In the Underworld, Plutone (Pluto) and Proserpina dispatch their armies of Erinyes on Earth, ordering them to punish Odoardo, the tyran from Thebes. Filone and Ormondo, the King's counsels, are waiting for the King to return and celebrate his wedding with the young Erminda. Ormondo confesses his love to Pasquella, Girello's wife, who turns him down: Girello says that he will beat him and, taking revenge, Ormondo sends him to prison. At Court, Doralba, the King's sister, is desperately in love with the slave Mustafa. Filone and Ormondo demand that Girello be punished, and he is sentenced to exile. Mustafa gives him a little money, before joining Doralba and singing his love to her: as he is overeager, Doralba denounces him to Odoardo. Girello, exiled in the woods, meets a magician who introduces himself as the Patriarch of the abyss. To prove his title, he shows him several diabolical creatures. Scared, Girello tries to send him off, but the magician offers to help him. The stage transforms into the entrance of the Underworld: demons are coming out of it to dress Girello with kingly clothes. If he keeps these clothes on and puts a magic root next to the King, Girello will look like Odoardo, and Odoardo will look like Girello. Girello arrives at Court in his new clothes and announces a series of harebrained laws, before calling his counsels “Governator delle galline” (governor of hens) and “Segretario maggior della brachetta” (Secretary General of the (Trousers) Fly). He arrives without his sword, is recognised as Girello, comes back with his sword and is seen as the King, even though his servants think that he has changed because he is no longer greedy. The old Pasquella prays to Girello, whom she believes to be the King, asking him to allow her to marry again so her youth is not lost in waiting for her husband. As for Mustafa, who has been accused of trying to rape the King's sister, he asks for his forgiveness. Girello throws Ormondo and Filone behind bars, chooses Mustafa as his favourite, and tells Pasquella to wait and see what is coming for her. The real Odoardo, surprised to find his counsel in prison, asks Tartaglia to release them. From this arises a first misunderstanding, as Tartaglia cannot make sense of the King's inconsistent orders. Conversely, Mustafa thanks Odoardo for his good deed; the King does not understand why, and he puts him in prison, with Doralba, who confessed that she was in love with the slave. Girello asks for the lovers to be released, then he marries them and sends Filone and Ormondo to the galleys. When Tartaglia tells him about his contradictory behaviour, Girello demands that he be beaten with a stick the next time he loses his memory. Pasquello, begging for a husband, is willing to react positively to the advances of the so-called King, who swears that she will be beaten; Erminda is getting ready to spend the night with Girello, whom she believes to be her husband. Girello manages to slip the root in Odoardo's belongings. The King, standing in front of his doppelganger, fails to understand the situation, and he despairs when Tartaglia asks him to bow before Girello. In prison, where he was sent, Odoardo asks for his wife to intervene in his favour: it is Pasquella, and not Erminda, who answers him. At this point, the magician decides to remove the veil from the mortals' eyes—he turns Tartaglia into a statue, and tells Girello that he is taking his royal status away, for he has misused it. Girello tries to have him beaten, but the magician reveals the truth to everyone. Neither Pasquella nor Erminda knows where her real husband is anymore; as for Mustafa, it is revealed that he is the son of the King of Cyprus and Erminda's brother, which makes his marriage with the King's sister acceptable. The magician sets the example of forgiveness to the King by giving Tartaglia his human form back: Odoardo then forgives Girello.

Not specified

Acciaiuoli Filippo (aka Gran Burattinajo)

Italy

Ronciglione

Venice

Printed

Revenge

Magic

Apparences

Reign

Love

Social condition

Fantasy

Burlesque

Comical

Farcical

Girello, 1668 (front cover).

Italian

Pluto

Proserpina

King

Queen

Sister

Slave

Brother

Pedant

Counselor

Nurse

Gardener

Prison guard

Magician

Music

Play in verse

Prologue

Macaronism

Confinement

Avista

Demons dance

Change of social status

Apparition of a wizard

Apparition of demons

Interlude

Enchantment

Transforming one character into another

Disguised character (false identity)

Role reversal

Misunderstanding

Blow-with-a-stick

Seduction scene

Thwarted love

Love duet

Allusion to the audience

Revelation

Girello

The Wandering Man

The Docteur (Doctor) mocks Pierrot, dressed in ancient clothes to play in Nitétis. Arlequin flees when Polichinelle becomes angry after not being given a role in the tragedy; then, he offers the Docteur the role of the Princesse (Princess). The king of Persia, Cambise (Cambyse), ousted the king of Egypt, Phanès (Phanes). Phanès, a relative of the old Egyptian king Apriès (Apries) asks Cambise to kill the children of Amasis, Psamménite (Psammenitus) and Nitétis, to take revenge for the murder of his wife. Cambise agrees but later learns that the stranger who saved him is Psamménite; he also falls in love with Nitétis, with whom Psamménite is also in love. The Reine (Queen), widow of Apriès (Apries), who was killed by Amasis, also asks Cambise to take revenge for her, by killing Amasis. Amasis tells Psamménite that Nitétis is not his daughter, but Apriès’. He also tells him that he was raising her to be Psamménite’s wife. Psamménite declares his love to Nitétis; doing so, he reveals that she is Apriès’ daughter. Nitétis tells the Reine, Apriès’ widow, that she is her daughter. She asks Cambise to kill Amasis. Psamménite discloses to his father Amasis that he is in love with Nitétis. Amasis tells him about his plan to have Cambise killed, but Psamménite refuses to help him. Amasis attacks Cambise, but Psamménite intervenes: Cambise kills them both. Nitétis asks Cambise to marry her, but he prefers a common-law marriage.

Rod and string marionette

Piron Alexis

France

Paris

Tragedy

Brother-sister incest

Murder for hire

East

Theaters of the Parisian fairs

Parodistic

French

Arlecchino

Il Dottore (Commedia dell'arte)

Polichinelle

Pierrot

Swiss

Persian

Scene of recognition

Comical foreign accent

Colombine Nitétis

Atys (Attis) tells his cousin Sangaride that she is going to marry the prince Célénus (Celænus); then they both confess their love for each other. Having fallen in love with Atys, the goddess Cybèle (Cybele) declares her love to him in a dream. Believing that Atys is unfaithful, Sangaride agrees to marry Célénus. Atys opposes the marriage and flees with Sangaride. To punish Atys, Cybèle commands Esculape (Asclepius) and his apothecaries to drive him insane. Blinded by madness, Atys kills Sangaride. When he realises his crime, Atys begs Cybèle to bring Sangaride back to life, which she does, but changing the young woman into a hen, and Atys into a capon.

Fuzelier Louis

Opera

Wedding

Jealousy

Death

Death resurrected

Greek mythology

Capon

Grandparents

Ovid

La Grand-Mère amoureuse, frontispiece in Le Théâtre de la Foire ou l'Opéra comique, tome VIII, 1731.

Parodie d'Atys

Attis

Sangaride

Idas

Cybele

Rhea

Phrygian (man)

Priest

River

God of Sleep

Morpheus

Dreams

Asclepius

Apothecary

Phrygian (woman)

Tributaries

Stream

Instrumental tune

Metamorphosis

Love rivalry

Flying machine

Sung scenes

Dream

Final song

La Grand-Mère amoureuse

The Grand-Mother in love

Pulcinella, an apothecary, is pleased with his situation. Her daughter’s servant, Cannetella, tells him that women have qualities that make good apothecaries. After quarrelling several times about this topic, Pulcinella plans on marrying her. However, Cannatella is in love with a young man, Lisardo, who came to offer his services and work in the shop. Lisardo was hired by Pulcinella and is happy to be progressing with his plans: in fact, under the name Lisardo, a young woman called Delmira is hiding. She came to take revenge on Filarco, who robbed her of her honour and then abandoned her. However, Filarco is now wooing Rosaura, Pulcinella’s daughter. In fact, Rosaura is sick: to cure her, Pulcinella suggests that she marry Damone; she flatly refuses. Filarco sees many similarities between Lisardo and his ex-mistress, whom he believed was dead, but he is still fooled: he asks the young man to help him win Rosaura; Delmira calls him a traitor. To cure Rosaura, Pulcinella hires Damone, who is also a doctor: when the latter woos her during the consultation, she faints. As for Lisardo, he rejects Cannetella’s advances. The servant suggests that Filarco pretends to be a doctor to grow closer to Rosaura: because of her exhortations, Pulcinella summons Damone and Filarco, who examine the young woman together: this leads to double meanings between the young characters, who declare their love to each other. Filarco’s prescription is in fact a love letter, and Lisardo condemns his betrayal (Pulcinella cannot read): however, Rosaura manages to interpret every single word in medical terms. After taking the treatment prescribed by Damone, Rosaura pretends to have gone insane and behaves like Eurydice waiting for her Orfeo (Orpheus). She is so believable that Pulcinella discharges Damone and relies on Filarco: Rosaura pretends to see Orfeo in him; he goes along with it and earns the right to marry her. In an attempt to stop the marriage, Damone discloses that Rosaura is not Pulcinella’s daughter. Therefore, Pulcinella does not have the right to decide who she will marry: Rosaura declares her love to Filarco nonetheless. Delmira reveals who she truly is, and Filarco decides to go back to his first wife. Rosaura then lets herself be talked into marrying Damone, and Cannetella agrees to marry Pulcinella.

Rome

Medicine

Cure

Unfaithfulness

Forced marriage

Melodramatic

Pulcinella speziale in villa, 1728 (title page)

Pulcinella

Young woman

Young man

Physician

Maid

Dialect

Popular speech

Argument

Love story

Cross-dressing

Character mistaken as a member of the other sex

Sick character on stage

Fainting

Situation comedy

Comic equivocation

Scene of madness

Final wedding

Pulcinella speziale in villa

Pulcinella apothecary in the villa

Punch is furious because his sister, Mopsa, has been insulted. He offers to avenge her, but Mopsa prefers to go to court to ask their father, the magistrate Gormoncho, to punish the insult. Gormoncho comes on. The stage direction states that he should be wearing regalia, but that thieves have attacked the puppeteers on their way to the city and have stolen it. In court, Wyario, the clerk, reads Gormoncho an accusation against unknown people for robbing the regalia. The magistrate promises to punish the thieves, and moves on to the next case – Mopsa’s complaint. Mopsa accuses Alanio of having sung a bawdy song under her window. Alanio bursts into the room attended with two constables: it turns out that the thief is none other than Gormoncho himself.

Ireland

Judgment

Thief

Morality

English

Magistrato

Clerk

Daughter

Constable

Sergeant

Arrest scene

Court scene

Burlesque upon Magistracy; or, Punch out of Humour

Monsieur Sapin (Mister Fir Tree) and Monsieur Fagot (Mister Bundle of Sticks) pretend to be philosophers. They convince Polichinelle to do so too. After quarrelling with her husband Polichinelle, Dame Gigogne also decides to become a philosopher. Outside his shop, Polichinelle puts a sign claiming that he is a philosopher. Arlequin and Gille, who want to take revenge on philosophers, assault Polichinelle, but he defeats them. Monsieur Sapin and Polichinelle see Dame Gigogne walk on all fours before giving birth to many children. All the characters sing a vaudeville together and the children dance at the very end of the play.

Cadet de Beaupré (Louis Poinsinet de Sivry, aka Cadet de Beaupré)

Passy

Swazzle

Philosophy

Deception

Woman

Satirical

Comédie en un acte

Gille

Mother Gigogne

Metadiscourse on puppet theatre

Ballet

Multiplied characters

Childbirth on stage

Comical entrance

Domestic scene

Fight

Les Philosophes de bois

The Wooden philosophers

The play begins with a council of Démons (Demons) during which Pluton (Pluto), furious that Antoine (Anthony) is diverting the souls of the Underworld with his prayers, orders the Démons to capture him, and promises a reward for the one who will succeed. Proserpine (Proserpina), his wife, asks for permission to go alone to seduce the hermit. Antoine recognises her immediately and resists her charms. Pluton then tries a different approach, and pretends to be a beggar caught in a storm. Exposed, he asks Antoine to surrender his soul to him, but the hermit reasserts his faith in God. The Démons then appear suddenly, drag Antoine in a hellish dance and set fire to the tail of his Cochon (Pig). They also destroy his hermitage and tell him that they will transform his faithful companion into a sausage. Antoine is exhausted and begs God, who sends down an Ange (Angel) to rebuild the chapel and turn Pluton into a basket of flowers. During the grand finale, Antoine rises to the sky followed by his Cochon.

Girello

Colombine Nitétis

La Grand-Mère amoureuse

Parodie d'Atys

Pulcinella speziale in villa

Burlesque upon Magistracy; or, Punch out of Humour

Les Philosophes de bois

Comédie en un acte

La Tentation de Saint-Antoine

Fasolino che muore e rinasce da uovo

La Nonne sanglante

La Guida di Bragia