The ghost of Hamlet’s father reveals to him that he was murdered by his own brother, who succeeded him on the throne of Denmark. He asks his son to avenge him. Hamlet feigns madness to pull the wool over his mother’s and uncle’s eyes, as he stages a puppet play that has them believe he knows about their crime. As he argues with his mother, he discovers that they are being spied on by the courtier Oldenholm and he throws him out the window, into the moats of the castle. Oldenholm’s daughter – Ophelia – believes that his father has died and loses her sanity: but Hamlet has secretly saved him from drowning. Ophelia reunites with her father and comes back to her senses. However, the king wants to dispose of his nephew by sending him to war against Napoleon, under Admiral Nelson’s commands. Hamlet finds out about this conspiracy. During the farewell dance organised for him, he has the king drink the poison that was meant for him. He then ascends the throne of Denmark and marries Ophelia. His uncle, who was saved at death’s door, is exiled to Greenland.

String marionette

Glove-puppet

Not specified

Schink Johann Friedrich

Germany

Ratzeburg

Printed

Philosophy

Idealism

Madness

Murder

Politics

Court life

Plot

Love

Commedia dell'arte

Shakespeare

Satirical

Parodistic

Burlesque

Illustration on the cover page of the 1800 edition.

German

Momus und sein Guckkasten

Ein Marionettenspiel

Hamlet

Guard

Captain

Queen

Courtier

Ophelia

Ghost

Puppeteer

Pantaloon

Colombine

Pierrot

Prince

Il Dottore (Commedia dell'arte)

Scapin

Polichinelle

Prologue

Address to the public

Sung scenes

Monologue

Metadiscourse on puppet theatre

Comic Equivocation

Allegory

Political allegory

Allusion to current literary events

Instrumental tune

Pantomime

Play in verse

Prinz Hamlet von Dännemark

Hamlet Prince of Danemark

On his way to Paris, young d’Artagnan bumps into a stranger accompanied by a gorgeous woman he calls Milady. The stranger steals from him a reference letter addressed to Tréville – the captain of the musketeers. In Paris, d’Artagnan meets Tréville and earns the trust of the three musketeers Athos, Porthos and Aramis when he fights with them against the Cardinal Richelieu’s guards. The king gives the three musketeers and d’Artagnan thanks for their courage. Then, d’Artagnan saves Costanza – the queen’s lady-in-waiting. She entrusts him with a mission – to save the queen from a trap set by Richelieu. The queen gave aglets to the duke of Buckingham, who is in love with her, but they had been gifted to her by the king. In order to make the king aware of this relationship between the queen and the duke, the cardinal suggests that he organise a party and ask the queen to wear the aglets for the occasion. D’Artagnan then goes to London with the three musketeers, manages to recover the aglets and so to save the queen’s reputation.

Rod marionette

Rod and string marionette

Italy

Palermo

Typed or electronic text with handwritten annotations

Bravery

Impossible love

Cloak-and-dagger novel

Friendship

Heroic

Dramatic

Italian

d'Artagnan

Milady

Innkeeper

Jean-Armand du Peyrer, earl of Tréville

Choir

Aramis

Athos

Porthos

Jussac

Louis XIII

Landlord

Bonacieux

Lady

Duke of Buckingham

Cardinal Richelieu

Earl of Rochefort

Anne of Austria

Chancellor

Duel scene

Spying scene

Sword fight

Spectacular turn of events

Dance

I tre moschettieri

The three musketeers

A flesh-and-blood Pulcinella speaks to the audience about his secret passion for books and, in particular, for Shakespeare's Macbeth. While reading a book and manipulating chess pieces on a small table in front of a castelet, Pulcinella tells the story of Macbeth. At the end, convinced that it's impossible for such a wicked character to die, he casts a spell to keep Macbeth alive. Pulcinella enters in the puppet boots and "Mr. Punch Macbeth" appears on stage.
After hitting his wife Judy and making a sausage with the Baby, Mr Punch-Macbeth meets Hamlet, played by a Pierrot puppet. In an absurd dialogue between the two characters, their stories mingle and Hamlet ends up killing Mr Punch-Macbeth, shouting, « Essere o non essere, non è un problema! » (« To be or not to be isn’t a problem! »). Hamlet falls in love with Juliette, but his brother (a Sicilian pupo) and the puppeteer prevent the marriage of a glove puppet and a marionette. Juliette drinks a potion which makes her appear to be dead. Hamlet swallows a poison which turns him into a glove puppet representing Mobârak (the black valet of the Iranian puppet theater), in the role of Othello.
Othello mistakes Juliette for Desdemona and kills her before remembering that he himself is Romeo. In despair, he commits suicide. Iago enters, interpreted by a puppet with the head of the Neapolitan actor Totò, and proclaims himself king of the wicked. But he is immediately attacked and killed by a Polichinelle playing the part of Richard III. All the characters haunt the sleep of Polichinelle-Richard III: Mr Punch-Macbeth, Hamlet-Romeo, Othello, Iago. In the end, he is pursued by Death, but a horse with Pulcinella’s white hat and black half-mask comes to save him. At this moment, a marotte representing Shakespeare intervenes to bring the show to an end. Accompanied by the song Che cosa sono le nuvole? by Domenico Modugno and Pier Paolo Pasolini, taken from Pasolini's movie of the same name, the puppets make a final appearance on the puppet booth stage.

Prinz Hamlet von Dännemark

Ein Marionettenspiel

I tre moschettieri

Pulchi Shake and Speare

Miscellanea di drammi shakespeariani in guarattellesco by Pulcinella Cetrulo