Arlecchino, on horseback, and Facanapa, on a donkey, are strolling, when they meet a man wearing a hairshirt. Arlecchino thinks that he is a wizard and his enemy, and challenges him. The man tells him that, if he wins, Arlecchino will have to follow him everywhere. Arlecchino answers that if he is the one to win, the man will have to assist the noble Colombina, his beloved. Arlecchino loses the duel, and is forced to follow the man to a castle where he is locked up with Facanapa. The owner explains that he is not a wizard but the marquis Francesco Del Ponte, back from a pilgrimage. He assures that Arlecchino is not a knight but the servant Arlecchino Battocchio, and that Facanapa is a peasant, and he tells them to stop their madness. Arlecchino is sad, angry and hungry, but the marquis says that he will not give them food until they stop fooling around. Later, Arlecchino meets the castle elderly maid who recognises him. She had met him when he was a child, but he does not believe that. After fighting over a piece of bread, Arlecchino and Facanapa manage to escape and reach the woods. There, they fight against imaginary enemies made up by Arlecchino’s hallucinations. Arlecchino fiercely fights a herd of pigs, wounding and killing them. Guards arrive and throw themselves at him. Arlecchino, who thinks he has been turned into a donkey, starts braying. Facanapa concludes, and says that a servant can become both a knight and a donkey.

String marionette

All audiences

Italy

Printed

Wandering

Knight

Madness

Comical

Arlecchino cavaliere errante e Facanapa suo scudiere (circa 1900)

Italian

Arlecchino

Facanapa

Horseman

Sancho Panza

Marquis

Maid

Guardian

Duel scene

Misunderstanding

Hallucination

Confinement

Scene of recognition

Blow-with-a-stick

Fight with an animal

Scene of madness

Arlecchino cavaliere errante e Facanapa suo scudiere

Harlequin the wandering knight and Facanapa his horseman

While the Father of a rich, bourgeois family is dying at the hospital, his house is being burgled. Pascaline, his help (who has become his wife since he became a widower) laments, but her daughter Sarah is delighted to be relieved of the burden of the memories attached to the objects. A Young Man (the Father’s son) happens to come back that very day after seven years of unexplained absence. Freddy, a young and attractive rogue, arrives the same day to ask his mother Pascaline to give him an explanation for the identity of his father and for the reasons that have led her to abandon him. Pascaline, who behaves like a mother towards the Young Man, rejects Freddy. We learn that she survived the Shoah when she was a child. She pretends to ignore who Freddy’s real father is and she also claims that, after denying her pregnancy, she entrusted her to her sister, who raised him without love in a poor suburb. An alcoholic and a very unstable person, she sees Nazis coming out of the walls, unless that it is Freddy who is manipulating her so that she tells him the truth. Later, Pascaline, drunk, confesses to Freddy we was born out of a short-lived relationship she had with a Maghrebin jazz musician who died during the Algerian War. She ends up accepting his son as a gift from God. Freddy’s attractiveness and the ambiguity of his behaviour reveal both the Young Man’s homosexual desire and Sarah’s need for love, as she was a prisoner of an unconditional love for her own brother, and therefore rejected any kind of sexual intimacy. The Young Man encourages his sister to find happiness with Freddy while he, knowing that she is happy, will be able to transition into the woman he realized he wants to be. The phone rings and the death of the Father is announced. Pascaline goes off to discover the world, encouraging Freddy and Sarah to build a fulfilling life as a couple in the house.