While the Father of a rich, bourgeois family is dying at the hospital, his house is being burgled. Pascaline, his help (who has become his wife since he became a widower) laments, but her daughter Sarah is delighted to be relieved of the burden of the memories attached to the objects. A Young Man (the Father’s son) happens to come back that very day after seven years of unexplained absence. Freddy, a young and attractive rogue, arrives the same day to ask his mother Pascaline to give him an explanation for the identity of his father and for the reasons that have led her to abandon him. Pascaline, who behaves like a mother towards the Young Man, rejects Freddy. We learn that she survived the Shoah when she was a child. She pretends to ignore who Freddy’s real father is and she also claims that, after denying her pregnancy, she entrusted her to her sister, who raised him without love in a poor suburb. An alcoholic and a very unstable person, she sees Nazis coming out of the walls, unless that it is Freddy who is manipulating her so that she tells him the truth. Later, Pascaline, drunk, confesses to Freddy we was born out of a short-lived relationship she had with a Maghrebin jazz musician who died during the Algerian War. She ends up accepting his son as a gift from God. Freddy’s attractiveness and the ambiguity of his behaviour reveal both the Young Man’s homosexual desire and Sarah’s need for love, as she was a prisoner of an unconditional love for her own brother, and therefore rejected any kind of sexual intimacy. The Young Man encourages his sister to find happiness with Freddy while he, knowing that she is happy, will be able to transition into the woman he realized he wants to be. The phone rings and the death of the Father is announced. Pascaline goes off to discover the world, encouraging Freddy and Sarah to build a fulfilling life as a couple in the house.

Actor and puppet

Adults

France

Sainte-Marie-la-Mer

Avignon

Printed

Filiation

Identity

Prodigal son

Deportation

Shoah

Alcoholism

Virginity

Father

Mother

Death

Lust

Love

Couple

Brother-sister incest

Sexuality

Transsexuality

Dramatic

Ironic

Humorous

Fantastic

French

Domestic servant

Sister

Virgin

Rogue

Attractive man

Maghrebian

Homosexual

Slaps

Scene in the dark

Hip hop dance

Hallucination

Fall of a character

Scene of recognition

Hidden character

Anges du chaos

Angels of chaos

Through various scenes that follow one another without necessarily being linked, The text evokes the deportation of Jews to the concentration camps through a poetic diversions. The common thread running through the entire play is the character of the little girl, about seven years old, who meets different characters, human or not: a Man who shrinks the sky, a Little Pile of Ashes, a Train, a Chimney. Each character appears as a metaphor charged with meaning, first and foremost the Little Pile of Ashes, which materializes in a macabre and at the same time "light" way the ashes of the victims burned in the ovens. At the end of the play, the little girl, who has lost both her innocence and her life force, also disappears, swallowed up by the little pile of ashes.