In the prologue, Talia (Thalia) and Urania announce an inspiring story. Baldassara, a successful actress admired by Alvaro and Rodrigo, is tormented: as she performs the role of Clorinda in the company of Beatrice, Lisa, and Biscotto in a theatrical adaptation of La Gerusalemme Liberata by Torquato Tasso, she is so disturbed that she misses her cue. Baldassara understands that her torment comes from the fact that, while she plays the role of a young Christian, she has turned a deaf ear to the calls of God. Right in the middle of the performance, she leaves to exile herself in the desert, pursued by Biscotto and Lisa, who attempt to deter her from her goal. Beatrice, however, has only contempt for her rival; the other actors apologize to the public, who seem enthusiastic at the performance of who they call the "Comica del Cielo" (the Actress from the Heavens). During her exile, Baldassara discovers the beauty in solitude, while Lisa and Biscotto see only horror. She refuses their pleas to return to Valenza. The Demon, disguised as a hunter, tempts Alvaro, who has left in search of his lover: the young man finds Baldassara, who implores him to devote his life to God. In despair, he leaves to throw himself from a cliff. Baldassara tries to stop him, but a boulder in the form of a cross intervenes. Baldassara kneels before the power of the Divine. Biscotto, in hermit's robes, decides to stay at her side despite objections from Lisa. During her slumber, the Demon sends Baldassara temptations: upon her wake, she repels him with a Christian symbol, which breaks the spell. Biscotto, however, regardless of Lisa's warnings, tastes a cake from the Demon: the bitterness in his mouth remains, but he succeeds in chasing the Demon away. Act II ends with a ballet. Beatrice arrives in the desert after the death of Tafer, who she followed across the oceans and who was defeated by Rodrigo. In a nocturnal scene, Baldassara and Biscotto discover Beatrice and successfully dissuade her from killing herself. Rodrigo, arriving mid-reunion, wants to kill Beatrice to avenge her infidelity. Baldassara interjects and commands him to turn toward God. After these multiple conversions Penitenza (Penitence) appears to Baldassara to bring her her rewards; she confronts the Demon and triumphs over him. Since Alvaro hopes to regain his good graces with the help of Lisa, he finds Baldassara dead, in the midst of a choir of angels and happy souls.

"On foot and by rod" puppet

Marionette with counterweight

Not specified

Spain

Madrid

Italy

Rome

Printed

Conversion

Desert

Hermit

Actress

Miracle

Edifying

Heroic

Religious

Epic

Italian

La Conversione di Santa Baldassarra Comica Spagnuola; La Comica celeste

ovvero La Baldassara

Thalie

Muse

Uranie

Lover (man)

King

Counselor

Servant

Maid

Devil

Soldier

Spectator

Choir

Angel

Play in verse

Chorus

Interlude

Prologue

Theatre within the theatre

Crowd

Sleeping character

Soliloquy

Night scene

Revelation

Failed suicide

Apparition of the Devil

Pact with the devil

Allegory

Death on stage

Flying machine

Apotheosis

Ascent to heaven

Apparition of an angel

La Comica del Cielo

The Actress from the Heavens

After a terrifying stormy night, Saint Anthony goes out of his cave and into the fresh air to find some peace. Beelzebub orders Hurliburli to take advantage of this hustle and bustle to try and make the pious hermit succumb to one of the seven deadly sins. Meanwhile, Hanswurst, a lost walker, exhausted and starving, seeks refuge in the cave. To his surprise, his complaints are heard and his desires are fulfilled by the devils of gluttony, sloth, and lust. But, as he passionately embraces the devil of lust, who took the appearance of a woman, Hurliburli appears and drags him to hell. Anthony, back in his cave, sees Hanswurst who angrily relates his misadventures and the mistake of which he was a victim. Anthony greets him and thanks God for having protected him from the temptation of the devil by putting a poor stranger in his stead… To reward his faith, an angel appears and crowns the saint with a halo.

Shadow theatre

Bernus Alexander von

Germany

Munich

Capital sin

Piety

Storm

Descent into hell

Comical

Pathetic

Rolf Erik von Hörschelmann, silhouettes and set for St. Anton oder der Heiligenschein.

German

Hanswurst

Beelzebub

Unmässigkeit-Trägheits-Geiz-Neid-Zorn-Hochmuts-Wollust-Teufel

Misunderstanding

Apparition

Metamorphosis

Metatheatre

Monologue

St. Anton oder der Heiligenschein

St Anthony or the halo

Three women – young Janet, her mother, and her grandmother – take refuge in a stable while a storm and the temptations of St. Anthony are raging outside. Janet asks in vain to be explained what these temptations are. Saint Anthony (called Anthony Perkins) is in a cell and only has his Halo, his Clock, and his Calendar as friends. He prays to Zeus to send him temptations, for they never reach him. Time flies, and he ends up dying of boredom. Shortly after Anthony’s death, the now old Queen of Sheba enters his cell, accompanied by Gustave Flaubert. The Queen of Sheba dies, disappointed that she could not tempt Anthony. Flaubert asks two eunuchs to bury them. Cleo di Patra appears in the sky, surrounded by angels. The play ends with a great ballet and a funeral cortege.