fay, he keeps her body in ice, brings her back to his laboratory and tries various experiments to resurrect her. He fails and is accused of her murder by Napoleonic troops who have just entered Vienna. Sentenced to death, he is saved at the last moment by Le Fay who explains to him that if one of them dies, the other also perishes. They duel, Franz throws himself on Le Fay's sword, and both die at the same time. It is clear that they are two sides of the same personality, symbolising the conflict between rationalism and superstition.

Actor and puppet

Automaton

Rationalism

Science

Religion

Superstition

Alchemy

Symbolism

Hypnotism

Spiritisme

Double

Divination

Supernatural

Fantastic

Melodramatic

Philosophical tale

Obra per a titelles i actors

Savant

Alchemist

Old man

Doctor

Franz-Anton Mesmer

Homes I Dones Espectadors de la sessió d'hipnotisme

Coachman

Horserider

Lady

Innkeeper

Maid

Hangman

Corpse snatcher

Prison guard

Priest

Voisine

Funfair Traveller

Bookseller

Servant

Valet

Carpenter

Executioner

Officer

Magic act

Projected shadows

Surprise effect

Hypnosis session

Masked characters

Sword fight

Analepsis (Flash-back)

Prolepsis (Flash-forward)

Imbroglio

La mirada de l'alquimista

The alchemist's gaze

Polichinelle no longer wants to play traditional puppet shows. He aspires to be modern and leaves his puppeteer to become a television star. The puppeteer, who is committed to tradition, grieves for Polichinelle and continues his shows with other puppets. Polichinelle is criticized by the viewers and causes trouble for the television program. He asks for the puppeteer’s help. Eventually, he comes back to him.

Glove-puppet

Video footage

France

Montpellier

Modernity

Tradition

Rupture

Television

Whim

Stardom

Comical

Humorous

Satirical

Black comedy

Robert Destanque, Le Caprice de Polichinelle, 2003.

French

Polichinelle

Puppeteer

Landlord

Constable

Colombine

Arlecchino

Pierrot

Television presenter (woman)

Speakerine

Voice

Dialogue between actor and puppet

Talking on the phone

Monologue

Screen on stage

Word warping

Le Caprice de Polichinelle

Polichinelle's Whim

A French journalist – François – is in a country at war to work on a report. He is welcomed by Malik – the leader of one of the camps, a collector of weapons and a fan of the Western consumer society and of the soap opera Santa Barbara. François also meets a sculptor monk, who happily guards the “cemetery of idiots”, and Marcel, a blind professor who philosophises about the fall of communism and the moral misery of humanity. François shows more and more aversion to the trade of journalism, which forces him to seek for the most gruesome news, and aversion also to humanity as a whole. The rats take an interest in this personal crisis: they are looking to communicate with him. Then the journalist meets the leader of the enemy camp, who happens to be Malik. For years, the militiamen have been fighting against themselves, playing the role of two enemy camps. The rats explain their inter-species cooperation project to François, the aim of which is to clean up the waste on Earth, and to purge humanity of its metaphysical stain. A world summit of good neighbourliness is organised in Luxembourg, to discuss the modalities of the alliance. But the rats are too visible and so the situation slowly deteriorates. The play ends with François’ burial in the “cemetery of idiots”.

Visniec Matéi

Paris

Avignon

Capitalism

TV soap opera

Journalism

Cemetery

Communism

Socialism

Ecology

Waste

Globalization

Depollution

Censorship

Balkans

Tragic

Matéi Visniec, La Mémoire des serpillières (front cover)

Journalist

Militiaman

Sculptor monk

President

Le Ministre français des affaires étrangères

Minister

Architect

Macedonian

Russian

Talking animal

Political allegory

Modular scenes

Scene fragment

Exchangeable characters

Procession

Chorus

Off-stage voice

Plot twist

La Mémoire des serpillères

The Memory of mops

The plot takes place in 2080, on Earth - an utterly polluted planet on which live a little girl named Laetia, her sidekick dog, and Dragonis, her friend. Laetia enjoys stargazing, while her friend loves seeking remains of the past using a detector. Inside a meteoroid, they find an encrypted note regarding a treasure that could be found on a dead planet. Laetia and Dragonis decide to go after the said treasure. After many adventures on other planets, they finally get the treasure chest back thanks to enchanted phrases they learnt. When they return home, they find that the treasure is not gold, but rather seeds that will help making Earth a green planet again by growing trees on it.

Object theatre

Green Planet

Planète verte