Leandro (Leander) meets Hero while she is working in Venere’s (Venus’s) temple: it is love at first glance for the two of them, and their love story develops according to chivalric standards. The romantic dialogue finds an echo in the more prosaic duo between Lesbia and Millo, the two servants. When Hero, faithfully devoted to the goddess, refuses herself to Leandro, he grabs her coat and rips it. She begs him to spare her honour and declares her love before she decides, driven by passion, to die in the breast of her new divinity. Arbace and his suite of singing hunters cross the stage. Lucilla, the fickle lover of Tigrane, placed by the latter in the care of Leandro, tries to seduce Leandro and fails. The first act ends on a burlesque note, with Millo followed by a choir of seamen singing and smoking. Arbace, who fell in love with Lucilla, is helped by Giocasta (Jocasta): she organises a (rigged) love game, for Tigrane and his lover. The game consists in proving one’s faithfulness by blindly finding a sign of love. While her lover is blindfolded, Lucilla can enjoy Arbace’s kisses. Then she pretends to have won the game and dismisses her lover; Giocasta is amused by women’s cunning. In the meantime, Hero, dressed as a gypsy, puts Leandro’s faithfulness to the test. Seeing Millo, she predicts that he will have a blissful future if he presents her at Court: introduced as a great magician to Lucilla, she is entrusted with the writing of a lover letter intended for Leandro. Arbace understands that his new lover has betrayed him, and Tigrane is sorrowful. Lucilla dances with her suite at the very end of the act. While Leandro is desperately looking for Hero, the latter, disguised as a gypsy, gives him Lucilla’s letter. She is convinced of his good faith because he rips the letter before even reading it. Leandro decides to join his beloved at night by crossing the water; Hero plans on waiting for him on the neighbouring beach. Unfortunately, Lucilla overhears the conversation between the lovers and asks Arbace to avenge her and to kill Hero. At night, Leandro is about to drown. On her cloud, Venere summons the choir of Nereidi (Nereids) and asks them to save him and take him up in the sky. Arbace wants to hit Hero, who is anxiously waiting for her lover; he kills Lucilla while Hero transforms into Leandro’s plant (oleander). While Lucilla is dying, paying the price of her wrongdoing, the lovers reunite in Elysium, by Venere’s side.

"On foot and by rod" puppet

Marionette with counterweight

Not specified

Badovero Camillo

Italy

Venice

Printed

Love

Jealousy

Gipsy woman

Deception

Drowning

Venus (Goddess)

Ovid

Lyrical

Heroic

Tragic

Fantasy

Farcical

Italian

Gli amori fatali

Lord

Favourite

Leandre

Priestess

Virgin

Hero (priestess)

Chaperon

Lover (woman)

Secretary

Lover (man)

Nurse

Servant

Venus

Guard

Hunter

Bridesmaid

Nereids

Love story

Thwarted love

Music

Seduction scene

Undressed character on stage

Erotic scene

Love rivalry

Dancing entertainment

Interlude

Smoke

Wandering

Disguised character (false identity)

Investigation

Hunting scene

Scene in the dark

Night scene

Metamorphosis

Apparition of a god

Deus ex machina

Clouds

Ascent to heaven

Flying machine

Il Leandro

Leander

The play begins with the sinking of Ulisse’s (Ulysses’) boat. Ulisse is saved by Almira, who was making a sacrifice to Minerva on the beach with a choir of young girls. The young woman falls in love with Ulisse and has him escorted to the Court of her father, Alcinoo (Alcinous). In the following scene, Delfo, Ulisse’s hunchback servant, comes out of the water on a dolphin’s back. Cirene, Almira’s fickle daughter, also falls in love with Ulisse, who is now staying at Court. The two sisters fight for the stranger’s love, while Ormindo, Cirene’s unhappy lover, learns that she is wooing Ulisse. The first act ends with a dance of gardeners, both male and female. Cirene speaks to Ulisse as she stands before her mirror: the prince confesses that he loves her, after Delfo made a few bawdy innuendos. Ormindo denounces his fickle lover to Ulisse, while Almira also confesses her love; her confession is echoed by Lisa’s farcical innuendos. Ulisse hesitates between the two sisters. Taking revenge on Cirene, Almira exposes her sister’s debauchery to Alcinoo, who swears that he will punish her. During a scene in which Ormindo draws Cirene’s portrait, the old nurse Lisa believes that the young man is pining for her. Disappointed when she learns the truth, she decides to take revenge on her rival by speaking in favour of Almira to Ulisse. Cirene’s father walks in on her as she is writing a letter to confess her love to the Prince of Ithaca. To save herself, she accuses Almira of having written the letter: Alcinoo disowns (his daughter) Almira. Ulisse, who received the letter which Delfo says was written by Almira, is at a loss to understand the situation, and he falls asleep. In his sleep, Minerva speaks to him and reminds him of his duty to his country and to his wife Penelope: when he wakes up, he decides to leave Phaeacia. Cirene, wearing a mask, dismisses Ormindo. Ulisse takes leave of Alcinoo and of his daughters. Alcinoo decides to marry Ormindo and Cirene, who refuses herself to her suitor: the king then offers him to marry his daughter Almira.

Acciaiuoli Filippo (aka Gran Burattinajo)

Shipwreck

Hospitality

Sister

Parodistic

Filippo Acciaiuoli, L'Ulisse in Feacia. Venezia: Francesco Nicolini, 1681 (title page).

King

Alcinoos

Young woman

Nausicaa

Prince

Ulysses

Captain

Minerva

Play in verse

Love duet

Shipwreck scene

Board meeting

Soliloquy

Sleeping character

Letter

Masked characters

Dilemma

Dreamt scene

L'Ulisse in Feaccia

Ulysses in Phaeacia

Casperl wants to immigrate to America, but is cast ashore on an African island populated by cannibals. There he meets the German naturalist Gerstlmaier, who at first mistakes him for a parrot and ends up hiring him as a servant. But the cannibals capture him while he is sleeping. He swears not to drink any more beer if he manages to escape, whereupon the god Neptune frees him and allows him to return to Europe on the back of a dolphin. Casperl is then abducted by a large bird which releases him in the market place of his hometown, where his arrival causes general panic. Casperl has sworn not to drink any more beer, so he goes to the tavern to drink several to celebrate his return home.

String marionette

Young audiences

Pocci Franz von

Germany

Munich

Africa

Navigation

Island

Robinson

Cannibalism

Natural sciences

Ornithology

Savage

Scholar

Exoticism

Beer

Small town

Comical

German

Ein culturhistorisches Drama in zwei Aufzügen

Kasperl

Night watchman

Drum

Neptune

Crocodile

Dolphin

Instrumental tune

Macaronism

Monologue

Word for another

Song

Talking animal

Scene of recognition

Parody of formal language

Casperl unter den Wilden

Casperl in the wilderness

The widow Werner lives with her young son Ludwig in misery: a sad Christmas is coming. To surprise her son, Mrs Werner goes out to buy a small pine tree and some apples. In her absence, Ludwig writes a letter to baby Jesus, asking for an illustrated Bible: he throws the letter out of the window addressing it to the angels. On Christmas morning, a package is delivered containing the Bible he asked for. The donor is Friedrich Walter, an old friend of the deceased Karl Werner: he has just returned from a long trip to the Orient and is inquiring at the police station about the widow's address, when some officers tell him of the amusing discovery of Ludwig's letter. Friedrich Walter takes the widow and child under his protection.

Poverty

Reading

Education

Hanswurst

Bible

Childhood

Crib

Piety

Sentimentalism

Social realism

Christmas

Realist

Pathetic

Metatheatre

Transforming scenery

Chorus

Der Weihnachts-Brief

Christmas Letter

Heriwolf, son of the woodland fairy Waldminne, is forcing his attentions on Rotkäppchen (Little Red Riding Hood). He is surprised to see the sun rising, as he must only live at night, and he turns into a wolf. In the meantime, the dwarf Gübrich, who was sent by Waldminne in search of her son, is changed into a pug and finds a new owner in the person of Kasperl Larifari, a lumberjack. The wolf eats cattle, and we already fear for Rotkäppchen’s safety as she is walking through the woods from old Kathrin’s house, her grandmother. But after seeing her, Heriwolf becomes human again, and she confides in the young man she met at dawn. Unfortunately, his wolf’s appetite makes him eat old Kathrin. He is still hungry and is about to pounce on Rotkäppchen before being shot by the hunters. Waldminne appears and turns Heriwolf back into his human form. He marries Rotkäppchen.

Title page of the play illustrated by the author

Fairy

Dwarf

Little Red Riding Hood

Grandmother

Peasant

The dream genie

Wolf

Versified passages

Improvised scene

Apparition

Misunderstanding

Dream

Magic act

Comical regional accent

Unveiling

Double identity

Chase

Das Märchen vom Rothkäppchen

The tale of Little Red Riding Hood

Kasperl leaves his wife Grete and resigns from his job at Stoffelbauer’s farm to explore the world. On the road, he meets the genius of the mountains, Cuivre Curpus. The latter is dressed as an old man and Kasperl gives him three of his copper coins. Cuprus thanks him and gifts him a magic violin in turn. Kasperl uses it to make the Jew Mauschl dance until he faints, after discovering that he was embezzling money. Two robbers – Fangauf and Schnapper – take advantage of the opportunity to steal Mauschl’s purse. Kasperl is then introduced to Duke Richard’s court as the violinist Spagatini, and he seduces the Duke’s daughter, Princess Amalie, as well as her lady-in-waiting. One day he is caught serenading them by night, but he makes the guards, the whole court, the princess and the lady-in-waiting dance. However, he is brought to justice and accused by Mauschl of having stolen the purse. As a result, he is sentenced to death. At the gallows, he asks to play one last tune on his violin, in the hope of making everyone dance and escaping. But Cuprus appears with Grete. He takes away the magic of the violin but promises to save Kasperl’s life, on condition that he goes back to his wife.