Leandro (Leander) meets Hero while she is working in Venere’s (Venus’s) temple: it is love at first glance for the two of them, and their love story develops according to chivalric standards. The romantic dialogue finds an echo in the more prosaic duo between Lesbia and Millo, the two servants. When Hero, faithfully devoted to the goddess, refuses herself to Leandro, he grabs her coat and rips it. She begs him to spare her honour and declares her love before she decides, driven by passion, to die in the breast of her new divinity. Arbace and his suite of singing hunters cross the stage. Lucilla, the fickle lover of Tigrane, placed by the latter in the care of Leandro, tries to seduce Leandro and fails. The first act ends on a burlesque note, with Millo followed by a choir of seamen singing and smoking. Arbace, who fell in love with Lucilla, is helped by Giocasta (Jocasta): she organises a (rigged) love game, for Tigrane and his lover. The game consists in proving one’s faithfulness by blindly finding a sign of love. While her lover is blindfolded, Lucilla can enjoy Arbace’s kisses. Then she pretends to have won the game and dismisses her lover; Giocasta is amused by women’s cunning. In the meantime, Hero, dressed as a gypsy, puts Leandro’s faithfulness to the test. Seeing Millo, she predicts that he will have a blissful future if he presents her at Court: introduced as a great magician to Lucilla, she is entrusted with the writing of a lover letter intended for Leandro. Arbace understands that his new lover has betrayed him, and Tigrane is sorrowful. Lucilla dances with her suite at the very end of the act. While Leandro is desperately looking for Hero, the latter, disguised as a gypsy, gives him Lucilla’s letter. She is convinced of his good faith because he rips the letter before even reading it. Leandro decides to join his beloved at night by crossing the water; Hero plans on waiting for him on the neighbouring beach. Unfortunately, Lucilla overhears the conversation between the lovers and asks Arbace to avenge her and to kill Hero. At night, Leandro is about to drown. On her cloud, Venere summons the choir of Nereidi (Nereids) and asks them to save him and take him up in the sky. Arbace wants to hit Hero, who is anxiously waiting for her lover; he kills Lucilla while Hero transforms into Leandro’s plant (oleander). While Lucilla is dying, paying the price of her wrongdoing, the lovers reunite in Elysium, by Venere’s side.

"On foot and by rod" puppet

Marionette with counterweight

Not specified

Badovero Camillo

Italy

Venice

Printed

Love

Jealousy

Gipsy woman

Deception

Drowning

Venus (Goddess)

Ovid

Lyrical

Heroic

Tragic

Fantasy

Farcical

Italian

Gli amori fatali

Lord

Favourite

Leandre

Priestess

Virgin

Hero (priestess)

Chaperon

Lover (woman)

Secretary

Lover (man)

Nurse

Servant

Venus

Guard

Hunter

Bridesmaid

Nereids

Love story

Thwarted love

Music

Seduction scene

Undressed character on stage

Erotic scene

Love rivalry

Dancing entertainment

Interlude

Smoke

Wandering

Disguised character (false identity)

Investigation

Hunting scene

Scene in the dark

Night scene

Metamorphosis

Apparition of a god

Deus ex machina

Clouds

Ascent to heaven

Flying machine

Il Leandro

Leander

Damira, sentenced to drown by her husband Creonte, king of Egypt, was saved by the fisher Silo, who took her in with his wife Lerinda to raise her as their daughter, changing her name to Fidalba. During a royal hunting game, Silo gives Creonte water from the Nile. To thank him, Creonte invites him to Court with his family. Fillide, the king’s favourite, has two lovers – Nigrane and Breno – but she hopes to marry Creonte. However, when the king promises that he will marry her, a painting of Damira falls to the ground: Creonte has an unfavourable premonition. Breno and Nigrane, pining for love together, realise that they love the same woman. Creonte discovers them and condemns them to exile. Damira comes back to Court, disguised as Fidalba, with Silo and Lerinda; Nerillo organises a dance of Armenians for them. Fillide says goodbye to her two lovers. In the palace, Nerillo shows Fidalba a painting recounting Damira’s story, and he announces the wedding of Creonte and Fillide. The king welcomes Silo and Lerinda, and thinks he recognises their daughter as his ex-wife. Fillide tries to bring the wedding forward, but Fidalba interrupts her and announces that the king’s wife is still alive. While the young woman is thought to be mad, Creonte is plagued by remorse. Fillide overhears the end of his monologue and believes that she will be killed like Damira: she asks Breno to kill Creonte. Damira, hopeful, pretends to be mad. The act ends with a dance of madmen. Breno tries to kill Creonte, who is sleeping by the Nile; Nigrane prevents him from doing so, but he is wrongly accused of trying to kill the king, and he is poisoned. To save him, Fillide gives him her clothes and has him leave with Nerillo. She gave Silo a golden chain to thank him for his good offices. Out of jealousy, Lerinda tries to take revenge on her rival and reports that she fled with Nerillo; Damira, wanting to take revenge, hits Nigrane, dressed as Fillide. Excused because Lerinda thinks she is mad, Damira reveals her identity and asks Creonte to pierce her breast: he is moved and decides to take his wife back. Creonte uncovers the veiled figure, Nigrane, and everyone reconciles – accusing Cupid, the blind god.

Acciaiuoli Filippo (aka Gran Burattinajo)

Murder

favorite

Shepherdess

Egypt

Wife

King

Favorite

Knight

Captain

Eunuch

Peasant

Peasant (female)

Love duet

Play in verse

Sleeping character

Attempted assassination

Sword thrust

Cross-dressing

Scene of recognition

Damira placata

Damira pacified

The play begins with the sinking of Ulisse’s (Ulysses’) boat. Ulisse is saved by Almira, who was making a sacrifice to Minerva on the beach with a choir of young girls. The young woman falls in love with Ulisse and has him escorted to the Court of her father, Alcinoo (Alcinous). In the following scene, Delfo, Ulisse’s hunchback servant, comes out of the water on a dolphin’s back. Cirene, Almira’s fickle daughter, also falls in love with Ulisse, who is now staying at Court. The two sisters fight for the stranger’s love, while Ormindo, Cirene’s unhappy lover, learns that she is wooing Ulisse. The first act ends with a dance of gardeners, both male and female. Cirene speaks to Ulisse as she stands before her mirror: the prince confesses that he loves her, after Delfo made a few bawdy innuendos. Ormindo denounces his fickle lover to Ulisse, while Almira also confesses her love; her confession is echoed by Lisa’s farcical innuendos. Ulisse hesitates between the two sisters. Taking revenge on Cirene, Almira exposes her sister’s debauchery to Alcinoo, who swears that he will punish her. During a scene in which Ormindo draws Cirene’s portrait, the old nurse Lisa believes that the young man is pining for her. Disappointed when she learns the truth, she decides to take revenge on her rival by speaking in favour of Almira to Ulisse. Cirene’s father walks in on her as she is writing a letter to confess her love to the Prince of Ithaca. To save herself, she accuses Almira of having written the letter: Alcinoo disowns (his daughter) Almira. Ulisse, who received the letter which Delfo says was written by Almira, is at a loss to understand the situation, and he falls asleep. In his sleep, Minerva speaks to him and reminds him of his duty to his country and to his wife Penelope: when he wakes up, he decides to leave Phaeacia. Cirene, wearing a mask, dismisses Ormindo. Ulisse takes leave of Alcinoo and of his daughters. Alcinoo decides to marry Ormindo and Cirene, who refuses herself to her suitor: the king then offers him to marry his daughter Almira.

Shipwreck

Hospitality

Sister

Parodistic

Filippo Acciaiuoli, L'Ulisse in Feacia. Venezia: Francesco Nicolini, 1681 (title page).

Alcinoos

Young woman

Nausicaa

Prince

Ulysses

Minerva

Shipwreck scene

Board meeting

Soliloquy

Letter

Masked characters

Dilemma

Dreamt scene

L'Ulisse in Feaccia

Ulysses in Phaeacia

The Reine des Sylphes (queen of the Sylphs) declares her love to Polichinelle. The latter is taken into her palace in the air and praised by a Suivante (lady-in-waiting), a Comédien (comedian), a Poète (poet) and a Musicien (musician). Each provides opportunities to mock Parisian people’s immorality and idiosyncrasies. The Reine joins Polichinelle: together, they attend a divertissement danced by the Sylphes (Sylphs), and the final vaudeville.

Rod and string marionette

France

Paris

Germanic mythology

Fairy

Parisian life

Immorality

Unfaithfulness

Life of the theatres

Comical

Satirical

Manuscrit of Polichinelle roi des Sylphes (BnF, Ms Fr 9312).

French

Polichinelle

Queen

Lady-in-waiting

Actor

Poet

Musician

Sylph

Invisible character

Off-stage voice

Final song

Play with drawers

Aria

Polichinelle roi des Sylphes

Polichinelle king of the Sylphs

A Marchande (female merchant), in love with an employee of the shop (the Courtaud (Shorty)), believes that he is interested in her daughter. A Servante (female servant) arouses the jealousy of a Laquais (male servant). A drunk Musicien (male Musician) tells a Suisse (Swiss man) that his wife is unfaithful to him. Polichinelle tries to seduce a Grisette (Shop girl), meets a Peintre (male painter) who wanted to paint his portrait, and then joins a Troupe de Buveurs (a Group of Drinkers): they dance a divertissement and sing a vaudeville at the end of the play.

Seduction

Drunkenness

Wine

Cabaret

Valet

First page of the manuscript of Polichinelle à la guinguette de Vaugirard.

Merchant (woman)

Shop employee

Maid

Swiss

Grisette

Painter

Inn scene

Comical foreign accent

Conversation

Polichinelle à la guinguette de Vaugirard

Polichinelle at the guinguette of Vaugirard

In the land of Bruixiwood, witches gather to discuss what to do as a group so that no witch leaves their land. They try to set up a few initiatives, like organizing a bullfight, but it does not seem to work. They finally have the idea of ​​renting Bruixiwood in order to shoot a film in which both the witches and the audience will take part. The film is a success, and as a result, all the witches arrive in a broombus to come live and party in Bruixiwood.