Faetonte (Phaethon) came to Italy to find the young woman whose portrait made him fall in love. He meets Egéria, the daughter of Tirreno (Tyrrhenus), who was dispossessed of her kingdom by her uncle Tages. The latter wants his daughter Ismene to become queen; he would like her to marry his nephew Albano. Faetonte does not know that he is the son of the Sun and introduces himself as a shepherd from Thessaly. Egéria falls in love with him and asks him to avenge her by killing Ismene. Faetonte meets the magician Fíton, who followed him from Thessaly. The servant Chichisbéu, who also followed his master Faetonte, is mistaken for the magician and taken prisoner by Tages’s soldiers. Albano worries because he betrayed Egéria, choosing Ismene instead. Tages announces the arrival of the great magician; he hopes that he will reveal the identity of the son of the Sun, who is known to be in the region. Faetonte arrives at Tages’s palace and reunites with Chichisbéu, who is tasked with finding the son of the Sun. On Faetonte’s suggestion, Chichisbéu pretends that his master is the son; he can therefore enter the palace. Chichisbéu tries in vain to charm Chirinola, Egéria’s maid: his nose grows longer with every lie he tells. Faetonte is about to kill Ismene when he realises that she is the young woman from the portrait. He stops his hand, and she calls the soldier, but Faetonte flees in the darkness cast by Fíton. Ismene asks Albano to avenge her. Albano asks Chichisbéu to reveal the murderer’s identity: the fake magician says that he will find him in the forest. The King admits that he would rather give his daughter’s hand to the son of the Sun rather than to Albano, whom he does not trust. Ismene goes into the forest to hunt and wounds Faetonte, believing that he is an animal. He falls to her feet and declares his love to her. Albano is convinced that Faetonte is Ismene’s murderer and tries to kill him. Chichisbéu stops him and reveals that Faetonte is the son of the Sun; the trees begin to move on orders of Apolo to signal that this is true, and he is escorted with great pomp to the King’s court. When Egéria finds blood on the ground, she believes that Faetonte has killed Ismene and been imprisoned. Faetonte declares his love to Ismene, who recognises the portrait in his hands as the one she sent to her future husband, the Prince of Rhodes. During the ceremony meant to unite Ismene and Albano, Fíton turns off the lights: claiming that this is a sign from Apolo, the King adjourns the wedding. Fíton tells Faetonte that he really is the son of the Sun, but that disclosing his identity would only cause his downfall. The King wants Ismene to marry the son of the Sun and have Egéria marry Albano. Albano and Faetonte fight, but they are interrupted by Ismene, who appeals to the gods. To curry favour with Chirinola, Chichisbéu reveals his true identity and says that Faetonte is only a shepherd. Ismene and Albano were spying on them and now believe that they know the truth: the King announces that he will marry his daughter to Albano, and Faetonte despairs. Quarreling with Fíton, he asks his father to confirm his identity. Apolo therefore entrusts his chariot to him: the horses bolt and run to the sea where Egéria is—she finds Faetonte’s lifeless body in her arms. Apolo brings his son back to life. Faetonte marries Egéria, and Chirinola agrees to marry Chichisbéu.

Rod and string marionette

Giant marionette

Not specified

António José Da Silva (António José da Silva, aka O Judeu)

Portugal

Lisbon

Printed

Portrait

Identity

Love

Inheritance

Metamorphosis

Filiation

Revelation

Fantasy

Pastoral

Lyrical

Burlesque

Antonio José da Silva, Precipício de Faetonte, 1759.

Portuguese

Phaethon

Shepherd

Prince

King

Magician

Servant

Niece

Princess

Daughter

Maid

Apollo

Music

Double intrigue

Love duet

Love rivalry

Set that comes to life

Apparition of a wizard

Attempted assassination

Hunting scene

Spectacular turn of events

Gunshot

Animated natural element

Scene of recognition

Scene in the dark

Warning signs

Duel scene

Spying scene

Flying machine

Clouds

Deus ex machina

Resurrected character

Final wedding

Precipício de Faetonte

The Fall of Phaethon

The Emperor is moved by the sadness of Guerrino il Meschino, who learnt about his origins through the perfidious Brunoro: when he was an infant, some privateers took him away from his parents, who were left at the mercy of the waves. The Emperor convokes an Enchanter who reveals to Guerrino that he must go to the Trees of the Sun in order to find his parents. He leaves with his squires, Faggiolino and Giuppino. The journey is not easy and Guerrino has to overcome many obstacles, such as the encounter with a cannibal whom he manages to kill. Once he has arrived at the Trees of the Sun, Guerrino manages to communicate with the Oracle of the Sun, whose voice tells him about his noble origins and explains that, in order to find his parents, who are still alive, he needs to head west. Guerrino and his squires are helped by the Solitario (“Solitary”), who tells them to find the fairy Alcina. There, Guerrino risks being caught in her net: Alcina does everything she can to seduce him and make him stay forever in her enchanted garden. But Guerrino comes back to his senses, threatens her with his sword, and she transforms into a statue. Alcina’s statue reveals that Guerrino’s parents are living in prison, in a state of famine. Guerrino resumes his journey and finally arrives at Taranto, where he helps his cousin Antinisca, Queen of Taranto, fight the villainous Saracen prince, Nadar. It is he who has usurped the throne of Durazzo, stealing it from Milone, Guerrino’s father, and who has separated the prince from his parents. Antinisca and Guerrino fall in love. The Queen gives Guerrino permission to search Taranto’s prisons for his parents, and to free them if he finds them, which he does. When Nadar learns about it, he abducts Guerrino’s parents again. Guerrino, with the help of his friend Alessandro, attacks Durazzo and finally manages to kill Nadar. The kingdom is handed over to Milone, and everyone joyfully celebrates the wedding of Guerrino and Antinisca.

Glove-puppet

Cuccoli Angelo

Italy

Bologna

Handwritten summary

Foundling

Quest

Journey

Power

Fairy

Epic

Italian

Guerrino detto il Meschino Agl'alberi del Sole Alla grotta della Fata Alcina Con Faggiolino suo scudiero

Emperor

Astrologer

Fagiolino

Page

Guerrino il Meschino

Cannibal

Innkeeper

Valet

Priest

Hermit

Voice

Alcina

Snake

Queen

Father

Mother

Head of the Guard

Soldier

Dragon

Unexpected turn of events

Fight

Enchantment

Release of a prisoner

Talking animal

Fight with an animal

Change of social status

Statue coming to life

Parody of formal language

Nursery rhyme

Dialect

Guerrino Meschino

While the Father of a rich, bourgeois family is dying at the hospital, his house is being burgled. Pascaline, his help (who has become his wife since he became a widower) laments, but her daughter Sarah is delighted to be relieved of the burden of the memories attached to the objects. A Young Man (the Father’s son) happens to come back that very day after seven years of unexplained absence. Freddy, a young and attractive rogue, arrives the same day to ask his mother Pascaline to give him an explanation for the identity of his father and for the reasons that have led her to abandon him. Pascaline, who behaves like a mother towards the Young Man, rejects Freddy. We learn that she survived the Shoah when she was a child. She pretends to ignore who Freddy’s real father is and she also claims that, after denying her pregnancy, she entrusted her to her sister, who raised him without love in a poor suburb. An alcoholic and a very unstable person, she sees Nazis coming out of the walls, unless that it is Freddy who is manipulating her so that she tells him the truth. Later, Pascaline, drunk, confesses to Freddy we was born out of a short-lived relationship she had with a Maghrebin jazz musician who died during the Algerian War. She ends up accepting his son as a gift from God. Freddy’s attractiveness and the ambiguity of his behaviour reveal both the Young Man’s homosexual desire and Sarah’s need for love, as she was a prisoner of an unconditional love for her own brother, and therefore rejected any kind of sexual intimacy. The Young Man encourages his sister to find happiness with Freddy while he, knowing that she is happy, will be able to transition into the woman he realized he wants to be. The phone rings and the death of the Father is announced. Pascaline goes off to discover the world, encouraging Freddy and Sarah to build a fulfilling life as a couple in the house.