In the prologue, Talia (Thalia) and Urania announce an inspiring story. Baldassara, a successful actress admired by Alvaro and Rodrigo, is tormented: as she performs the role of Clorinda in the company of Beatrice, Lisa, and Biscotto in a theatrical adaptation of La Gerusalemme Liberata by Torquato Tasso, she is so disturbed that she misses her cue. Baldassara understands that her torment comes from the fact that, while she plays the role of a young Christian, she has turned a deaf ear to the calls of God. Right in the middle of the performance, she leaves to exile herself in the desert, pursued by Biscotto and Lisa, who attempt to deter her from her goal. Beatrice, however, has only contempt for her rival; the other actors apologize to the public, who seem enthusiastic at the performance of who they call the "Comica del Cielo" (the Actress from the Heavens). During her exile, Baldassara discovers the beauty in solitude, while Lisa and Biscotto see only horror. She refuses their pleas to return to Valenza. The Demon, disguised as a hunter, tempts Alvaro, who has left in search of his lover: the young man finds Baldassara, who implores him to devote his life to God. In despair, he leaves to throw himself from a cliff. Baldassara tries to stop him, but a boulder in the form of a cross intervenes. Baldassara kneels before the power of the Divine. Biscotto, in hermit's robes, decides to stay at her side despite objections from Lisa. During her slumber, the Demon sends Baldassara temptations: upon her wake, she repels him with a Christian symbol, which breaks the spell. Biscotto, however, regardless of Lisa's warnings, tastes a cake from the Demon: the bitterness in his mouth remains, but he succeeds in chasing the Demon away. Act II ends with a ballet. Beatrice arrives in the desert after the death of Tafer, who she followed across the oceans and who was defeated by Rodrigo. In a nocturnal scene, Baldassara and Biscotto discover Beatrice and successfully dissuade her from killing herself. Rodrigo, arriving mid-reunion, wants to kill Beatrice to avenge her infidelity. Baldassara interjects and commands him to turn toward God. After these multiple conversions Penitenza (Penitence) appears to Baldassara to bring her her rewards; she confronts the Demon and triumphs over him. Since Alvaro hopes to regain his good graces with the help of Lisa, he finds Baldassara dead, in the midst of a choir of angels and happy souls.

"On foot and by rod" puppet

Marionette with counterweight

Not specified

Spain

Madrid

Italy

Rome

Printed

Conversion

Desert

Hermit

Actress

Miracle

Edifying

Heroic

Religious

Epic

Italian

La Conversione di Santa Baldassarra Comica Spagnuola; La Comica celeste

ovvero La Baldassara

Thalie

Muse

Uranie

Lover (man)

King

Counselor

Servant

Maid

Devil

Soldier

Spectator

Choir

Angel

Play in verse

Chorus

Interlude

Prologue

Theatre within the theatre

Crowd

Sleeping character

Soliloquy

Reunion

Night scene

Revelation

Failed suicide

Apparition of the Devil

Pact with the devil

Allegory

Death on stage

Flying machine

Apotheosis

Ascent to heaven

Appearance of an angel

La Comica del Cielo

The Actress from the Heavens

Faust leads a destitute life as a scholar, until he lay hands on a book of black magic. He then sells his soul to the devil Mefistofeles, in exchange for services. Demons also appear to Kasper, whom Faust’s famulus – Wagner – has recently hired. But Kasper adamantly refuses to sell himself to the devil. Mefistofeles takes Faust and Kasper to Parma to lead a loose life. After living in luxury for twelve years, Faust is abandoned by Wagner, who disapproves of his way of life. Faust repents, but eventually gives in to carnal temptation when Mefistofeles presents him the fair Helen, whom he knew in Ancient Greece. Everyone rejects Faust. Kasper, now a night watchman, finds him out in the street within curfew hours and wants to throw him behind bars. But Faust’s final hour has come, and he is taken away by demons.

String marionette

Geisselbrecht Johann Georg

Germany

University

Scholar

Wittenberg

Philosopher's stone

Foreign languages

Laziness

Sorcery

Necromancy

Perlicke

Middle Ages

Crow

Pluto

Coffee

Penitence

Eroticism

Future punishment

Tragic

Burlesque

German

Comödie vom D. Faust ; Schauspiel von dem Doctor Faust

Oder : Der große Negromantist

Faust

Christoph Wagner

Kasperl

Mephistopheles

Auerhahn

Vizibuzli

Helen of Troy

Night watchman

Monologue

Metadiscourse on puppet theatre

Tragic irony

Song

Macaronism

Misunderstanding

Lazzi

Word for another

Thunderbolt

Word reiteration

Dream

Versified passages

Bawdy equivocation

Doctor Faust

Doctor Faust is disillusioned with academic disciplines. He learns black magic and makes a deal with the devil Mephistopheles, promising him his soul if the latter accepts to serve him for twenty-four years. Faust’s new domestic servant, Casperle, also learns to summon demons, and engages the services of the devil Auerhahn. However, he refuses to sell his soul to him. During the wedding of the Duke and Duchess of Parma, Faust makes the Ancient Testament appear before them and attempts to seduce the duchess. But he is pursued by her husband, the Inquisition and the outraged people, because Casperle has used his links with the devil to carry out miracles. Faust flees to Constantinople and Auerhahn brings Casperle to Mainz. The final act relates Faust’s damnation. He does penance, but he is doomed when Mephistopheles promises him the most beautiful woman in the world – Helen of Troy. Faust is carried off by demons, while Casperle, now a night watchman, takes his revenge on his wife at the end of the play, for the domestic violence she inflicted on him.

Simrock Karl

Bonn

Magic

Monkey

Mainz

Drink

Pigtail

Dragon

Seduction

Inquisition

Couch

Vanity

Repentance

Nightwatchman

Lust

Spousal abuse

Humorous

Dilemma

Off-stage voice

Comic Equivocation

Aside

Appearance

Pyrotechnics

Chase

Domestic scene

Dance

Doctor Johannes Faust

Don Juan has asked his servant Kasperl to sell his last shirt and coat, but Kasperl has spent the money from the sale on beers. He sends him to borrow money from his father, the knight Pantolfius. When Pantolfius refuses, Don Juan himself comes to ask him to comply, but in vain, and Kasperl kicks him in the nose. To find money, Kasperl then has the idea of summoning the devil, but when Don Juan wants to sell him his soul, he replies that it already belongs to him and takes it to hell.

Reinhardt Carl

Munich

Tralala

Excessive drinking

Drunkard

Drinking

Credit

Father

Money

Debt

Hits

Radirullala

Satirical

Parodistic

Grotesque

Farcical

Don Juan

Pantolfius

Final intervention of the devil

Spectacular turn of events

Kasperl und Don Juan

Kasperl and Don Juan

Doctor Sassafras is pleased to have a client as hypochondriac as Steinreich. This rich and selfish man forbids his niece Marie from continuing to see his secretary Schreiber, whom he dismisses. Steinreich envisions a more beneficial match for his niece. Doctor Sassafras makes a deal with the devil to summon Death. Schreiber then attempts suicide, but a gravedigger saves him, as Death is detained in Sassafras’ enchanted chair. The Devil realises that his pact with Sassafras is detrimental to him and breaks their contract. Death comes fetch the doctor, who turns to God and hopes for His mercy. In the meantime, Steinreich converted: he has become charitable and, most importantly, no longer opposes Marie and Schreiber’s union.

Young audiences

Pocci Franz von

Medicine

Knödel

Usurpation

Surgery

Prestige

Wealth

Champagne

Misery

Forced marriage

Hypochondria

Cemetery

Bible

Suicide

Sentimentalism

Religion

Comical

Pathetic

Title page in the original edition of Pocci's comedies

oder Doctor, Tod und Teufel

Doctor

Secretary

Death

Peasant

Domestic servant

Gravedigger

Apparition

Parody of formal language

Dialect as a social marker

Light effects

Philosophical dialogue

Final wedding

Doctor Sassafras

Incarcerated for his debts, Casperl is freed from prison by a small child, Capricerl, who is the guide of Fortuna, the blind goddess. While being pursued, Casperl finds refuge with Klaus, a hermit who reveals himself to be the Devil. However, Fortuna bet against Bios, the genie of life, that her gifts could make someone happy: Casperl will be her guinea pig. She repels the Devil and makes Casperl win the lottery. But the newly rich man is tyrannical and angry to the point of becoming sick. He goes so far as to miss the simple and modest life he once had, and curses his fortune. The goddess understands her defeat and brings him back to his normal self. Casperl goes to the inn.