Leandro (Leander) meets Hero while she is working in Venere’s (Venus’s) temple: it is love at first glance for the two of them, and their love story develops according to chivalric standards. The romantic dialogue finds an echo in the more prosaic duo between Lesbia and Millo, the two servants. When Hero, faithfully devoted to the goddess, refuses herself to Leandro, he grabs her coat and rips it. She begs him to spare her honour and declares her love before she decides, driven by passion, to die in the breast of her new divinity. Arbace and his suite of singing hunters cross the stage. Lucilla, the fickle lover of Tigrane, placed by the latter in the care of Leandro, tries to seduce Leandro and fails. The first act ends on a burlesque note, with Millo followed by a choir of seamen singing and smoking. Arbace, who fell in love with Lucilla, is helped by Giocasta (Jocasta): she organises a (rigged) love game, for Tigrane and his lover. The game consists in proving one’s faithfulness by blindly finding a sign of love. While her lover is blindfolded, Lucilla can enjoy Arbace’s kisses. Then she pretends to have won the game and dismisses her lover; Giocasta is amused by women’s cunning. In the meantime, Hero, dressed as a gypsy, puts Leandro’s faithfulness to the test. Seeing Millo, she predicts that he will have a blissful future if he presents her at Court: introduced as a great magician to Lucilla, she is entrusted with the writing of a lover letter intended for Leandro. Arbace understands that his new lover has betrayed him, and Tigrane is sorrowful. Lucilla dances with her suite at the very end of the act. While Leandro is desperately looking for Hero, the latter, disguised as a gypsy, gives him Lucilla’s letter. She is convinced of his good faith because he rips the letter before even reading it. Leandro decides to join his beloved at night by crossing the water; Hero plans on waiting for him on the neighbouring beach. Unfortunately, Lucilla overhears the conversation between the lovers and asks Arbace to avenge her and to kill Hero. At night, Leandro is about to drown. On her cloud, Venere summons the choir of Nereidi (Nereids) and asks them to save him and take him up in the sky. Arbace wants to hit Hero, who is anxiously waiting for her lover; he kills Lucilla while Hero transforms into Leandro’s plant (oleander). While Lucilla is dying, paying the price of her wrongdoing, the lovers reunite in Elysium, by Venere’s side.

Not specified

Badovero Camillo

Italy

Venice

Printed

Love

Jealousy

Gipsy woman

Deception

Drowning

Venus (Goddess)

Ovid

Lyrical

Heroic

Tragic

Fantasy

Farcical

Italian

Gli amori fatali

Lord

Favourite

Léandre

Priestess

Virgin

Hero (priestess)

Chaperon

Lover (woman)

Secretary

Lover (man)

Nurse

Servant

Venus

Guard

Hunter

Bridesmaid

Nereids

Love story

Thwarted love

Music

Seduction scene

Undressed character on stage

Erotic scene

Love rivalry

Dancing entertainment

Interlude

Smoke

Wandering

Disguised character (false identity)

Investigation

Hunting scene

Scene in the dark

Night scene

Metamorphosis

Apparition of a god

Deus ex machina

Clouds

Ascent to heaven

Flying machine

Il Leandro

Leander

Atys (Attis) tells his cousin Sangaride that she is going to marry the prince Célénus (Celænus); then they both confess their love for each other. Having fallen in love with Atys, the goddess Cybèle (Cybele) declares her love to him in a dream. Believing that Atys is unfaithful, Sangaride agrees to marry Célénus. Atys opposes the marriage and flees with Sangaride. To punish Atys, Cybèle commands Esculape (Asclepius) and his apothecaries to drive him insane. Blinded by madness, Atys kills Sangaride. When he realises his crime, Atys begs Cybèle to bring Sangaride back to life, which she does, but changing the young woman into a hen, and Atys into a capon.

Fuzelier Louis

France

Paris

Opera

Wedding

Revenge

Death

Death resurrected

Greek mythology

Capon

Grandparents

Parodistic

Comical

La Grand-Mère amoureuse, frontispiece in Le Théâtre de la Foire ou l'Opéra comique, tome VIII, 1731.