<p>The Viennese public attends a puppet show in the Prater. The play in question features a hero who is unwillingly involved in a foursome with his lover Liesl and the Duke and Duchess of Lawin. The duel between him and the Duke is cancelled, but he loses the interest of the Duchess and the love of Liesl in the process. Death comes. The audience, which has not stopped commenting on the play, intervenes more and more loudly and the performance turns into a scandal. It is no longer clear who is a spectator, who is a puppet, until a man in a blue coat enters the stage... and cuts the strings of the puppets with a sword, thus discriminating between animate and inanimate.</p>

String marionette

Glove-puppet

Not specified

Schnitzler Arthur

Austria

Vienna

Germany

Berlin

Printed

Representation

Infidelity

Duel

Self-consciousness of puppets

Local color

Argument

Wrangle

Hanswurst

Uproar

Lust

Entertainment

Burlesque

Satirical

German

Marionetten

Burleske in einem Akt

Directeur

Poète

Bourgeois

Femme

Fille

Comte

Soldat

Serveur

Enfant

Le père

Epoux

Raisonneur

Lutteur

Morte

Valet

La Mort

Puppet theatre within the theatre

Metadiscourse on puppet theatre

Address to the public

Pantomime

Parody of formal language

Prologue

Versified passages

Stichomythia

Metamorphosis

Character thrown out of the scene

Zum großen Wurstel

To the big sausage

<p>Ondina Peteani was born in Trieste on 26 April 1925. As a teenager, she began to associate with the Fontanot family and attended communist meetings. At the age of seventeen, she chose to become an underground activist of the Italian Communist Party (PCI). She soon began to carry out her first resistance actions under the pseudonym "Natalia". During a police operation in a mountain refuge, Ondina managed to save herself with the help of comrade Cvetko. In June 1943, all the members of the resistance group to which Ondina belonged, Ondina herself, her mother and her sister were imprisoned because of a double agent. After the armistice on 8 September, they are all freed by the people. The informer turns out to be Ondina's sister, Santina, because she had a love affair with a young fascist. Santina is executed. Fighting against the Germans begins and the resistance fighters succumb after a fierce struggle. Ondine and comrade Stecchi are sent in pursuit of the traitor Blechi, who has caused the death of many resistance fighters after infiltrating among them. The comic sketch with the glove-puppets begins: Blechi notices the presence of Ondina and Stecchi and disguises himself as a priest so as not to be recognised, thus managing to escape. When he meets Ondina, he disguises himself as an old man, but she recognises him and Blechi is caught and killed. In 1944, Ondina is deported to the Auschwitz concentration camp as a political prisoner. She survives despite the physical and psychological hardships. The horror she experienced in the camp did not erase her conviction that she had to fight for resistance and freedom.</p>

Actor and puppet

Gloved hand

Mannequin

Cuscunà Marta

Italy

Monfalcone

Documentary story

Biography

True story

Partisan

Partisan struggle

Resistance

World War II

Fascism

Communism

Feminism

Woman

Heroism

Maquis

Auschwitz

Realist

Pathetic

Dramatic

Italian

Progetto di teatro civile per un’attrice, cinque burattini e un pupazzo

Choir

Peasant accent

Comical regional accent

Alternating narrative / dialogue

Transforming scenery

Disguise

Confinement

Disguised character (false identity)

Narrative Theater

Narrator

Murder on stage

È bello vivere liberi!

It's good to live free!