Leandro (Leander) meets Hero while she is working in Venere’s (Venus’s) temple: it is love at first glance for the two of them, and their love story develops according to chivalric standards. The romantic dialogue finds an echo in the more prosaic duo between Lesbia and Millo, the two servants. When Hero, faithfully devoted to the goddess, refuses herself to Leandro, he grabs her coat and rips it. She begs him to spare her honour and declares her love before she decides, driven by passion, to die in the breast of her new divinity. Arbace and his suite of singing hunters cross the stage. Lucilla, the fickle lover of Tigrane, placed by the latter in the care of Leandro, tries to seduce Leandro and fails. The first act ends on a burlesque note, with Millo followed by a choir of seamen singing and smoking. Arbace, who fell in love with Lucilla, is helped by Giocasta (Jocasta): she organises a (rigged) love game, for Tigrane and his lover. The game consists in proving one’s faithfulness by blindly finding a sign of love. While her lover is blindfolded, Lucilla can enjoy Arbace’s kisses. Then she pretends to have won the game and dismisses her lover; Giocasta is amused by women’s cunning. In the meantime, Hero, dressed as a gypsy, puts Leandro’s faithfulness to the test. Seeing Millo, she predicts that he will have a blissful future if he presents her at Court: introduced as a great magician to Lucilla, she is entrusted with the writing of a lover letter intended for Leandro. Arbace understands that his new lover has betrayed him, and Tigrane is sorrowful. Lucilla dances with her suite at the very end of the act. While Leandro is desperately looking for Hero, the latter, disguised as a gypsy, gives him Lucilla’s letter. She is convinced of his good faith because he rips the letter before even reading it. Leandro decides to join his beloved at night by crossing the water; Hero plans on waiting for him on the neighbouring beach. Unfortunately, Lucilla overhears the conversation between the lovers and asks Arbace to avenge her and to kill Hero. At night, Leandro is about to drown. On her cloud, Venere summons the choir of Nereidi (Nereids) and asks them to save him and take him up in the sky. Arbace wants to hit Hero, who is anxiously waiting for her lover; he kills Lucilla while Hero transforms into Leandro’s plant (oleander). While Lucilla is dying, paying the price of her wrongdoing, the lovers reunite in Elysium, by Venere’s side.

Not specified

Badovero Camillo

Italy

Venice

Printed

Love

Jealousy

Gipsy woman

Deception

Drowning

Venus (Goddess)

Ovid

Lyrical

Heroic

Tragic

Fantasy

Farcical

Italian

Gli amori fatali

Lord

Favourite

Léandre

Priestess

Virgin

Hero (priestess)

Chaperon

Lover (woman)

Secretary

Lover (man)

Nurse

Servant

Venus

Guard

Hunter

Bridesmaid

Nereids

Love story

Thwarted love

Music

Seduction scene

Undressed character on stage

Erotic scene

Love rivalry

Dancing entertainment

Interlude

Smoke

Wandering

Disguised character (false identity)

Investigation

Hunting scene

Scene in the dark

Night scene

Metamorphosis

Apparition of a god

Deus ex machina

Clouds

Ascent to heaven

Flying machine

Il Leandro

Leander

Janbroche – a cloth merchant – forbids his daughter from selling anything while she keeps the shop in his absence. To all questions, she will have to answer “really, Mister, nay”. Polichinelle, sent by his master the Marquis to place an order for a suit, takes advantage of this repeated response to take her to bed with him. When he comes back, the merchant Jambroche finds her with Polichinelle and forces her to leave the house without her breeches (“culotte” – an article of clothing covering the body from the waist down to the knees). The Marquis demands that Polichinelle marry the young woman.

France

Paris

Seduction

Sexual intercourse

Obedience

Ridiculous

Trade

Comical

French

Cloth merchant

The Interpreter

Pierrot

Polichinelle

Dancer

Marquis

Misunderstanding

Trap

Ballet

Dialogue with a character in the audience

Le Marchand ridicule

The foolish Merchant

Don Quixote takes up his role as a wandering knight and asks Sancho Pança (Sancho Panza) to help prepare before they leave, while his niece and the childminder beg him to stay. Sancho Pança gives instructions for his will and bids farewell to his wife and daughter. Don Quixote declares his love to a woman peasant whom he believes is Dulcineia under a spell. He mistakes comedians for giants, but the fight is avoided thanks to Sancho Pança’s donkey. In a forest, they meet Sansão Carrasco (Sansón Carrasco), who pretends to be a wandering knight. Don Quixote challenges him to a duel and unhorses him. Then, he attacks a caged lion, kills it and declares that he will now have to be called the Knight of the Lions. When he learns that a wandering knight is imprisoned in the cave of Montesinos, Don Quixote descends into it and tries to remove a spell from Lord Montesinos and from Belerma, the lady of the knight Durorante. The earth shakes and he is carried into the air with Sancho Pança. Back in the forest, Don Quixote believes that Dulcineia has been changed into Sancho Pança and declares his love to him; Sancho threatens to kick him until Don Quixote’s illusion is broken. The muse Calíope (Calliope) comes down from a cloud and asks Don Quixote to fight the bad poets. Don Quixote chases them off. Apolo (Apollo) offers Pancho’s son, who is a poet, to join the Parnassus. After embarking on a boat, Don Quixote and Sancho are shipwrecked. They are taken in a palace. Sancho asks for the island promised by his master. A devil on a donkey announces that the evil spell put on Dulcineia has come to an end. After being flogged, Sancho is appointed governor of the island. He passes several burlesque judgements, dictates a fanciful letter for his wife and then goes out to have lunch. He is forced to consult a doctor and quarrels with a judge about whether eating is good or not. Touring his island, Sancho wants to stop a serenade, but he flees after a sword fight. The scene ends with a fake attack on his island: Sancho avoids being killed.
The Countess Trifaldi asks Don Quixote to remove her spell. Mounting a horse that came down from the sky, he leaves and starts his quest as a wandering knight again, while Sancho announces that he plans on going back home. Carrasco tries one last time to bring Don Quixote back to reality, fights him in a duel, unhorses him and forces him to go back home. Sancho complains that he has won nothing in this adventure.

António José Da Silva (António José da Silva, aka O Judeu)

Portugal

Lisbon

Madness

Illusion

Knighthood

Adventure

Mock-heroic

Parodistic

Burlesque

António José da Silva, Vida do grande D. Quixote de la Mancha e do gordo Sancho Pança, stage direction by Émilie Valantin, Comédie-Française, 2008.

Portuguese

Sancho Panza

Niece

Daughter

Notary

Peasant (female)

Devil

Calliope

Apollo

Muse

Miller

Sailor

Gentleman

Lady

Clerk

Merlin

Violinist

Physician

Surgeon

Innkeeper

Old woman

Horseman

Bearded lady

Chorus

Aside

Aria

Fight with an animal

Earthquake

Avista

Shipwreck scene

Scene of flagellation

Court scene

Vida do grande D. Quixote de la Mancha e do gordo Sancho Pança

Life of the great Don Quixote of la Mancha and of the fat Sancho Panza

Dom Gilvaz and Dom Fuas become enamoured with Dona Clóris and Dona Nise, the two nieces of the miser Dom Lanserote; Semicúpio, Dom Gilvaz’s servant, falls in love with their maid Sevadilha. Dona Nise gives her suitor a sprig of marjoram, Dona Clóris gives hers a sprig of rosemary and Sevadilha gifts hers a daisy; they encourage them to make these symbols triumph. The old Fagundes, Dom Lanserote’s maid, agrees to help the lovers. She reveals that one of the young women is promised to the foolish Dom Tibúrcio, and that the other will be sent to a convent. While Dom Tibúrcio is wooing Sevadilha, Semicúpio sneaks into the house; he is carrying a bundle of rosemary for Dom Gilvaz. When he faints, Fagundes sprays water on him and then leaves him with Sevadilha. The two servants bond; this ingenious couple will drive the action of the play. Dom Gilvaz catches Dom Fuas as he is climbing a ladder to break into the house: everyone enters the house and the two rivals, envying each other, engage in dialogues with their beloved. Dom Lanserote stops these outpourings. To escape this bad situation, Semicúpio claims that there is a fire and breaks down the door: the two lords, cornered, pretend to have come to put out the fire. Dom Fuas hides in a trunk to get into the house; he is carried by Semicúpio, who then hides his master Dom Gilvaz in it. While Dom Tibúrcio is courting Sevadilha, Dom Lanserote urges him to choose which of his nieces he will marry. They sit on the trunk. When it is knocked down, the candle goes out: the women arrive on stage for a night scene filled with much confusion. Dom Tibúrcio and Dom Lanserote want to open the trunk, but Dona Nise chases them away by talking about a ghost. Dom Gilvaz thanks Dona Nise, which arouses Dom Fuas’s jealousy. Then Dom Fuas speaks with Dona Clóris, arousing Dom Gilvaz’s jealousy. Semicúpio falls into the trunk. Dom Lanserote and Dom Tibúrcio arrive with light: they open the trunk, out of which comes Semicúpio; as he flees, he blows out the candle and shoves the other characters, who all believe that they are being pushed by their respective companion. The wedding is temporarily cancelled after this quarrel. Dom Gilvaz is waiting for Dona Clóris. He asks Dona Nise to hide him, but Dom Fuas and Dona Clóris find him: they both believe that their lovers have betrayed them. Dom Lanserote has reconciled with his nephew; he summons his nieces and, once again, asks Dom Tibúrcio to choose between them. Dom Fuas, Dom Gilvaz and Semicúpio, dressed as women, accuse Dom Tibúrcio of polygamy: he is forced to leave. In his misfortune, Dom Tibúrcio requires medical care: Dom Fuas, Dom Gilvaz and Semicúpio, dressed as doctors, tell him that he is pregnant; they also prescribe natural remedies to their beloved—marjoram, rosemary and daisy. Dom Gilvaz and his servant break into the garden using a rope. Dom Lanserote is there; he catches Semicúpio and locks him inside the henhouse. By mistake, Dom Fuas sits by the marjoram, and Dom Gilvaz by the rosemary: their lovers come to water the plants and find them: this is the beginning of another fit of jealousy from Dom Fuas and Dona Clóris. Dom Lansarote arrives: the lovers hide in the henhouse, as does Dom Tibúrcio. A judicial officer—Semicúpio in disguise—is with Dom Lanserote: he asks the hiding man to come out of the henhouse and arrests all the lords who walk out of it. In a parodical trial, Semicúpio finds the young women guilty of theft for having stolen the heart of the two lords, and sentences them to marriage; he requests that the costs be covered by Dom Lansarote and Dom Tibúrcio. The weddings put an end to the quarrel between rosemary and marjoram.

Rivalry in love

Suitors

Medicine

Justice

Wedding

Dramatic

Satirical

António José da Silva, Guerras do Alecrim e Mangerona (1759)

Legal guardian

Maid

Love duet

Jack of all trades

Fainting

Hidden character

Running away

Punching

Disguise

Cross-dressing

Macaronic Latin

Arrest scene

Confinement

Final wedding

Guerras do Alecrim e Mangerona

Wars of the Rosemary and of the Marjoram

Leander is in love with Leontine, the daughter of the rich Gebhard. Leander’s footman, Hanswurst, is in love with the maid, Katharinchen. Old Gebhard spends his time reading two books from the "Das Reich der Todten" (The Empire of the Dead) series, which collects imaginary conversations between dead people. He is against his daughter’s wedding. Leander only has a chance at marrying her if he learns the books by heart. The lovers decide to give a sleeping pill to Gebhard, to take him to the garden, and to make him believe that he died. They dress up to stage the chaos happening in The Empire of the Dead. Leontine, Leander, Katharinchen, and Hanswurst go to meet the old man one by one. They explain to him that they too died and that it was his fault. Gebhard thus ends up giving his consent for the wedding. Ernst, a cereal merchant from whom Leander sought advice, enters the stage to expose the trickery to Gebhard, who learns that none of them is dead.

String marionette

Hofmann Anton

Germany

Augsburg

Manuscript

Hell

Death

Reading

Wedding prevented

Father

Dialogue of the dead

Poster from Joseph Peter Seelig, Augsburg, circa 1820 (Stephan Oettermann: Ankündigungs-Zettel von Kunstreitern, Akrobaten, Tänzern, Taschenspielern, Feuerwerkern, Luftballons und dergleichen, Wiesbaden 1993, no. 1683)

German

Die bestrafte Einbildung, oder: Das Reich der Todten mitten im Reich, der Lebendigen

Rentier

Fiancée

Chambermaid

Merchant (man)

Fiancé

Hanswurst

Illusory world

Monologue

Das Reich der Todten

The Empire of the Dead

Catarina, a matchmaker, tells Zeferino, a barber, that the young Filomena would like to marry him. Zeferino is delighted and rewards the matchmaker with one hundred escudos to buy snuff. Filomena, singing, comes in to deliver bread. Zeferino confesses his love for her and promises to marry her and to never beat her. They both sing and dance. Zeferino wants to take advantage of Filomena’s charms and announces that she will have to work after her wedding, contrary to her hopes. He takes a stick and beats her. She runs away, and Zeferino tells the audience that other young women could suffer the same fate.

Single rod marionettes

Adults

Borba

Évora

Money

Women's condition

Matchmaker

Erotic

Blow-with-a-stick

Filomena e Zeferino

Monsieur Sapin (Mister Fir Tree) and Monsieur Fagot (Mister Bundle of Sticks) pretend to be philosophers. They convince Polichinelle to do so too. After quarrelling with her husband Polichinelle, Dame Gigogne also decides to become a philosopher. Outside his shop, Polichinelle puts a sign claiming that he is a philosopher. Arlequin and Gille, who want to take revenge on philosophers, assault Polichinelle, but he defeats them. Monsieur Sapin and Polichinelle see Dame Gigogne walk on all fours before giving birth to many children. All the characters sing a vaudeville together and the children dance at the very end of the play.

Il Leandro

Le Marchand ridicule

Vida do grande D. Quixote de la Mancha e do gordo Sancho Pança

Guerras do Alecrim e Mangerona

Das Reich der Todten

Filomena e Zeferino

Les Philosophes de bois

Comédie en un acte

Le Sac de charbon

La Tragédie d'Arlequin

Le disgrazie de Arlechin